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Here is a one-stop research resource on the assembly and manufacturing plants on the U.S.-Mexico border, termed Maquiladoras. A combination bibliography and directory, Las Maquiladoras focuses on various aspects of the American-owned companies that are located in Mexico and employ Mexican citizens. While the thrust of the items included in the select bibliography is on the industrial, commercial, and financial aspects of the phenomenon, including the actions of multinational corporations and their investments, there are also entries dealing with the matter of labor, United States and Mexican governmental undertakings, legal and urban problems, regional development and planning, population, technology transfer, sociocultural considerations, and the interdisciplinary field of border studies, which is concerned with a host of topics ranging form health and education to urban geography, economic matters, and the cultural impact on border residents of the establishment of maquiladoras. The impact of economic development, industrialization, and urbanization on border culture is also reflected. In the directory, readers can locate names and addresses of local, state, and federal level government agencies in the U.S. and Mexico; information centers; labor unions; professional associations; and research centers. The bibliography, comprised of books and book chapters, pamphlets, conference papers and proceedings, government publications, scholarly dissertations, videotapes of television programs, and magazine, journal, and newspaper articles, will be an indispensable tool for business people, bankers, journalists, government experts, economists, students, and librarians. The current interest in border studies and in Mexico, in particular, will make this unique book especially useful to scholars of folklore, geography, history, labor, political science, and sociology. Special features in the book include a list of experts in a variety of disciplines and a listing of U.S. and Mexican cities and towns on opposite sides of the border. Because the number of maquiladoras is expected to continue expanding rapidly, this volume should remain a highly valuable resource.
The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.
Although immigrants enter the United States from virtually every nation, Mexico has long been identified in the public imagination as one of the primary sources of the economic, social, and political problems associated with mass migration. Between Two Worlds explores the controversial issues surrounding the influx of Mexicans to America. The eleven essays in this anthology provide an overview of some of the most important interpretations of the historical and contemporary dimensions of the Mexican diaspora.
The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.
Reflexiones is an annual review of the work in progress of scholars affiliated with the Center for Mexican American Studies at the University of Texas at Austin. It may also include outside works derived from center-sponsored presentations. Reflexiones 1998, the second volume in the series, invites us to view Mexican American identity in a new light. In the rich interdisciplinary tradition of Mexican American studies, the contributors to Reflexiones 1998 come from a variety of fields. Martha Menchaca (anthropology) and Mauricio Tenorio and David Montejano (both in history) open with a three-part piece on the 150th anniversary of the Treaty of Guadalupe Hidalgo. Angela Valenzuela (sociology, Rice University) discusses the practice of cultural assimilation in our educational system. Américo Paredes (anthropology and English) offers a telling vignette of borderland life. Sheila Marie Contreras (English) considers the question of Mexican American ancestry in a study of a poem by Teresa Palomo Acosta. Lalo Alcaraz, the Los Angeles-based satirist, delivers a trenchant autobiographical cartoon story. James Nicolopulos (Spanish and Portuguese) delves into the corrido tradition and the effects of the advent of sound recording. Richard Flores (anthropology) explores the myth of the Alamo and the film Martyrs of the Alamo. And finally, Charles Ramírez Berg (radio, television, and film) examines Mexican American border documentaries.
Negotiating Feminisms examines intergenerational feminism in Chicanx family life. It analyses literary representations of the ways that Chicanas negotiate feminisms in the family across generations, through the maintenance, contestation, and adaptation of traditional gender roles. Using an original theoretical lens of negotiation to read the works of Ana Castillo and Sandra Cisneros, this book unpacks intergenerational resistance to patriarchal oppression. This book shows how the works of Cisneros and Castillo articulate a politics of negotiation that critiques the gendered ideologies and roles of the family. In doing so, the book’s discussion not only engages with literary representations but also connects these representations to the contextual experience of Chicanx family life. This book calls for a rethinking of women characters beyond limited, and limiting, familial roles and uses the framework of feminist negotiation as a means to explore the empowering possibilities of intergenerational female relationships.