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Contains English translations of Chinese writings drawn from throughout a period of four hundred years, including poems, drama, fiction, songs, biographies, and early works of philosophy and history; arranged chronologically and by genre, with introductory quotes and comments.
This book presents for the first time a collective examination of the issue of audience in relation to Joyce’s work and the cultural moments of its reception. While many of the essays gathered in this volume are concerned with particular readers and readings of Joyce’s work, they all, individually and generally, gesture at something broader than a specific act of reception. Joyce’s Audiences is an important narrative of the cultural receptions of Joyce but it is also an exploration of the author’s own fascination with audiences, reflecting a wider concern with reading and interpretation in general. Twelve essays by an international cast of Joyce critics deal with: the censorship and promotion of Ulysses; the ‘plain reader’ in modernism; Richard Ellmann’s influence on Joyce’s reputation; the implied audiences of Stephen Hero and Portrait; Borges’s relation with Joyce; the study of Joyce in Taiwan; the promotion of Joyce in the U.S.; the complaint that there is insufficient time to read Joyce’s work; the revisions to “Work in Progress” that respond to specific reviews; strategies of critical interpretation; Joyce and feminism; and the ‘belated’ readings of post-structuralism.
This book provides an interdisciplinary collection of theoretical and methodological contributions critically exploring the connections between leisure and wellbeing. It expands the field of leisure studies to highlight the contribution of international scholars to a developing agenda in leisure and wellbeing research. Authors from many different countries engage with the complexity of subjective wellbeing through the lenses of diverse leisure cultures. Collectively, the chapters represent rigorous high-quality social science research, informed by innovative methods that can build knowledge about the intricate ways leisure cultures and subjective wellbeing are related to each other. The book serves to deepen the knowledge and understanding of the complexity of wellbeing experiences, and the diversity of contexts in which wellbeing is enhanced or reduced through taking part in leisure pursuits. The chapters in this book were originally published as a special issue of the journal Leisure Studies.
A masterpiece of world literature, Honglou Meng (Dream of the Red Chamber) by Cao Xueqin (1715-1763) is widely considered China's greatest novel and serves as a compendium of traditional Chinese life and culture during the Qing Dynasty. This guide offers a comprehensive introduction and overview to Honglou Meng, providing more than 200 alphabetical entries describing characters, key events and a wide range of topics, with discussion of important themes and narrative techniques. A brief biography of Cao is included, along with a history of Chinese and English critical receptions, an extensive bibliography and recommended reading.
Of all contemporary American writers, Philip Roth is perhaps the most ambitious, yet he is one of the most underrepresented in terms of critical attention given his place in American letters. Unlike many aging novelists, whose production and creative mastery wane over time, Roth has demonstrated a unique ability not only to sustain his literary output, but also to surpass the scope and talent inherent in his previous writings. He has been awarded many literary honors, and in the 1990s alone he won every major American book award. This long-overdue collection of essays covers Roth's entire output and links themes across works, highlighting those thoughts and ideas that recur frequently. Unlike older introductions to Roth's writings, this volume will provide up-to-date coverage of all his works. Each chapter introduces the work or works under discussion, provides a brief summary of the story, and moves on to a lively analysis of its various literary elements and its significance in Roth's overall body of work. While each chapter focuses on the central issues in the specific work, several larger themes that run throughout many of his writings will be addressed, including the rise of suburbanization in post-war America, the problems and prominence of the family, American (Jewish) ethnicity, comedy and satire, the costs of literary celebrity, the promises and failures of the American dream, and others. Newcomers to and fans alike will find everything they need in this volume to build a better appreciation of Roth's work.
For decades, Translation Studies has been perceived not merely as a discipline but rather as an interdiscipline, a trans-disciplinary field operating across a number of boundaries. This has implied and still implies a considerable amount of interaction with other disciplines. There is often much more awareness of and attention to translation and Translation Studies than many translation scholars are aware of. This volume crosses the boundaries to other disciplines and explicitly sets up dialogic formats: every chapter is co-authored both by a specialist from Translation Studies and a scholar from another discipline with a special interest in translation. Sixteen disciplinary dialogues about and around translation are the result, sometimes with expected partners, such as scholars from Computational Linguistics, History and Comparative Literature, but sometimes also with less expected interlocutors, such as scholars from Biosemiotics, Game Localization Research and Gender Studies. The volume not only challenges the boundaries of Translation Studies but also raises issues such as the institutional division of disciplines, the cross-fertilization of a given field, the trends and turns within an interdiscipline.
Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of locale. An integral part of world literature from the moment it was born, it has been in constant dialogue with its counterparts from the rest of the world. As it has been challenged and enriched by external influences, it has contributed to the wealth of literary culture of the entire world. In terms of themes and styles, modern Chinese literature is rich and varied; from the revolutionary to the pastoral, from romanticism to feminism, from modernism to post-modernism, critical realism, psychological realism, socialist realism, and magical realism. Indeed, it encompasses a full range of ideological and aesthetic concerns. This second edition of Historical Dictionary of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
The A to Z of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.
In this landmark project, Moratto and Zhang evaluate how conference interpreting developed as a profession in China, and the directions in which it is heading. Bringing together perspectives from leading researchers in the field, Moratto and Zhang present a thematically organized analysis of the trajectory of professional conference interpreting in China. This includes discussion of the pedagogies used both currently and historically, the professionalization of interpreter education, and future prospects for virtual reality, multimodal conferences, and artificial intelligence. Taken as a whole, the contributors present a rich and detailed picture of the development of conference interpreting in China since 1979, its status today, and how it is likely to develop in the coming decades. An essential resource for scholars and students of conference interpreting in China, alongside its sister volume, The Pioneers of Chinese Interpreting: Insiders’ Accounts on the Rise of a Profession.