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A 12-year-old boy, mourning the death of his mother, takes refuge in the myths and fairytales she always loved--and finds that his reality and a fantasy world start to meld.
A charming story about things lost and found. Sometimes things are lost. A hair ribbon. A pencil. A dog on a leash. But when someone loses a thing, another person may find it, sometimes with surprising results. In this thoughtful and deceptively simple story, several things are lost, then each is found — not always by the person who lost it, but always by someone who can use it. A small story with a big life lesson. Kids (and their grownups!) will have a new way to think, and feel, about losing something.
"Sacks proves herself a master of slow-burn suspense."--Shelf Awareness A simmering family drama about a father and daughter who embark on a road trip through the American South -- but what they're leaving behind is as important as what lies ahead. When we first meet seven-year-old Dolly, she immediately grabs us with a voice that is both precocious and effervescent. It has been a while since her dad has spent time with her, just the two of them, and so when he scoops her up and promises to take her on the adventure of a lifetime, Dolly is thrilled. The first days on the road are incredibly exciting. Every pit stop promises a new delight for Dolly and her favourite plastic horse, Clemesta, who she's brought along for the adventure. There are milkshakes, shopping sprees, a theme park, and all the junk food she isn't allowed to eat under her mother's watchful eye. And, for the first time, she has her father's attention all to herself. But as they travel farther south, into a country Dolly no longer recognizes, her dad's behavior grows increasingly erratic. He becomes paranoid and irresponsible, even a little scary. The adventure isn't fun anymore, but home is ever further away. And Dolly isn't sure if she'll ever get back. A compulsively readable work of psychological suspense from the first mile to the last, All the Lost Things introduces a remarkable young heroine who leaps off the page, charts a life-changing journey, and ultimately reveals the sometimes heartbreaking intersections of love, truth, and memory.
From the New York Times bestselling author of A Cuban Girl's Guide to Tea and Tomorrow, this deeply heartfelt love story explores hiding the worst parts of ourselves, and finding the people who love us anyway. “How could I open that door and let him see the messiest part of me?” From the moment she first learned to read, literary genius Darcy Wells has spent most of her time living in the worlds of her books. There, she can avoid the crushing reality of her mother’s hoarding and pretend her life is simply ordinary. But then Asher Fleet, a former teen pilot with an unexpectedly shattered future, walks into the bookstore where she works…and straight into her heart. For the first time in her life, Darcy can’t seem to find the right words. Fairy tales are one thing, but real love makes her want to hide behind her carefully constructed ink-and-paper wall. Still, after spending her whole life keeping people out, something about Asher makes Darcy want to open up. But securing her own happily-ever-after will mean she’ll need to stop hiding and start living her own truth—even if it’s messy. “A lovely tale for bookish readers that will give them all the feels.” —Kirkus
Named a Most Anticipated Book by Vogue and Vulture “Alternately whimsical, sweet, and dark,” this astonishing debut novel about a lonely girl waiting for her mother “brim[s] with uncompromisingly African magical realism” (The New York Times). Ayosa is a wandering spirit—joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother’s crumbling house are as lonely as Ayosa herself: the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend. Yet she is always fixed on her beautiful mama, Nabumbo Promise: a mysterious and aloof photographer, she comes and goes as she pleases, with no apology or warning. Set at the intersection of the spirit world and the human one, Things They Lost sets out a rich and magical vision of “girlhood as a time of complexity, laced with unparalleled creativity and expansion” (Vogue). Heartbreaking, elegant, and written in “giddily exuberant prose” (Financial Times), it’s a story about connection, coming-of-age, and the dizzying dualities of love at its most intoxicating and all-encompassing.
Fans of Rebecca Stead and Lynda Mullaly Hunt will embrace this heartwarming story about the effects of grief, the power of friendship, and learning that sometimes not all lost things are meant to be found. When twelve-year-old Leah goes to spend the summer in Chicago with her little cousin TJ, she's shocked to discover that he's gone mute after surviving a school shooting. She knows there isn't a "right way" to deal with his pain, but when she learns that he's sneaking out to visit a laundromat at night, it seems all wrong. Determined to discover why the laundromat brings her cousin to life, Leah and her new friend Violet follow him, unwittingly falling into an imaginary world called "The Land of Lost Things," home to the socks and coins and buttons that disappear in the dryer. And when TJ hears about the wonders beyond the portal in the back of the dryer, he actually speaks! Eager to keep him talking, Leah and her new friends populate the world with characters, performing elaborate puppet shows that grab the attention of YouTube viewers everywhere. Soon Leah realizes that there's something in this special world that TJ has to find and get back. But as the Lost Things Club works together to try and make TJ's dreams a reality, they learn there are some lost things that can't come back.
An intimate history of the Holocaust that casts new light on our understanding of victimhood and survival. In May 1933, a young man named Rudolf Schwab fled Nazi Germany. His departure allegedly came at the insistence of a close friend who later joined the Party. Schwab eventually arrived in South Africa, one of the few countries left where Jews could seek refuge, and years later, resumed a relationship in letters with the Nazi who in many ways saved his life. From Things Lost: Forgotten Letters and the Legacy of the Holocaustis a story of displacement, survival, and an unlikely friendship in the wake of the Holocaust via an extraordinary collection of letters discovered in a forgotten trunk. Only a handful of extended Schwab family members were alive in the war's aftermath. Dispersed across five continents, their lives mirrored those of countless refugees who landed in the most unlikely places. Over years in exile, a web of communication became an alternative world for these refugees, a place where they could remember what they had lost and rebuild their identities anew. Among the cast of characters that historian Shirli Gilbert came to know through the letters, one name that appeared again and again was Karl Kipfer. He was someone with whom Rudolf clearly got on exceedingly well—there was lots of joking, familiarity, and sentimental reminiscing. "That was Grandpa's best friend growing up," Rudolf's grandson explained to Gilbert; "He was a Nazi and was the one who encouraged Rudolf to leave Germany. . . . He also later helped him to recover the family's property." Gilbert takes readers on a journey through a family's personal history wherein we learn about a cynical Karl who attempts to make amends for his "undemocratic past," and a version of Rudolf who spends hours aloof at his Johannesburg writing desk, dressed in his Sunday finest, holding together the fragile threads of his existence. The Schwab family's story brings us closer to grasping the complex choices and motivations that—even in extreme situations, or perhaps because of them—make us human. In a world of devastation, the letters in From Things Lostact as a surrogate for the gravestones that did not exist and funerals that were never held. Readers of personal accounts of the Holocaust will be swept away by this intimate story.
With the help of a magical key, Cam searches for his missing friend—who just might be the Hotel’s newest enemy—in this thrilling sequel to The Hotel Between, which New York Times bestselling author Lisa McMann calls a “rollicking magical adventure around the world.” Ever since Cam was named Concierge-in-Training, he’s been struggling to keep up with the pace of The Hotel Between. It doesn’t help that his missing friend Nico keeps unleashing pranks—you try finding fifty-two cats scattered all over the world. When a grand party goes horribly wrong, Cam learns his twin sister, Cass, may also be up to no good. Now Cam must set out to prevent Cass and Nico from endangering the Hotel and keep it from falling into the hands of Mr. Stripe, a horrible magician. If he fails, The Hotel Between could be lost. Forever.
Have you ever lost a sock? One minute it might be swirling around inside the washing machine, and the next - it's gone! But even if it was your favourite sock, there are always plenty of others in the drawer. But have you ever lost a toy? Maybe it was your favourite toy. It's often the favourite toys, isn't it? And favourite toy's can't be easily replaced. So where do the lost things go?
Fiction. Winner of the Florida Authors and Publishers Association Award. Winner of a Royal Palm Literary Award. Winner of the Chicago Public Library's 21st Century Award. Winner of a Phillis Wheatley Book Award in Fiction. Winner of the International Latino Book Award in Most Inspirational Fiction. Amina Gautier's THE LOSS OF ALL LOST THINGS won the Elixir Press 2014 Fiction Award. It is a short story collection that illuminates the beauty that can be found in inconsolable loss. Gautier leads us through terrible reality but leaves us with the promise of hope and redemption. Contest judge, Phong Nguyen had this to say about it: "Literary fiction that grips us and won't let us go is notoriously rare. To offer us complex emotional experience and riveting narrative momentum, and then to leave the reader in contemplation of its sophisticated themes and subtle weave of objective correlatives... that is the stuff of literary greatness, of art that demands to be read in conversation with the canon....Gautier's stories have you by the throat, and they surprise you with their mercy."