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The editors have transcribed 2,500 of Wilkie Collins's letters, around 700 of them previously unidentified, and have given them all a full scholarly annotation and context. The letters shed light on the personal life and business activities of this creative Victorian personality.
In his 1852 novel Basil, Wilkie Collins' narrator concludes that "those ghastly heart-tragedies laid open before me ... are not to be written, but ... are acted and reacted, scene by scene, year by year, in the secret theatre of home." Taking this memorable quote as her starting point, Jenny Bourne Taylor demonstrates how Victorian psychology is central to an understanding of the complexity and vitality of Collins' fiction, exploring the boundaries of mind/body, sanity/madness, and consciousness/unconsciousness. Taylor's depth of research and thoughtful analysis establishes the importance of Collins as a writer whose fiction challenges the cultural constructions of the nineteenth century, and proves "the impossibility of drawing a precise boundary between fictional and psychological codes". Going beyond conventional discussion of the sensation genre, here we see the depth and range of Collins' writing and gain an understanding of its relation to Victorian medical thought. The study includes close readings of five novels: Basil (1852), The Woman in White (1859-60), No Name (1862-3), Armadale (1864-66), and The Moonstone (1868). Consideration is also given to Man and Wife (1870), The New Magdalen (1872), The Law and the Lady (1875), Jezebel's Daughter (1879), Heart and Science (1882-3), The Fallen Leaves (1879), and The Legacy of Cain (1889). CONTENTS Foreword by Andrew Mangham Introduction - Collins as a sensation novelist Chapter 1 - The psychic and the social: Boundaries of identity in nineteenth-century psychology Chapter 2 - Nervous fancies of hypochondriacal bachelors - Basil, and the problems of modern life Chapter 3 - The Woman in White - Resemblance and difference - patience and resolution Chapter 4 - Skins to jump into - Femininity as masquerade in No Name Chapter 5 - Armadale - The sensitive subject as palimpsest Chapter 6 - Lost parcel or hidden soul? Detecting the unconscious in The Moonstone Chapter 7 - Resistless influences - Degeneration and its negation in the later fiction
In this major biography, Catherine Peters explores the complicated life of Wilkie Collins, the greatest of the Victorian "Sensation" novelists and author of the famous Woman in White and The Moonstone. An intimate of Dickens and of the Pre-Raphaelites Holman Hunt and Millais, Collins was called the "king of inventors" by his publisher. On the surface, he was charming, unpretentious, and extremely good company, beloved by men and women. Beneath this façade, however, he was a complex and haunted man, addicted to laudanum, and his powerful, often violent novels revealed a dark side of Victorian life. He supported two common-law wives and their children, and as Peters shows, he provoked scandal by refusing to cloak his complicated love affairs in the customary hypocritical pretense of the period. Having discovered a hitherto unknown autobiography by Wilkie Collins's mother, Peters draws on this document and on thousands of Collins's unpublished letters to create this provocative picture of his life and times. She describes in detail the saga of his exhausting struggle for better copyright protection for authors, especially for English authors in the United States. She has also studied the manuscripts of his novels, plays, and stories, including those which he did not complete, finding that some of his neglected novels turn out to be much more interesting than most readers realize today. This edition of the book has been supplemented to include an appendix describing Collins's "Tahitian" novel. Written when he was twenty, the manuscript of this work, Ioláni, was thought to have disappeared, but it has recently been rediscovered and sold to a private collector. For any Collins enthusiast, or for anyone interested in the literary history of the Victorian period, The King of Inventors provides a vivid account of Collins's unusual personal life in the context of his literary and artistic friendships and of newly revealed facts about the two women with whom he shared his "double life." Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Wilkie Collins was one of the most popular writers of the nineteenth century. He is best known for The Woman in White, which inaugurated the sensation novel in the 1860s, and The Moonstone, one of the first detective novels; but he wrote over 20 novels, plays and short stories during a career that spanned four decades. This Companion offers a fascinating overview of Collins's writing. In a wide range of essays by leading scholars, it traces the development of his career, his position as a writer and his complex relation to contemporary cultural movements and debates. Collins's exploration of the tensions which lay beneath Victorian society is analysed through a variety of critical approaches. A chronology and guide to further reading are provided, making this book an indispensable guide for all those interested in Wilkie Collins and his work.