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Full of Sound and Fury was written by a suffer of Misophonia, in order to help other sufferers. Including interviews with real sufferers, the book aims to put names to a disorder that is known by few. Misophonia is a neurological condition that causes a fight/flight/freeze response to certain audial and visual stimuli. Written by a sufferer, Full of Sound and Fury, is a book about Misophonia's life impact. It can start as early as four in the morning. Your upstairs neighbor stomps his feet. All of a sudden, you go from being half-asleep and calm to a nervous wreck. You're tired, exhausted, and you're angry. How dare he stomp around and have no regard for your feelings or personal space? Rationality plays no part with Misophonia. Logically, you know he has no idea how loud he's being - but the response is the same. Shaylynn Hayes writes about her experiences, as well as others' in a way that can teach the general public about the disorder, as well as resonate with sufferers. With a foreword and research information by Dr. Jennifer Jo-Brout, Full of Sound and Fury is just the starting place when it comes to dealing with Misophonia. In partnership with her website www.misophoniainternational.com, as well as www.misophonia-research.com, Shaylynn aims to raise awareness.
This Guide explores the wealth of critical material generated by these two exceptional works of modernist fiction. From the initially mixed critical responses to the novels in the early 1930s, the Guide follows the enormous growth of interest in Faulkner's work across six decades. New writings shaped by a range of critical theories are discussed, offering the reader a clear view of the place now given to one of America's most innovative and influential novelists.
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Shakespeare's two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term "embarrassment" didn't enter the language until the late seventeenth century. To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. "To embarrass" is literally to "embar": to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, and states of being they desire or to which they feel entitled. The Venetian plays represent embarrassment not merely as a condition but as a weapon and as the wound the weapon inflicts. Characters in The Merchant of Venice and Othello devote their energies to embarrassing one another. But even when the weapon is sheathed, it makes its presence felt, as when Desdemona means to praise Othello and express her love for him: "I saw Othello's visage in his mind" (1.3.253). This suggests, among other things, that she didn't see it in his face.
Muhammad Ali and Howard Cosell were must-see TV long before that phrase became ubiquitous. Individually interesting, together they were mesmerizing. They were profoundly different -- young and old, black and white, a Muslim and a Jew, Ali barely literate and Cosell an editor of his university's law review. Yet they had in common forces that made them unforgettable: Both were, above all, performers who covered up their deep personal insecurities by demanding -- loudly and often -- public acclaim. Theirs was an extraordinary alliance that produced drama, comedy, controversy, and a mutual respect that helped shape both men's lives. Dave Kindred -- uniquely equipped to tell the Ali-Cosell story after a decades-long intimate working relationship with both men -- re-creates their unlikely connection in ways never before attempted. From their first meeting in 1962 through Ali's controversial conversion to Islam and refusal to be inducted into the U.S. Army (the right for him to do both was publicly defended by Cosell), Kindred explores both the heroics that created the men's upward trajectories and the demons that brought them to sadness in their later lives. Kindred draws on his experiences with Ali and Cosell, fresh reporting, and interviews with scores of key personalities -- including the families of both. In the process, Kindred breaks new ground in our understanding of these two unique men. The book presents Ali not as a mythological character but as a man in whole, and it shows Cosell not in caricature but in faithful scale. With vivid scenes, poignant dialogue, and new interpretations of historical events, this is a biography that is novelistically engrossing -- a richly evocative portrait of the friendship that shaped two giants and changed sports and television forever.
DIVMudhoney: The Sound and the Fury from Seattle is the first-ever history of Mudhoney, the four-man Seattle band that invented grunge, written with the band’s full cooperation./div
While it met with only limited success when published in 1929, this novel has since become one of the most popular of Faulkner's works. This study includes critical responses from the time of its publication to the present day as well as contemporary reassessments from a variety of critical perspectives.
Sturgill Simpson Presents Sound & Fury The Graphic Novel