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The Sunday Times Humour Book of the Year. 80 of the funniest stories ever written, selected and introduced by Paul Merton. From Anton Chekhov to Ali Smith, from P.G. Wodehouse to Nora Ephron, the greatest writers are those who know how to laugh. Here, award-winning comedian and broadcaster Paul Merton brings together his favourite funny stories of all time. Whether it's the silly, surreal, slap-stick or satirical that makes you smile, there's a story here to tickle every funny bone. From prize-winners and literary giants, to stand-up comedians and the rising stars of funny literature, this brilliant anthology is guaranteed to cheer your day.
Not Funny Ha-Ha is a bold, slightly wry graphic novel illustrating the lives of two young women from different cultural, family, and financial backgrounds who go through two different abortions (medical and surgical). It follows them through the process of choosing a clinic, reaching out to friends, partners, and/or family, and eventually the procedure(s) itself. It simply shows what happens when a woman goes through it, no questions asked. Despite the fact that so many women and girls have abortions every day, in every city, all around us, it can be a lonely experience. Not Funny Ha-Ha is a little bit technical, a little bit moving, and often funny, in a format uniquely suited to communicate. The book is meant to be a non-judgmental, comforting, even humorous look at what a woman can go through during an abortion. Although the subject matter is heavy, the illustrations are light. The author takes a step back from putting forth any personal opinion whatsoever, simply laying out the events and possible emotional repercussions that could, and often do occur.
In the #1 New York Times bestselling book, class clown Jacky Hart discovers she's a triple threat onstage—but will she have a chance to shine? Jacky Hart has found a hidden talent in the performing arts, and she's a triple threat onstage! She wants nothing more than to act and sing all summer -- but her parents have other plans for her. Jacky reluctantly signs up for a summer job in her resort town of Seaside Heights, New Jersey, where tourists come to enjoy the beach and fun carnival atmosphere. Now she has serious responsibilities like her job and babysitting her younger sisters, but Jacky longs to perform in the summer stock performance of A Midsummer Night's Dream. Can she handle all of her important commitments and still have fun with her friends -- or will she learn that juggling isn't one of her many talents? James Patterson's middle grade jokester Jacky returns in this wild romp through summer in the Jersey Shore, featuring lively illustrations by French artist duo Kerascoët. Don’t miss Jacky’s hilarious new adventure, Jacky Ha-Ha Gets the Last Laugh!
This lively anthology brings together two kinds of funny: humorous poems that make you laugh or smile (funny ha-ha), and strange, surreal, witty or plain weird poems (funny peculiar). There has always been a tradition of comic and curious verse in English poetry, but in contemporary poetry the peculiar has come into its own, as this surprising selection shows. Presented in a hardback version of the giftbook format used for other shorter Bloodaxe anthologies aimed at a popular readership, Funny Ha-Ha, Funny Peculiar covers a wide variety of highly entertaining or provocatively engaging poets.
An entertaining tour of the science of humor and laughter Humor, like pornography, is famously difficult to define. We know it when we see it, but is there a way to figure out what we really find funny -- and why? In this fascinating investigation into the science of humor and laughter, cognitive neuroscientist Scott Weems uncovers what's happening in our heads when we giggle, guffaw, or double over with laughter. While we typically think of humor in terms of jokes or comic timing, in Ha! Weems proposes a provocative new model. Humor arises from inner conflict in the brain, he argues, and is part of a larger desire to comprehend a complex world. Showing that the delight that comes with "getting" a punchline is closely related to the joy that accompanies the insight to solve a difficult problem, Weems explores why surprise is such an important element in humor, why computers are terrible at recognizing what's funny, and why it takes so long for a tragedy to become acceptable comedic fodder. From the role of insult jokes to the benefit of laughing for our immune system, Ha! reveals why humor is so idiosyncratic, and why how-to books alone will never help us become funnier people. Packed with the latest research, illuminating anecdotes, and even a few jokes, Ha! lifts the curtain on this most human of qualities. From the origins of humor in our brains to its life on the standup comedy circuit, this book offers a delightful tour of why humor is so important to our daily lives.
"Conventional histories of comedy address the verbal comedy presented on stage or screen, or in broadcast media. During the twentieth century, however, there emerged another form of comedy--a comedy of doing rather than saying--that yielded prop-like conceptual objects and gestures of public theater. Termed 'concrete comedy' by internationally known artist and writer David Robbins, its origins date from around 1915, with the work of Karl Valentin, a German comedian of stage and screen who also made comic objects, and Marcel Duchamp, who used the art context as a site as for comedy. Concrete Comedy discusses visual artists (Manzoni, Warhol, Cattelan, Kippenberger, among many others) alongside entertainers (Albert Brooks, Andy Kaufman, Robert Benchley, Jack Benny), musicians (The Ramones, The Replacements, Frank Zappa), couturiers (from Chanel to Viktor & Rolf), architects (SITE Architects) and dozens of other comic imaginations. It offers both an alternative to conventional comedy and an alternative reading of certain abiding strategies in recent art."--Publisher's description.
Over 350 ways to make you laugh! This brilliant collection of jokes combines the best knock-knock jokes, the silliest animal jokes and the most hilarious elephant jokes around. With a black-and-white illustration for every joke, this collection is sure to entertain every reader.
Get ready to laugh out loud! Scratch the stripes of the zebra. Can you guess what will happen? Open the big flap . . . oh no! The zebra's stripes are all scratched off! Tap on a camel's hump . . . what happens? Open the big flap . . . one of its humps has disappeared! In this side-splittingly funny book that focuses on physical humor, kids will tickle, make a face, or blow a kiss—a different action on each spread—then lift the big flaps to reveal the unexpected and ridiculous results! An exceptionally silly book that every child will want to read again and again!
Adapted from James Patterson's #1 New York Times bestselling series, this hilarious and heartwarming graphic novel introduces Jacky Ha-Ha, a class clown who makes people laugh with her so they can't laugh at her! With her irresistible urge to tell a joke in every situation--even when it's a bad idea--Jacky Ha-Ha loves to make people laugh. And cracking wise helps distract her from thinking about not-so-funny things in her life, like her mom serving in a dangerous, faraway war, and a dad who's hardly ever home. But no matter how much fun Jacky has, she can't entirely escape her worries. So one starlit night, she makes a promise to keep her family together...even if she has to give up the one thing that makes her happy. But can she stop being Jacky Ha-Ha, if that's who she really is? Bright, funny, and fast-paced artwork will have readers laughing their way through Jacky's ha-ha-heartwarming story!
You've just boarded a plane. You've loaded your phone with your favorite podcasts, but before you can pop in your earbuds, disaster strikes: The guy in the next seat starts telling you all about something crazy that happened to him--in great detail. This is the unwelcome storyteller, trying to convince a reluctant audience to care about his story. We all hate that guy, right? But when you tell a story (any kind of story: a novel, a memoir, a screenplay, a stage play, a comic, or even a cover letter), you become the unwelcome storyteller. So how can you write a story that audiences will embrace? The answer is simple: Remember what it feels like to be that jaded audience. Tell the story that would win you over, even if you didn't want to hear it. The Secrets of Story provides comprehensive, audience-focused strategies for becoming a master storyteller. Armed with the Ultimate Story Checklist, you can improve every aspect of your fiction writing with incisive questions like these: • Concept: Is the one-sentence description of your story uniquely appealing? • Character: Can your audience identify with your hero? • Structure and Plot: Is your story ruled by human nature? • Scene Work: Does each scene advance the plot and reveal character through emotional reactions? • Dialogue: Is your characters' dialogue infused with distinct personality traits and speech patterns based on their lives and backgrounds? • Tone: Are you subtly setting, resetting, and upsetting expectations? • Theme: Are you using multiple ironies throughout the story to create meaning? To succeed in the world of fiction and film, you have to work on every aspect of your craft and satisfy your audience. Do both--and so much more--with The Secrets of Story.