Download Free Fugitive Histories Book in PDF and EPUB Free Download. You can read online Fugitive Histories and write the review.

&Lsquo;Githa Hariharan&Rsquo;S Fiction Is Wonderful&Mdash;Full Of Subtleties And Humour And Tenderness&Rsquo; &Mdash;Michael Ondaatje Mala&Rsquo;S Home In Delhi Is Empty, Save For A Lifetime Of Sketches Left Behind By Her Late Husband Asad And The Memories They Conjure. Sifting Through Them On Restless Afternoons And Sleepless Nights, Mala Summons Ghosts From Her Childhood, Relives The Heady Days Of Love And Optimism When Asad And She Robustly Defied Social Conventions To Build A Life Together&Mdash;And Struggles To Understand How Events Far Removed Could So Easily Snatch Away The Certainties They Had Always Taken For Granted. As Their Story Unfolds, Others Emerge: Of Sara, Mala And Asad&Rsquo;S Daughter, Who, Unable To Commit To A Cause That Will Renew Her Faith In Her Parents&Rsquo; Ideals And Her Own, Embarks On A Search For Purpose That Brings Her From Mumbai To Ahmedabad, The Venue Of Recent Carnage. Of Yasmin, Whom Sara Meets Across A Lately Created &Lsquo;Border&Rsquo;, A Survivor Of Mayhem Secretly Dreaming Of College And The Miraculous Return Of Her Missing Brother, Akbar, As She Navigates Menacing By-Lanes To Reach Her School Safely Every Day. Of Innumerable Other Lives Trapped In Limbo&Mdash;Some Caught In A Mesh Of Memory, Anguish And Hate, Others Seeking Release In Private Dreams And Valiant Hopes. Marked By An Astonishing Clarity Of Observation And Deep Compassion, Fugitive Histories Exposes The Legacy Of Prejudice That, Sometimes Insidiously, Sometimes Perceptibly, Continues To Affect Disparate Lives In Present-Day India. In Prose That Is At Once Elegant, Playful And Startlingly Inventive, Githa Hariharan Portrays With Remarkable Precision The Web Of Human Connections That Binds As Much As It Divides.
The theatre of early modern England was a disastrous affair. What we tend to remember of the Shakespearean stage and its history are landmark moments of dissolution. This title is a study of these catastrophes and the theory of performance they convey.
The American guitar, that lightweight wooden box with a long neck, hourglass figure, and six metal strings, has evolved over five hundred years of social turmoil to become a nearly magical object—the most popular musical instrument in the world. In The Guitar and the New World, Joe Gioia offers a many-limbed social history that is as entertaining as it is informative. After uncovering the immigrant experience of his guitar-making Sicilian great uncle, Gioia's investigation stretches from the ancient world to the fateful events of the 1901 Buffalo Pan American Exposition, across Sioux Ghost Dancers and circus Indians, to the lives and works of such celebrated American musicians as Jimmy Rodgers, Charlie Patton, Eddie Lang, and the Carter Family. At the heart of the book's portrait of wanderings and legacies is the proposition that America's idiomatic harmonic forms—mountain music and the blues—share a single root, and that the source of the sad and lonesome sounds central to both is neither Celtic nor African, but truly indigenous—Native American. The case is presented through a wide examination of cultural histories, academic works, and government documents, as well as a close appreciation of recordings made by key rural musicians, black and white, in the 1920s and '30s. The guitar in its many forms has cheered humanity through centuries of upheaval, and The Guitar and the New World offers a new account of this old friend, as well as a transformative look at a hidden chapter of American history.
Liu Yuan’s Lingyan ge, a woodblock-printed book from 1669, re-creates a portrait gallery that memorialized 24 vassals of the early Tang court. Liu accompanied each figure, presented under the guise of a bandit, with a couplet; the poems, written in various scripts, are surrounded by marginal images that allude to a contemporary novel. Religious icons supplement the portrait gallery. Liu’s re-creation is fraught with questions. This study examines the dialogues created among the texts and images in Lingyan ge from multiple perspectives. Analysis of the book’s materialities demonstrates how Lingyan ge embodies, rather than reflects, the historical moment in which it was made. Liu unveiled and even dramatized the interface between manuscript and printed book in Lingyan ge. Authority over the book’s production is negotiated, asserted, overturned, and reinstated. Use of pictures to construct a historical argument intensifies this struggle. Anne Burkus-Chasson argues that despite a general epistemological shift toward visual forms of knowledge in the seventeenth century, looking and reading were still seen as being in conflict. This conflict plays out among the leaves of Liu Yuan’s book.
Published in Cooperation with the William P. Clements Center for Southwest StudiesIn the nineteenth and early twentieth centuries, Mexicans and Americans joined together to transform the U.S.–Mexico borderlands into a crossroads of modern economic development. This book reveals the forgotten story of their ambitious dreams and their ultimate failure to control this fugitive terrain. Focusing on a mining region that spilled across the Arizona–Sonora border, this book shows how entrepreneurs, corporations, and statesmen tried to domesticate nature and society within a transnational context. Efforts to tame a “wild” frontier were stymied by labor struggles, social conflict, and revolution. Fugitive Landscapes explores the making and unmaking of the U.S.–Mexico border, telling how ordinary people resisted the domination of empires, nations, and corporations to shape transnational history on their own terms. By moving beyond traditional national narratives, it offers new lessons for our own border-crossing age.
Debut Historical Suspense Novel Wins IPPY Award for Best “Literary Fiction 2014” Stolen art, love, lust, deception, and revenge paint the pages of veteran journalist Lisa Barr’s debut novel, Fugitive Colors, an un-put-down-able page-turner. Booklist calls the WWII era novel, "Masterfully conceived and crafted, Barr’s dazzling debut novel has it all: passion and jealousy, intrigue and danger." Fugitive Colors asks the reader: How far would you go for your passion? Would you kill for it? Steal for it? Or go to any length to protect it? Hitler’s War begins with the ruthless destruction of the avant-garde, but there is one young painter who refuses to let this happen. An accidental spy, Julian Klein, an idealistic American artist, leaves his religious upbringing for the artistic freedom of Paris in the early 1930s. Once he arrives in the “City of Light,” he meets a young German artist, Felix von Bredow, whose larger-than-life personality overshadows his inferior artistic ability, and the handsome and gifted artist Rene Levi, whose colossal talent will later serve to destroy him. The trio quickly becomes best friends, inseparable, until two women get in the way—the immensely talented artist Adrienne, Rene’s girlfriend with whom Julian secretly falls in love, and the stunning artist’s model Charlotte, a prostitute-cum-muse, who manages to bring great men to their knees. Artistic and romantic jealousies abound, as the characters play out their passions against the backdrop of the Nazis' rise to power. Felix returns to Berlin, where his father, a blue-blooded Nazi, is instrumental in creating the master plan to destroy Germany’s modern artists, and seeks his son’s help. Bolstered by vengeance, Felix will lure his friends to Germany, an ill-fated move, which will forever change their lives. Twists and turns, destruction and obsession, loss and hope will keep you up at night, as you journey from Chicago to Paris, Berlin to New York. With passionate strokes of captivating prose, Barr proves that while paintings have a canvas, passion has a face—that once exposed, the haunting images will linger . . . long after you have closed the book. The Hollywood Film Festival awarded Fugitive Colors first prize for “Best Unpublished Manuscript” (Opus Magnum Discovery Award). Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
During the early seventeenth century, Kisama emerged in West Central Africa (present-day Angola) as communities and an identity for those fleeing expanding states and the violence of the trans-Atlantic slave trade. The fugitives mounted effective resistance to European colonialism despite—or because of—the absence of centralized authority or a common language. In Fugitive Modernities Jessica A. Krug offers a continent- and century-spanning narrative exploring Kisama's intellectual, political, and social histories. Those who became Kisama forged a transnational reputation for resistance, and by refusing to organize their society around warrior identities, they created viable social and political lives beyond the bounds of states and the ruthless market economy of slavery. Krug follows the idea of Kisama to the Americas, where fugitives in the New Kingdom of Grenada (present-day Colombia) and Brazil used it as a means of articulating politics in fugitive slave communities. By tracing the movement of African ideas, rather than African bodies, Krug models new methods for grappling with politics and the past, while showing how the history of Kisama and its legacy as a global symbol of resistance that has evaded state capture offers essential lessons for those working to build new and just societies.
Fugitive History: The Art of Julie Gough celebrates Gough's art practice, which has been central to her search for, and creation of, an identity for over twenty years. As an Aboriginal woman whose family from Tasmania had moved to Victoria and left behind connections to place and history, this search became as much about negotiating absence, distance, and lack, as discovery. This title includes essays by Brigita Ozolins, artist and senior lecturer at the Tasmanian College of the Arts; James Boyce, author of Born Bad and Van Diemen's Land, which won the Tasmanian Book Prize; and Khadija von Zinnenburg Carroll, Professorial Fellow and Chair of Global Art History in the Department of Art, Curating and Visual Studies at the University of Birmingham.
Fugitives occupy a unique place in the American criminal justice system. They can run and they can hide, but eventually each chase ends. And, in many cases, history is made along the way. John Dillinger’s capture obsessed J. Edgar Hoover and helped create the modern FBI. Violent student radicals who went on the lam in the 1960s reflected the turbulence of the era. The sixteen-year disappearance and sudden arrest of gangster James “Whitey” Bulger in 2011 captivated the nation. Fugitives have become iconic characters in American culture even as they have threatened public safety and the smooth operation of the justice system. They are always on the run, always trying to stay out of reach of the long arm of the law. Also prominent are the men and women who chase fugitives: FBI agents, federal marshals and their deputies, police officers, and bounty hunters. A significant element of the justice system is dedicated to finding those on the run, and the most-wanted posters and true-crime television shows have made fugitives seemingly ubiquitous figures of fear and fascination for the public. In On the Lam, Jerry Clark and Ed Palattella trace the history of fugitives in the United States by looking at the characters – real and fictional – who have played the roles of the hunter and the hunted. They also examine the origins of the bail system and other legal tools, such as most-wanted programs, that are designed to guard against flight.
True stories of fugitive slaves.