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Ken Follett’s magnificent historical epic begins as five interrelated families move through the momentous dramas of the First World War, the Russian Revolution, and the struggle for women’s suffrage. A thirteen-year-old Welsh boy enters a man’s world in the mining pits. . . . An American law student rejected in love finds a surprising new career in Woodrow Wilson’s White House. . . . A housekeeper for the aristocratic Fitzherberts takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with a German spy. . . . And two orphaned Russian brothers embark on radically different paths when their plan to emigrate to America falls afoul of war, conscription, and revolution. From the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty, Fall of Giants takes us into the inextricably entangled fates of five families—and into a century that we thought we knew, but that now will never seem the same again. . . .
Via rigorous study of the legal arguments Spain developed to justify its acts of war and conquest, The Other Side of Empire illuminates Spain's expansionary ventures in the Mediterranean in the late fifteenth and early sixteenth centuries. Andrew Devereux proposes and explores an important yet hitherto unstudied connection between the different rationales that Spanish jurists and theologians developed in the Mediterranean and in the Americas. Devereux describes the ways in which Spaniards conceived of these two theatres of imperial ambition as complementary parts of a whole. At precisely the moment that Spain was establishing its first colonies in the Caribbean, the Crown directed a series of Old World conquests that encompassed the Kingdom of Naples, Navarre, and a string of presidios along the coast of North Africa. Projected conquests in the eastern Mediterranean never took place, but the Crown seriously contemplated assaults on Egypt, Greece, Turkey, and Palestine. The Other Side of Empire elucidates the relationship between the legal doctrines on which Spain based its expansionary claims in the Old World and the New. The Other Side of Empire vastly expands our understanding of the ways in which Spaniards, at the dawn of the early modern era, thought about religious and ethnic difference, and how this informed political thought on just war and empire. While focusing on imperial projects in the Mediterranean, it simultaneously presents a novel contextual background for understanding the origins of European colonialism in the Americas.
Since 1970, many readers have waited for another anthology that incorporates poets writing after Donald Allen's 1960 The New American Poetry. Organized into somewhat arbitrary and non-rigid categories, these selections present poetry that has reshaped our language, culture, and thought for the past 30 years.
Bestselling author Alex Kotlowitz is one of this country's foremost writers on the ever explosive issue of race. In this gripping and ultimately profound book, Kotlowitz takes us to two towns in southern Michigan, St. Joseph and Benton Harbor, separated by the St. Joseph River. Geographically close, but worlds apart, they are a living metaphor for America's racial divisions: St. Joseph is a prosperous lakeshore community and ninety-five percent white, while Benton Harbor is impoverished and ninety-two percent black. When the body of a black teenaged boy from Benton Harbor is found in the river, unhealed wounds and suspicions between the two towns' populations surface as well. The investigation into the young man's death becomes, inevitably, a screen on which each town projects their resentments and fears. The Other Side of the River sensitively portrays the lives and hopes of the towns' citizens as they wrestle with this mystery--and reveals the attitudes and misperceptions that undermine race relations throughout America.
Reproduction of the original.
When Isabel breached an invisible barrier her world completely changed.
Nineteenth-Century American Literature and the Discourse of Natural History illuminates how literary experimentation with natural history provides penumbral views of environmental survival. The book brings together feminist revisions of scientific objectivity and critical race theory on diaspora to show how biogeography influenced material and metaphorical concepts of species and race. It also highlights how lesser known writers of color like Simon Pokagon and James McCune Smith connected species migration and mutability to forms of racial uplift. The book situates these literary visions of environmental fragility and survival amidst the development of Darwinian theories of evolution and against a westward expanding American settler colonialism.
Historian, critic, and horticulturist Francis Parkman was renowned for his analytical acuity and narrative skill. In A Half Century of Conflict, Parkman dissects and explains the tumult that surrounded the birth of the United States. This book is regarded as one of the highest literary achievements in nineteenth-century historical writing. Francis Parkman (September 16, 1823 – November 8, 1893) was an American historian, best known as author of The Oregon Trail: Sketches of Prairie and Rocky-Mountain Life and his monumental seven-volume France and England in North America. These works are still valued as historical sources and as literature. He was also a leading horticulturist, briefly a professor of Horticulture at Harvard University and author of several books on the topic. Parkman was a trustee of the Boston Athenæum from 1858 until his death in 1893. Parkman is one of the most notable nationalist historians. In recognition of his talent and accomplishments, the Society for American Historians annually awards the Francis Parkman Prize for the best book on American history. His work has been praised by historians who have published essays in new editions of his work by such Pulitzer Prize winners as C. Vann Woodward, Allan Nevins, and Samuel Eliot Morison as well as by other notable historians including Wilbur R. Jacobs, John Keegan, William Taylor, Mark Van Doren, and David Levin. Famous artists such as Thomas Hart Benton and Frederic Remington have illustrated Parkman's books. Numerous translations have been published worldwide. In 1865 Parkman built a house at 50 Chestnut Street on Beacon Hill in Boston, which has since become a National Historic Landmark. The Francis Parkman School in Forest Hills bears his name, as does Parkman Drive and the granite Francis Parkman Memorial at the site of his last home in Jamaica Plain, Massachusetts (now a neighborhood of Boston).
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.