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For many young women, the 1920s felt like a promise of liberty. It was a period when they dared to shorten their skirts and shingle their hair, to smoke, drink, take drugs and to claim sexual freedoms. In an era of soaring stock markets, consumer expansion, urbanization and fast travel, women were reimagining both the small detail and the large ambitions of their lives. In Flappers, acclaimed biographer Judith Mackrell follows a group of six women - Diana Cooper, Nancy Cunard, Tallulah Bankhead, Zelda Fitzgerald, Josephine Baker and Tamara de Lempicka - who, between them, exemplified the range and daring of that generation's spirit. For them, the pursuit of experience was not just about dancing the Charleston and wearing fashionable clothes. They made themselves prominent among the artists, icons, and heroines of their age, pursuing experience in ways that their mothers could never have imagined, seeking to define what it was to be young and a woman in an age where the smashing of old certainties had thrown the world wide open. Talented, reckless and wilful, with personalities that transcended their class and background, they re-wrote their destinies in remarkable, entertaining and sometimes tragic ways. And between them they blazed the trail of the New Woman around the world.
Artist Karen Campbell takes the best of her illustrations from her how-to-draw books, "Learn to Draw Art Deco Style Volume 1 and 2", and assembles them together in new and fun ways to create clever and entertaining coloring pages. Not a fan of tiny and detailed coloring pages herself, Karen prefers large-scale drawings where she can add her own details, embellishments and imagination and this new coloring book invites YOU to do the same! The hand-drawn illustrations range from simple, glamorous faces to small vignettes which give a glimpse into the homes of young flappers: their bedrooms, living rooms, boyfriends, and even their pets! Pour yourself a Whiskey Sour and get ready to color all things Art Deco. From furniture to jewelry, bold geometric designs to drinks, pets, dapper gentlemen and MORE, it's all in here waiting for YOU to dream and color! If you prefer coloring with a magnifying glass and tiny pens, this coloring book is not for you. BUT, if you like a page and design to have a little breathing room where you can fill in your own backgrounds or add details to your foregrounds, or practice your shading and coloring skills or just flex your all-out creativity, then this book is a MUST!
Replete with vivid, authentic costumes of the 1920s and '30s, seven dolls depict bootleggers, corrupt cops, showgirls, and flappers. Background scenes include a bustling speakeasy interior and its tranquil flower shop facade.
Entertaining, highly readable book pulses with the vernacular of young Americans from the end of the 19th century to the present. Alphabetical listings for each decade, plus fascinating sidebars about language and culture.
Originally published: Great Britain: Macmillan, 2013.
Offering readers an inebriating swig from the great cocktail shaker of the Roaring Twenties—the Jazz Age, the age of Gatsby—Bohemians, Bootleggers, Flappers, and Swells showcases unforgettable writers in search of how to live well in a changing era. Vanity Fair editor Graydon Carter introduces these fabulous pieces written between 1913 and 1936, when the magazine published a Murderers’ Row of the world’s leading literary lights, including: F. Scott Fitzgerald on what a magazine should be Clarence Darrow on equality e. e. cummings on Calvin Coolidge D. H. Lawrence on women Djuna Barnes on James Joyce John Maynard Keynes on the collapse in money value Dorothy Parker on a host of topics, from why she hates actresses to why she hasn’t married
The spud everybody loves to play with is turning 50 years old! Mr. Potato Head has delighted generations of children and now everyone can have a detailed look at the exciting history of the toy potato that has fascinated the world for half a century. This colorful book follows Mr. Potato Head from his birth in 1952 at the hands of Hassenfeld Bros., to the addition of Mrs. Potato Head and all the variations on the original, including the Jumpin1 Mr. Potato Head and the Toy Story version. Funny Face also highlights the pop culture aspect of the popular toy, including the toy premiums and other marketing items, such as Mr. Potato Head Ice Pops and the Potato Head Game that sprouted from its popularity.
In Mixed Media Magic, artist Karen Campbell shares her excitement and vast knowledge of mixed media and art journaling techniques by providing ten fun, increasingly challenging, step-by-step creative projects. Karen also shares tips and information about art supplies, creative tools, up-cycling, ways to save money, stay inspired and more!
The bright lights of Manhattan, burning crosses in Mississippi, and former flames from Texas sparked a series of stories and essays featured here in Funny Face. With wit and wisdom, author Peggi Davis’ musings recount the hilarious and harrowing events that occurred as she gingerly grew up, and her fractured family moved from town to town. Half hippie, half haute couture, she entered the wacky world of retail advertising at the young age of nineteen. There, her outrageous experiences and escapades with a collection of colorful, creative colleagues provide a humorous personal narrative. And her ability to rise above the secrets hidden from her as a child offers insight into the sadder parts of her life. Now in her seventies, Davis’ insight on aging and other timely topics gives voice to a generation raised on marvelous music, incredible imagination, and the power of love.
A presence lurks in New York City’s New Amsterdam Theatre when the lights go down and the audience goes home. They say she’s the ghost of Olive Thomas, one of the loveliest girls who ever lit up the Ziegfeld Follies and the silent screen. From her longtime home at the theater, Ollie’s ghost tells her story from her early life in Pittsburgh to her tragic death at twenty-five. After winning a contest for “The Most Beautiful Girl in New York,” shopgirl Ollie modeled for the most famous artists in New York, and then went on to become the toast of Broadway. When Hollywood beckoned, Ollie signed first with Triangle Pictures, and then with Myron Selznick’s new production company, becoming most well known for her work as a “baby vamp,” the precursor to the flappers of the 1920s. After a stormy courtship, she married playboy Jack Pickford, Mary Pickford’s wastrel brother. Together they developed a reputation for drinking, club-going, wrecking cars, and fighting, along with giving each other expensive make-up gifts. Ollie's mysterious death in Paris’ Ritz Hotel in 1920 was one of Hollywood’s first scandals, ensuring that her legend lived on.