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A comprehensive illustrated anthology of material about and by the American Shakers.
The first general history of the Shakers, from their origins in 18th-century England to the present day. Drawing on written and oral testimony by Shakers over the past two centuries, Stein offers a full and often revisionist account of the movement. 57 illustrations.
The United Society of Believers in Christ's Second Appearing, commonly known as the Shakers, followed Mother Ann Lee to the United States in 1774 when life in England became difficult. In the United States, they established several colonies whose governing principals included celibacy and agrarian communal living. Even at its peak, however, Shakerism claimed only about 4,500 members. Today, except for one active community in Sabbathday, Maine, the great Shaker villages are diminished, but the Shakers left an enduring impact on the religion and culture of the United States. The A to Z of the Shakers relates the history of this fascinating group through a chronology, an introductory essay, a bibliography, and over 200 cross-referenced dictionary entries on Shaker communities, industries, individual families, and important people. Every definition, biography, and point of history was submitted to the Shakers at Sabbathday Lake for their review before it was included for publication. As such, the voice of the contemporary Shakers is found in the dictionary, and they have given it their unequivocal endorsement.
“Shakerism teaches God’s immanence through the common life shared in Christ’s mystical body.” Like many religious seekers throughout the ages, they honor the revelation of God but cannot be bound up in an unchanging set of dogmas or creeds. Freeing themselves from domination by the state religion, Mother Ann Lee and her first followers in mid-18th-century England labored to encounter the godhead directly. They were blessed by spiritual gifts that showed them a way to live the heavenly life on Earth. The result of their efforts was the fashioning of a celibate communal life called the Christlife, wherein a person, after confessing all sin, through the indwelling of the Holy Spirit, can travel the path of regeneration into ever- increasing holiness. Pacifism, equality of the sexes, and withdrawal from the world are some of the ways the faith was put into practice. This second edition of Historical Dictionary of the Shakers contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on Shaker communities, industries, individual families, and important people. This book is an excellent resource for students, researchers, and anyone wanting to know more about the Shakers.
In Smitten, Rodney Hessinger examines how the Second Great Awakening disrupted gender norms across a breadth of denominations. The displacement and internal migration of Americans created ripe conditions for religious competition in the North. Hessinger argues that during this time of religious ferment, religious seekers could, in turn, play the missionary or the convert. The dynamic of religious rivalry inexorably led toward sexual and gender disruption. Contending within an increasingly democratic religious marketplace, preachers had to court converts in order to flourish. They won followers through charismatic allure and making concessions to the desires of the people. Opening their own hearts to new religious impulses, some religious visionaries offered up radical dispensations—including new visions of how God wanted them to reorder sex and gender relations in society. A wide array of churches, including Methodists, Baptists, Mormons, Shakers, Catholics, and Perfectionists, joined the fray. Religious contention and innovation ultimately produced backlash. Charges of seduction and gender trouble ignited fights within, among, and against churches. Religious opponents insisted that the newly converted were smitten with preachers, rather than choosing churches based on reason and scripture. Such criticisms coalesced into a broader pan-Protestant rejection of religious enthusiasm. Smitten reveals the sexual disruptions and subsequent domestication of religion during the Second Great Awakening.
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.
In the late eighteenth century a small Shaker community travelled to America under the leadership ofMother Ann Lee. The American communities they founded were based on ideals of pacifism, celibacy and gender equality. The texts included in this edition come from first-hand accounts of life in the Shaker communities during the nineteenth century.
An examination of Shaker life and its relationship to the objects the Shakers have made and used during their more than two hundred years as a religious organization.
"Promey's book is a penetrating analysis of Shaker art.... The book is a gem, a true advance in Shaker studies, art history, religious history, and cultural history. Highly recommended." -- Choice "... a very intelligent and articulate... treatment of a stunning set of message-images." -- Art Bulletin "This book is a pleasure to look at and to read." -- Religious Studies Review "[A] fascinating investigation into another world. The Shaker spirit drawings... offer clues into a remarkable moment of American life, as well as an opportunity to rethink just how the visual arts, religious revitalizations, and social memory relate to one another.... [A] model study: clear, absorbing, and significant."Â -- Neil Harris, author of The Artist in American Society "Sally Promey's inquiry... critically engages current issues in the study of visual culture: what do images do; how do they work; what needs do they fulfill; just what is their 'power'? Her compelling case study joins fundamental concerns of art historians with those of students of religion and history... By means of an exacting examination of Shaker drawings as the site of both expectation and encounter, Promey successfully situates these Spiritual Spectacles at the meeting point of the 'inner' and the 'outer' eye." -- Linda Seidel, author of Jan van Eyck's Arnolfini Portrait: Stories of an Icon "Promey has brought to her work an excellent sensitivity to the religious issues involved, keen sight and powers of observation, and a very creative interpretive framework."Â -- Stephen J. Stein, author of The Shaker Experience in America