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Selected from 19th-century reprints of medieval manuscripts, 355 full-color illustrations depict a wide range of subjects — from birds, florals, animals, and geometrics to letters of the alphabet embellished with flowers and sinuous vines, mythical beasts, musicians, whimsical figures emerging from flowers, knights in battle, and much more.
Meticulously reproduced motifs from rare 1882 edition. Diaper patterns, moldings, bands and borders, floral and foliate designs, illuminated initials, much more. Royalty-free. Introduction. Notes.
Over 1,000 motifs reprinted from a rare book of design first published in France in 1870. Ornate Cyrillic and Greek letters, corners, borders, page heads, and more as they appeared in illuminated Russian manuscripts.
More than a pictorial archive of medieval dress and decoration, this beautiful collection is also valuable for its discerning scholarship. A magnificent compilation of artwork from Henry Shaw's detailed study of court life in the Middle Ages, this splendid book provides a grand display of medieval figures and fashions of the times. Reproduced directly from Shaw's original, hand-colored plates and identified by brief captions, more than 200 superb illustrations depict knights in battle, ladies in waiting, kings, queens, popes, and commoners, as well as armor and weapons, jewelry, and other decorative accessories. Skillfully adapted from rare paintings, illuminated manuscripts, tapestries, textiles, and stained glass windows, these lovely illustrations will be invaluable to fashion historians and costume designers. Craftworkers will find them equally useful.
Five ornaments adapted from the Belles heures of Jean are reproduced in this book. They are designed to be removed and hung. After the holidays the ornaments are pressed back into the book to save them.
The decorative arts of the Middle Ages — richly ornate, filled with religious and mythic symbolism — were especially remarkable for the complexities of their design and their inspired craftsmanship. This fascinating volume presents nearly 1,000 illustrations of medieval ornament, consisting mostly of architectural elements from German Romanesque and Gothic churches and other buildings. Originally compiled by the German architect, painter, and engraver Karl Alexander von Heldeloff (1788–1865) as a source of study and inspiration for practicing artists and architects, this grand pictorial archive has been exactingly reproduced from a rare original edition, complete with new English translations of the German captions. The book is filled with precisely detailed engravings of doors, windows, decorative stonework, columns, pedestals, and more. It remains a richly varied resource of authentic images of medieval ornament, ideal for students of architecture and the decorative arts and essential for graphic artists and designers in search of royalty-free illustrations.
DIVThe 19th-century French illustrator's classic reference to the decorative ornament of history's major cultures; over 2,000 royalty-free motifs in 100 beautiful full-color plates. /div
This classic bestseller — the inspiration for the PBS series — is an "illuminating and even inspiring" portrait of medieval Spain that explores the golden age when Muslims, Jews, and Christians lived together in an atmosphere of tolerance (Los Angeles Times). This enthralling history, widely hailed as a revelation of a "lost" golden age, brings to vivid life the rich and thriving culture of medieval Spain, where for more than seven centuries Muslims, Jews, and Christians lived together in an atmosphere of tolerance, and where literature, science, and the arts flourished. "It is no exaggeration to say that what we presumptuously call 'Western' culture is owed in large measure to the Andalusian enlightenment...This book partly restores a world we have lost." —Christopher Hitchens, The Nation
Medieval architecture comprises much more than the traditional image of Gothic cathedrals and the castles of chivalry. A great variety of buildings--synagogues, halls, and barns--testify to the diverse communities and interests in western Europe in the centuries between 1150 and 1550. This book looks at their architecture from an entirely fresh perspective, shifting the emphasis away from such areas as France towards the creativity of other regions, including central Europe and Spain. Treating the subject thematically, Coldstream seeks out what all buildings, both religious and secular, have in common, and how they reflect the material and spiritual concerns of the people who built and used them. Furthermore, the author considers how and why, after four centuries of shaping the landscapes and urban patterns of Europe, medieval styles were superseded by classicism.