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Front Porch Portraits - Staying Apart Together is an 8 x 12," 116-page, hardbound book, that includes approximately 230 images. The book documents people at home, on their front porches, during this historic period of COVID-19 quarantine in Minneapolis and Saint Paul, Minnesota. It is a limited-edition of 500 books, all of which will be signed and numbered.
The Front Porch Project book will include more than 800 families photographed during the shelter-in-place ordinance for Baton Rouge, starting in late March 2020 and continuing through June. The pages will also include photos Jenn took for The Store Front Project and her Halloween edition of the project. The photos are accompanied by a series of stories and thoughts from project participants, recounting their Covid-19 pandemic experiences and importance of supporting local businesses in the area. Jenn also shares her memories and stories from throughout the project, offering an insider's view of how the project began, the logistics and layers it took to pull it off, and the power and support it created in the community.
"Nell Dickerson fondly recalls childhood nights on the sleeping porch of her grandparents? Mississippi Delta home?the sounds of katydids, cicadas, and tree frogs, the merciful breeze from the overhead fan. But during the heat of the day, the family sought refuge indoors, leaving the dog to his lonely vigil. “I felt like he understood that the porch was the gateway between inside and outside and that it was his duty to keep sentry there in case someone wanted to pass,” she recalls. Years later, Dickerson noticed that few new homes had porches, their residents increasingly dependent on air conditioning. “We Southerners used to be social,” she notes. “Now, we risk losing what makes us Southern: porch sitting. But there is hope. Our dogs maintain the tradition.” Dickerson weaves her passion for historic preservation?first detailed in her 2011 book, Gone: A Photographic Plea for Preservation?into a fun, uplifting photographic collection that perfectly captures a Southern tradition. Dickerson?s incomparable photographs introduce an unforgettable variety of “house dogs,” “yard dogs,” “shop dogs,” “swing dogs,” “bench dogs,” “top dogs,” “under dogs,” and “dock dogs.”" --from the publisher.
People magazine's top reason for Hope in America. Curated from a grassroots social movement, The Front Steps Project is an inspiring, uplifting portrait series capturing how people coped with living in isolation during the COVID-19 pandemic. The Front Steps Project™ demonstrates that even in the most challenging of circumstances, kindness, love, courage, and hope exist to build, bind, and connect communities around the globe. Created on March 18, 2020, The Front Steps Project™ began when friends Kristen Collins and Cara Soulia sought out to unite their neighbors through photographs of life in quarantine. In addition to incorporating work from other local photographers, the women traveled to neighborhoods around Needham, Massachusetts to photograph residents in front of their homes in exchange for donations to their local food pantry. Within days, #TheFrontStepsProject became a grassroots social mission, connecting thousands of people across the globe and raising over $3,250,000 for vital non-profit organizations and local businesses including food pantries, frontline workers, homeless and animal shelters, hospitals and so much more. Through their noble efforts, hundreds of thousands of images and stories of love, sacrifice, compassion, kindness, perseverance, and – ultimately hope – flooded social media. Featured on Good Morning America, The Today Show, People Magazine, The Wall Street Journal, The Boston Globe and more, The Front Steps Project brings communities together virtually, despite being – and maybe feeling – isolated. The Front Steps Project contains over 400 photographs and dozens of stories of families during the COVID-19 pandemic. This heartwarming keepsake commemorates a massive effort of courage, unity, and goodwill. As a tribute to the good work of The Front Steps Project, a portion of book sales will be donated to The United Way to help people impacted by the pandemic.
Bestselling author/photographer Chris Orwig offers 30 photographic exercises to renew your passion for capturing the people in your world. This is not a traditional portrait photography book. The goal isn’t flattery, but connection and depth. Whether you are a student, busy parent, or seasoned pro photographer, these exercises provide an accessible framework for exploration and growth. With titles like: Be Quiet, Turn the Camera Around, and the Fabric of Family, each of the 30 exercises encourages you to have fun and experiment at your own pace. With step-by-step instructions and using natural light, you will explore everything from street, lifestyle, candid, and environmental shots. The projects are small artistic endeavors meant to change how you see and the pictures that you make. All that’s required is a camera, an intrepid attitude, curiosity, and some imagination.
Based on the popular and revolutionary PBS multiplatform documentary project, an inspiring and striking photographic portrait that brilliantly captures the tumultuous, historic year that was 2020, offering an intimate look at the heart and soul of our national life and what it means to be an American today, revealed through the stories of ordinary people from sea to shining sea. Everyone has a story . . . In January 2020, in celebration of its 50th anniversary, PBS launched an ambitious national storytelling project, American Portrait, inviting people across the country to participate in a national conversation about what it means to be an American today. The multiplatform experience, including a television series that will air on PBS stations nationwide in January 2021, has created a communal voice through the individual stories of participants—each one a unique stitch in the beautiful, diverse quilt that is America. A vivid yet nuanced snapshot of who we are, this visually striking companion volume features more than 400 entries and photographs, all which began with an answer to a simple cue: My American story started when . . . You don’t know what it’s like to . . . My greatest challenge is . . . The tradition I carry on is . . . I was raised to believe . . . What keeps me up at night is . . . I took a risk when . . . When I step outside my door . . . Most days I feel . . . Told by people of all ages, orientations, and walks of life, these unique stories of joy, adversity, love, sacrifice, grief, sharing, triumph, and grace, centered on the themes of family, work, fun, faith, and community, illuminate the struggles, hopes, dreams, and convictions of Americans today. The more we share with our fellow citizens, the more we can see a real, complex, and fascinating representation of our country that is far richer and deeper than headlines and elections tell us. As intriguing, thoughtful, and distinct as the nation it embodies, American Portrait is a photographic manifestation of Walt Whitman’s immortal words, “I am large. I contain multitudes”—and a vital and ultimately hopeful reminder that what we all share is much greater and enduring than what may divide us.
This co-authored book of early self-portraits by two professional photographers celebrates love-first love, an enduring friendship that resulted, and a lifelong devotion to photography as a form of creative expression. The black and white photographs in the book are drawn from the summer of 1999-when Prince told us to party, computer scientists feared global shutdown, and the seismic changes in communication that arrived with widespread use of the internet had not yet occurred. Jenny Riffle and Molly Landreth, home from their first year at separate colleges, documented the precious and banal moments of early adulthood as they explored their surroundings, and each other, through photography. Presented along with selected correspondence from the remainder of their college years, the photographs are a testament to the power of enduring friendship, and the creative spirits of two unique yet complementary artists.
Since the 1970s, questions of ethics raised by documentary practice have been central to debates in photography. Perhaps no other photographer has so closely and consistently represented and participated in these debates than Susan Meiselas. An American photographer best known for her work covering the political upheavals in Central America in the 1970s and 80s--including the El Mozote massacre in El Salvador--Meiselas' process has evolved in radical and challenging ways as she has grappled with essential questions about her relationship to her subjects, the use and circulation of her images in the media and the relationship of images to history and memory. Meiselas is under no illusions about the dual nature of the photographer's role as witness: "The camera is an excuse to be someplace you otherwise don't belong. It gives me both a point of connection and a point of separation." Her tenacious engagement with these matters has made her a leading commentator in the debate on contemporary photojournalism. With 200 plates and contributions from some of photography's finest theorists--among them David Levi Strauss, Lucy Lippard, Kristen Lubben, Jan-Erik Lundstrom and Allan Sekula--this volume gives an overview of Meiselas' enormously varied and courageous work to date.
Come with us for a moment out onto the porch. Just like that, we’ve entered another world without leaving home. In this liminal space, an endless array of absorbing philosophical questions arises: What does it mean to be in a place? How does one place teach us about the world and ourselves? What do we—and the things we’ve built—mean in this world? In a time when reflections on the nature of society and individual endurance are so paramount, Charlie Hailey’s latest book is both a mental tonic and a welcome provocation. Solidly grounded in ideas, ecology, and architecture, The Porch takes us on a journey along the edges of nature where the outside comes in, hosts meet guests, and imagination runs wild. Hailey writes from a modest porch on the Homosassa River in Florida. He sleeps there, studies the tides, listens for osprey and manatee, welcomes shipwrecked visitors, watches shadows on its screens, reckons with climate change, and reflects on his own acclimation to his environment. The profound connections he unearths anchor an armchair exploration of past porches and those of the future, moving from ancient Greece to contemporary Sweden, from the White House roof to the Anthropocene home. In his ruminations, he links up with other porch dwellers including environmentalist Rachel Carson, poet Wendell Berry, writers Eudora Welty and Zora Neale Hurston, philosopher John Dewey, architect Louis Kahn, and photographer Paul Strand. As close as architecture can bring us to nature, the porch is where we can learn to contemplate anew our evolving place in a changing world—a space we need now more than ever. Timeless and timely, Hailey’s book is a dreamy yet deeply passionate meditation on the joy and gravity of sitting on the porch.