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The publication in 2001 of "The Ancient Track: The Complete Poetical Works of H. P. Lovecraft" was a landmark. For the first time, all of Lovecraft's 500 or more poems-including hundreds of Christmas greetings, untitled poems, fragments, and poems embedded in his published and unpublished letters-were gathered in accurate texts, with critical commentary and full bibliography. Since that time, a dozen or more poems or poetic fragments have been discovered by scholars and researchers, and this new edition prints these items along with several other works of interest. Poems that Lovecraft revised for various authors are included, along with (where extant) the original poems that served as the basis for the revisions. The original versions of poems by Ovid, Horace, and other classical poets that Lovecraft translated are provided. And the commentary and bibliography have been thoroughly revised and updated. It can well be said that this second edition of "The Ancient Track" is the definitive collection of Lovecraft's entire poetic output. It has been edited by S. T. Joshi, a leading authority on Lovecraft and the editor of Lovecraft's collected fiction, revisions, essays, and letters.
From the famous horror writer, H.P. Lovecraft, comes this brand new collection of poetry. From the macabre work he’s best known for to his gentle odes to nature, this volume includes many of Lovecraft’s most effective poems. The Poetry of H.P. Lovecraft collates the horror writer’s wide variety of poetry into one compact collection. Including Lovecraft’s fantasy work, satirical pieces, nature poetry and occasion verse written for specific events, this volume introduces the reader to a whole new side of the writer’s personality and work. Many of the poems nod to Lovecraft’s roots in horror, and even in his poetry we see the classic disturbing sentiments that make his work unique. This collection includes poems such as: - ‘An Ode to Selene or Diana’ - ‘On Receiving a Picture of Swans’ - ‘A Garden’ - ‘Nemesis’ - ‘The Nightmare Lake’ - ‘The Ancient Track’ These poems have been published in a new collection by Read & Co. Books’ vintage poetry imprint, Ragged Hand, for a new generation of readers to enjoy. Complete with two introductory essays by Lovecraft, 'The Allowable Rhyme' and 'Metrical Regularity', this volume is not to be missed by fans of Lovecraft’s work or lovers of poetry.
36 DREADFUL POEMS OF COSMIC HORRORS In H.P. Lovecraft's famous poetry cycle, an occultist steals an ancient tome of forbidden lore—but when he begins to read, it takes on a nightmarish journey throughout space, time, and alternate realities. Each dark poem reveals a new horrifying dream-vision, each filled with Lovecraft’s signature blend of cosmic horror and alienation. Also included is Lovecraft's incomplete short story "The Book", where he tried to translate this weird poetry cycle into prose—but, unfortunately, never finished.
Praise for Ann K. Schwader's poetry: Ann Schwader, poet and "imaginer" par excellence, represents in her considerable mythopoeic art something at once remarkably novel and yet somehow reassuring despite her often dystopian vision. She deploys her craft and technique to offer us in depth a wide range of adventures, past, present, and future, whether alluring, distressing, or horrific. -Donald Sidney-Fryer The dark and enchanting verse of Ann K. Schwader weaves layers and labyrinths of wonder and beauty. Her work burns with language perfumed with mighty magic. It is not to be missed! -Joseph S. Pulver, Sr. Ann K. Schwader's intoxicating poetry is as authentically Lovecraftian as it is brilliantly original. This is poetry that is truly transporting. Superb! -W. H. Pugmire It takes more than mastery of rhyme, meter, euphony, and alliteration to preserve the emotional essence of the weird poetry of Lovecraft, Chambers, and Frank Belknap Long. Ann Schwader's poetical vision re-evokes the same senses of terror based on the weird prose she offers in rhythmical form. It is as though one is reading the dreams of a gargoyle. -Fred Phillips, author of From the Cauldron From early inspiration by H. P. Lovecraft, and later science fiction, Ann K. Schwader's own voice speaks ever more confidently and resonates with messages profound and relevant, universal and perennial. -Charles Lovecraft If Yog-Sothoth knows the gate, is the gate, is the key and guardian of the gate, then likewise, Ann K. Schwader's weird verse opens a gate to lonely places where the Words have been spoken and the Rites howled through at their Seasons. Schwader's verse-haunting, evocative, arresting in both conception and imagery-gibbers like Old Ones' voices on the wind, and like the earth that mutters with Their consciousness. -Leigh Blackmore, author of Spores from Sharnoth
"While the letters in this volume touch mainly on literary matters, they also record H.P. Lovecraft's love of Florida. He visited the state several times--twice as Robert Barlow's guest--and was enthralled by the vistas of live oaks and Spanish moss. He occasionally felt "homesick" for Florida when he was at home in Rhode Island, and he never yearned more to be in the Sunshine State than during cold New England winters. There was no doubt where he wished to be when he addressed a letter to Barlow, during the depths of one winter, as "O Floridian More Fortunate than you can Realise." In addition to letters, the reader will find an insightful introduction by the editors providing details and anecdotes about the friendship between Lovecraft and Barlow. The book is further enriched by Barlow's poignant memoir of Lovecraft in Florida, a glossary of notable people mentioned in the letters, autobiographical pieces by Barlow, and an invaluable index. The reader will find references to familiar names like Weird Tales, Robert E. Howard, Clark Ashton Smith, and Harry Houdini. These letters to Barlow record much about that vanished time and prove to be among the liveliest of Lovecraft's published correspondence."--Back cover
H. P. Lovecraft did not have a great many female correspondents, but among the most notable was Elizabeth Toldridge, a poet living in Washington, D.C., who began corresponding with Lovecraft in the late 1920s. Over their decade-long exchange of letters, Lovecraft discussed at length the aesthetic basis of poetry and the methods by which poetic expression could be made relevant in an age of science. He came to recognize that his earlier attempts at writing eighteenth-century-style verse were aesthetic failures, and he attempted to put his new poetic theories into practice with "Fungi from Yuggoth" (1929-30) and other poems. Lovecraft also extensively discussed the current political and economic situation, recognizing that the onset of the Great Depression necessitated a political shift-one that ultimately led him to moderate socialism. Anne Tillery Renshaw was a colleague of long standing, having known Lovecraft during his amateur journalism period in the 1910s. Late in life she commissioned Lovecraft to work on her treatise on English usage, "Well-Bred Speech" (1936). This edition publishes for the first time several chapters that Lovecraft wrote for that book that were dropped before publication. Exhaustively annotated by leading Lovecraft scholars David E. Schultz and S. T. Joshi, this volume illuminates one of the great literary personalities of his time-and in his own words. The letters are presented in unabridged form and with detailed notes and commentary.