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Okinawa, the only Japanese prefecture invaded by US forces in 1945, was forced to accommodate 146 “military comfort stations” from 1941–45. How did Okinawans view these intrusive spaces and their impact on regional society? Interviews, survivor testimonies, and archival documents show that the Japanese army manipulated comfort stations to isolate local communities, facilitate “spy hunts,” and foster a fear of rape by Americans that induced many Okinawans to choose death over survival. The politics of sex pursued by the US occupation (1945–72) perpetuated that fear of rape into the postwar era. This study of war, sexual violence, and postcolonial memory sees the comfort stations as discursive spaces of remembrance where differing war experiences can be articulated, exchanged, and mutually reassessed. Winner of the 2017 Best Publication Award of the Year by the Okinawa Times.
A portrait of the first Japanese immigrants, known as the Issei. Leaving behind a still-traditional, feudal society for the wide-open world of America, the Japanese were long barred from holding citizenship and regarded for many years as unassimilable. Their story is one of suffering and struggle that has produced a record of courage and perseverance.
Cultural Writing. Asisan American Studies. PASSING IT ON is the account of an extraordinary Asian American woman who spoke out and fought shoulder-to-shoulder with African Americans, Native Americans, Latinos, Asian Americans, and Whites for social justice, civil rights, and prisoners and women's rights in the U.S. and internationally for over half a century. A prolific writer and speaker on human rights, Kochiyama has spoken at over 100 colleges and universities and high schools in the U.S. and Canada.
What is the kimono? Everyday garment? Art object? Symbol of Japan? As this book shows, the kimono has served all of these roles, its meaning changing across time and with the perspective of the wearer or viewer. Kimono: A Modern History begins by exposing the seventeenth- and eighteenth-century foundations of the modern kimono fashion industry. It explores the crossover between ‘art’ and ‘fashion’ in this period at the hands of famous Japanese painters who worked with clothing pattern books and painted directly onto garments. With Japan’s exposure to Western fashion in the nineteenth century, and Westerners’ exposure to Japanese modes of dress and design, the kimono took on new associations and came to symbolize an exotic culture and an alluring female form. In the aftermath of the Second World War, the kimono industry was sustained through government support. The line between fashion and art became blurred as kimonos produced by famous designers were collected for their beauty and displayed in museums, rather than being worn as clothing. Today, the kimono has once again taken on new dimensions, as the Internet and social media proliferate images of the kimono as a versatile garment to be integrated into a range of individual styles. Kimono: A Modern History, the inspiration for a major exhibition at the Metropolitan Museum of Art in New York,not only tells the story of a distinctive garment’s ever-changing functions and image, but provides a novel perspective on Japan’s modernization and encounter with the West.
This provoking new study of the Japanese tea ceremony (chanoyu) examines the ideological foundation of its place in history and the broader context of Japanese cultural values where it has emerged as a so called ‘quintessential’ component of the culture. It was in fact, Sen Soshitsu Xl, grandmaster of Urasenke, today the most globally prominent tea school, who argued in 1872 that tea should be viewed as the expression of the moral universe of the nation. A practising teamaster himself, the author argues, however, that tea was many other things: it was privilege, politics, power and the lever for passion and commitment in the theatre of war. Through a methodological framework rooted in current approaches, he demonstrates how the iconic images as supposedly timeless examples of Japanese tradition have been the subject of manipulation as ideological tools and speaks to presentations of cultural identity in Japanese society today.
Why Elephants Have Big Ears is the result of one man's lifelong quest to understand why the creatures of the earth appear and act as they do. In a wry manner and personal tone, Chris Lavers explores and solves some of nature's most challenging evolutionary mysteries, such as why birds are small and plentiful, why rivers and lakes are dominated by the few remaining large reptiles, why most of the large land-dwellers are mammals, and many more.
During World War II, 110,000 citizens and resident aliens of Japanese ancestry were banished from their homes and confined behind barbed wire for two and a half years. No more blatant violation of civil rights has ever been decreed by an American president, yet so strong were the currents of bigotry and war time hysteria that effective political opposition was impossible. However, a group of University of California social scientists, sensing the enormity of the outrage, organized in 1942 to record and analyze the causes, legal and social consequences, and long-term effects of the detention program. The Spoilage, one of a series of books which resulted, analyzes the experiences of that part of the detained group-some 18,000 in total-whose response was to renounce America as a homeland; it shows the steps by which these "disloyal" citizens were inexorably pushed toward the disaster of denationalization. Essentially the result of years of research by participant observers of Japanese ancestry, it is a factual record of enduring value to the student of America's troubled ethnic relations.