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Edgy, suspenseful, and darkly comic, here is the first novel in a riveting mystery series starring two cranky but brilliant old detectives whose lifelong friendship was forged solving crimes for the London Police Department's Peculiar Crimes Unit. In Full Dark House, Christopher Fowler tells the story of both their first and last case—and how along the way the unlikely pair of crime fighters changed the face of detection. A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer’s identity, May finds his old friend’s notes of their very first case and becomes convinced that the past has returned . . . with a killing vengeance. It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits—and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant’s unorthodox techniques and John May’s dogged police work to catch a criminal whose ability to escape detection seems almost supernatural—a murderer who even decades later seems to have claimed the life of one of them . . . and is ready to claim the other. Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer.
What's your worst nightmare? For Ivy Jensen, it's the eyes of a killer that haunt her nights. For Parker Bradley, it's bloodthirsty sea serpents that slither in his dreams. And for seven essay contestants, it's their worst nightmares that win them an exclusive, behind-the-scenes look at director Justin Blake's latest, confidential project . Ivy doesn't even like scary movies, but she's ready to face her real-world fears. Parker's sympathetic words and perfect smile help keep her spirits up. . . at least for now. Not everyone is so charming, though. Horror-film fanatic Garth Vader wants to stir up trouble. It's bad enough he has to stay in the middle of nowhere with this group???the girl who locks herself in her room; the know-it-all roommate; "Mister Sensitive"; and the one who's too cheery for her own good. Someone has to make things interesting. Except, things are already a little weird. The hostess is a serial-killer look-alike, the dream-stealing Nightmare Elf is lurking about, and the seventh member of the group is missing. By the time Ivy and Parker realize what's really at stake, it's too late to wake up and run.
Simple words, rebus pictures, and flash cards make learning to read easy in this tale of a little boy in a haunted house.
A corpse, burned beyond recognition, has been uncovered in a vacant warehouse in Southwark . . . A young, beautiful hospital administrator has vanished without a trace, her past a mystery to even her closest friend . . . And across the City, within an old, dark, rambling house, a rigidly controlling, anonymous woman is holding ten-year-old Harriet hostage. While innocent lives hang in the balance, sinister truths unfurl and DS Duncan Kincaid and DI Gemma James must call upon all resources to work together on their most menacing case yet . . . ‘Deborah Crombie just keeps getting better and better. In a Dark House is utterly compelling’ PETER ROBINSON
Ivy Jensen survived the Dark House once, but can she make it out a second time? Two months have passed since Ivy narrowly escaped the Nightmare Elf's grip, but the memories of Parker, Natalie, Shayla, Frankie, and Garth continue to haunt her. Their killer is still out there???somewhere. The police trail has gone cold, though, and it's up to Ivy to piece together the clues to find him. When a cryptic video arrives in her inbox, Ivy soon finds herself back in the spotlight, this time on a twisted scavenger hunt through the dark, ancient halls of a long-forgotten Gothic school building. Ivy's not alone, either. Taylor Monroe has returned to the scene. But can Taylor be trusted? Or is she another pawn in the Nightmare Elf's deadly game? Laurie Faria Stolarz crafts a mesmerizing thriller that will leave readers looking over their shoulders.
It’s the classic locked-room mystery—a member of the Peculiar Crimes Unit killed inside a sealed morgue populated only by the dead and to which only four PCU members had a key. To make matters worse, the Unit has been shut down for a forced “vacation,” and Bryant and May are stuck in a van in the Dartmoor countryside during a freak snowstorm. Now they’ll have to crack the case by cell phone while trying to stop a second murder without freezing to death. For among the line of trapped vehicles, a killer is on the prowl, a beautiful woman is on the run, and an innocent child is caught in the middle….
In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls? What was it like? Living in that house. Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism. Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
Originally built to house the workers of Victorian London, Balaklava Street is now an oasis in the heart of Kentish Town and ripe for gentrification. But then the body of an elderly woman is found at Number 5. Her death would appear to have been peaceful but for the fact that her throat is full of river water. It falls to the Met's Peculiar Crimes Unit, led by London's longest-serving detectives, Arthur Bryant and John May, to search for something resembling a logical solution. Their initial investigations draw a blank and Bryant's attention is diverted into strange and arcane new territory, while May finds himself in hot water when he attempts to save the reputation of an academic whose knowledge of the city's forgotten underground rivers looks set to ruin his career. In the meantime, the new owner of Number 5 is increasingly unsettled by the damp in the basement of her home, the particularly resilient spiders and the ghostly sound of rushing water . . . Pooling their information to investigate hitherto undiscovered secrets of the city, Bryant and May make some sinister connections and realize that, in a London filled with the rich, the poor and the dispossessed, there's still something a desperate individual is willing to kill for - and kill again to protect. With the PCU facing an uncertain future, the death toll mounts and two of British fiction's most enigmatic detectives must face madness, greed and revenge, armed only with their wits, their own idiosyncratic practices and a plentiful supply of boiled sweets, in a wickedly sinuous mystery that goes to the heart of every London home.
There’s a hidden battleground in the sky—so says this classic novel from the award-winning author of the Peculiar Crimes Unit mysteries featuring Bryant & May. You’ll never look at a roof the same way again. . . . Welcome to Roofworld. High above London’s teeming streets exists a timeless universe with laws and codes known only to itself, suspended by a complex system of cables and wires. Two rival factions wrestle for control of this elevated realm—and eventually the city below. When a beautiful, feisty amateur photographer named Rose and a shy, cynical screenwriter named Robert witness a kidnapping on a London roof, they figure it’s an isolated incident. But after strange rooftop murders are reported almost daily, they have to know more. In their clumsy efforts to understand, they’re caught up in an intense power struggle between the forces of good and a power-mad tyrant manipulating society’s most hopeless citizens. Rose and Robert have a part to play in a war that’s nearly invisible from the ground—and nothing less than world domination is at stake. Look for Christopher Fowler’s fantasy and horror classics, now available as ebooks: CALABASH | DISTURBIA | PSYCHOVILLE | RED GLOVES | ROOFWORLD | SPANKY
When a bomb claims the life of John May's detective partner of more than half a century, May becomes convinced that the key to the killer's identity lies in his first case together with his partner.