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Guaguanc�, son, rumba, mambo, chachacha, samba, biguine, compas, bossa nova, Latin jazz, zouk, reggae, ragga, bomba, merengue, calypso, soca, dancehall: the Afro-Latin and Afro-Caribbean world is an endless wellspring of rhythms and melodies. This book offers a fascinating overview of its main traditional and popular genres. It considers artists such as Bob Marley, Celia Cruz, Machito, Kassav', Gilberto Gil, Milton Nascimento, Harry Belafonte, Mighty Sparrow, and Rihanna. It also allows us to discover the still little known black music of countries such as Bolivia, Mexico, Costa Rica or Honduras, and explains, in particular, the African origin of the tango and the milonga.An award-winning pianist, musicologist, and documentary filmmaker, Isabelle Leymarie has taught at several American academic institutions, including The New School, Livingston College's Jazz Department, Boricua College, and Yale; and at several conservatories and music schools in the United States and France. She is the author of over a dozen books published in several languages, among them Cuban Fire: The Story of Salsa and Latin Jazz (Continuum); Dizzy Gillespie (Actes Sud); Jazz Latino (Robinbooks); Cuba - La m�sica cubana (Oc�ano); Picasso and All That Jazz (Createspace); and Jazz Piano: Yesterday and Today (Createspace).
Music and Tourism is the first book to comprehensively examine the links between travel and music. It combines contemporary and historical analysis of the economic and social impact of music tourism, with discussions of the cultural politics of authenticity and identity.
Explores the modern history of Latin America using an intersectional approach, newly revised and updated. A History of Modern Latin America: 1800 to the Present, Third Edition offers a lively account of the rich political, cultural, and social history of the independent nation-states of Latin America and the Caribbean. Viewing Latin American history through the lens of social class, gender, race, and ethnicity, this accessible textbook explores the complex set of personalities, issues, and events that intersect to form the Latin American historical landscape. Written in a clear and engaging narrative style, the fully updated third edition examines specific events in different nations and periods to illustrate broader historical trends and interpretations. Concise chapters feature first-hand accounts of the life history of both prominent and ordinary people to contextualize topics such as African slavery in the Americas, the struggle for Haitian independence, the patriarchal rules governing marriage in Brazil, the construction of the Panama Canal, indigenous uprisings in the Mexican Revolution, the impact of immigration on Latin American life, the opening of diplomatic relations between the United States and Cuba, and more. Presents documents and excerpts from fiction to serve as concrete examples of historical ideas Examines gender and its influence on political and economic change Highlights the role of music, art, sports, movies, and other popular culture in the formation of Latin American cultural identity Includes a summary of European colonialism and an overview of Latin America in the 21st century Provides end-of-chapter review questions, discussion topics, and suggested readings Part of the popular Wiley Blackwell Concise History of the Modern World series, the third edition of A History of Modern Latin America: 1800 to the Present is an excellent textbook for introductory and intermediate undergraduate students as well as high school students taking advanced/honors Latin American history courses.
Focus: Music of Northeast Brazil examines the historical and contemporary manifestations of the music of Brazil, a country with a musical landscape that is layered with complexity and diversity. Based on the author’s field research during the past twenty years, the book describes and analyzes the social/historical contexts and contemporary musical practices of Afro-Brazilian religion, selected Carnival traditions, Bahia’s black cultural renaissance, the traditions of rural migrants, and currents in new popular music. Part One, Understanding Music in Brazil, presents important issues and topics that encompass all of Brazil, and provides a general survey of Brazil’s diverse musical landscape. Part Two, Creating Music in Brazil, presents historical trajectories and contemporary examples of Afro-Brazilian traditions, Carnival music, and northeastern popular music. Part Three, Focusing In, presents two case studies that explore the ground-level activities of contemporary musicians in Northeast Brazil and the ways in which they move between local, national, and international realms. The accompanying downloadable resources offer vivid musical examples that are discussed in the text
Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends – rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more. This book offers a highly original account of the emergence of pop-rock music as a global phenomenon in which Anglo-American and many other national and ethnic variants interact in complex ways. Pop-rock is analysed as a prime instance of 'aesthetic cosmopolitanism' – that is, the gradual formation, in late modernity, of world culture as a single interconnected entity in which different social groupings around the world increasingly share common ground in their aesthetic perceptions, expressive forms and cultural practices. Drawing on a wide array of examples, this path-breaking book will be of great interest to students and scholars in cultural sociology, media and cultural studies as well as the study of popular music.
This book constitutes the thoroughly refereed post-conference proceedings of the 5th International Symposium on Computer Music Modeling and Retrieval, CMMR 2008 - Genesis of Meaning in Sound and Music, held in Copenhagen, Denmark, in May 2008. The 21 revised full papers presented were specially reviewed and corrected for this proceedings volume. CMMR 2008 seeks to enlarge upon the Sense of Sounds-concept by taking into account the musical structure as a whole. More precisely, the workshop will have as its theme Genesis of Meaning in Sound and Music. The purpose is hereby to establish rigorous research alliances between computer and engineering sciences (information retrieval, programming, acoustics, signal processing) and areas within the humanities (in particular perception, cognition, musicology, philosophy), as well as to globally address the notion of sound meaning and its implications in music, modeling and retrieval.
This comprehensive survey examines Latin American music, focusing on popular—as opposed to folk or art—music and containing more than 200 entries on the concepts and terminology, ensembles, and instruments that the genre comprises. The rich and soulful character of Latin American culture is expressed most vividly in the sounds and expressions of its musical heritage. While other scholars have attempted to define and interpret this body of work, no other resource has provided such a detailed view of the topic, covering everything from the mambo and unique music instruments to the biographies of famous Latino musicians. Encyclopedia of Latin American Popular Music delivers scholarly, authoritative, and accessible information on the subject, and is the only single-volume reference in English that is devoted to an encyclopedic study of the popular music in this genre. This comprehensive text—organized alphabetically—contains roughly 200 entries and includes a chronology, discussion of themes in Latin American music, and 37 biographical sidebars of significant musicians and performers. The depth and scope of the book's coverage will benefit music courses, as well as studies in Latin American history, multicultural perspectives, and popular culture.
“An excellent look at how the Police accomplished success . . . West is especially good at examining how the band used the nascent MTV to define themselves.” ―Publishers Weekly During the 1980s, The Police were one of the biggest bands in the world. Yet after only five albums—and at the peak of their popularity—they disbanded, and Sting began a solo career that made him a global pop star. Today, artists from Puff Daddy to Gwen Stefani credit The Police and Sting as major influences on their own work. In this book, Aaron J. West explores the cultural and musical impact of Stewart Copeland, Andy Summers, and Sting. West details the distinctive hybrid character of The Police’s musical output, which would also characterize Sting’s post-Police career. Sting’s long-lived solo career embodies the power of the artful appropriation of musical styles, while capitalizing on the modern realities of pop music consumption. The Police—and Sting in particular—were pioneers in music video, modern label marketing, global activism, and the internationalization of pop music. Sting and The Police: Walking in Their Footsteps is a feast for fans—and by placing the band within its various musical, cultural, commercial, and historic contexts, it’s also fascinating reading for anyone interested in global popular music culture.
This second edition of Song Sheets to Software includes completely revised and updated listings of music software, instructional media, and music-related Internet Web sites of use to all musicians, whether hobbyist or professional. This book is a particularly valuable resource for the private studio and classroom music teacher.