Download Free From The New World Book in PDF and EPUB Free Download. You can read online From The New World and write the review.

An innovative story of love, decapitation, cryogenics, and memory by two of our most creative literary minds Jorie has just received some terrible news. A phone full of missed calls and sympathetic text messages seem to indicate that her husband, Jim, a chaplain at the hospital where she works as a surgeon, is dead. Only, not quite—rather, his head has been removed from his body and cryogenically frozen. Jim awakes to find himself in an altogether unique situation, to say the least: his body gone but his consciousness alive, his only companion a mysterious, disembodied voice. In this surreal and unexpectedly moving work, Chris Adrian and Eli Horowitz spin a tale of loss and adjustment, death and reawakening. Simultaneously fabulist and achingly human, The New World finds Jorie grieving the husband she knew while Jim wrestles with the meaning of life after death. Conceived in collaboration with Atavist Books, The New World interrogates love and loss in the digital era.
A rebellious Indian proclaiming noble ancestry and entitlement, a military lieutenant foreshadowing the coming of revolution, a blasphemous Creole embroiderer in possession of a bundle of sketches brimming with pornography. All shared one thing in common. During the late eighteenth century, they were deemed to be mad and forcefully admitted to the Hospital de San Hipolito in Mexico City, the first hospital of the New World to specialize in the care and custody of the mentally disturbed. Christina Ramos reconstructs the history of this overlooked colonial hospital from its origins in 1567 to its transformation in the eighteenth century, when it began to admit a growing number of patients transferred from the Inquisition and secular criminal courts. Drawing on the poignant voices of patients, doctors, friars, and inquisitors, Ramos treats San Hipolito as both a microcosm and a colonial laboratory of the Hispanic Enlightenment—a site where traditional Catholicism and rationalist models of madness mingled in surprising ways. She shows how the emerging ideals of order, utility, rationalism, and the public good came to reshape the institutional and medical management of madness. While the history of psychiatry's beginnings has often been told as seated in Europe, Ramos proposes an alternative history of madness's medicalization that centers colonial Mexico and places religious figures, including inquisitors, at the pioneering forefront.
Translated by Jeremy Moyle In Nature in the New World (translated into English in 1985), Antonello Gerbi examines the fascinating reports of the first Europeans to see the Americas. These accounts provided the basis for the images of strange and new flora, fauna, and human creatures that filled European imaginations.Initial chapters are devoted to the writings of Columbus, Vespucci, Cortes, Verrazzano, and others. The second portion of the book concerns the Historia general y natural de las Indias of Gonzalo Fernandez de Oviedo, a work commissioned by Charles V of Spain in 1532 but not published in its entirety until the 1850s. Antonello Gerbi contends that Oviedo, a Spanish administrator who lived in Santo Domingo, has been unjustly neglected as a historian. Gerbi shows that Oviedo was a major authority on the culture, history, and conquest of the New World.
Brief Candles (1930), Aldous Huxley's fifth collection of short fiction, consists of the following four short stories: "Chawdron" "The Rest Cure" "The Claxtons" "After the Fireworks" Brief Candles takes its title from a line in William Shakespeare's Macbeth, from Macbeth's famous soliloquy: "Out, out, brief candle! Life's but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more: it is a tale told by an idiot, full of sound and fury, signifying nothing."
In this dramatic short story -- a prequel to the award-winning Chaos Walking Trilogy -- author Patrick Ness gives us the story of Viola's journey to the New World. Whether you're new to Chaos Walking or an established fan, this prequel serves as a fascinating introduction to the series that Publishers Weekly called one of the most important works of young adult science fiction in recent years.
A hybrid collection of poetry and prose, The New World follows the attempts, failures, and re-attempts at understanding and articulating an era of immense social upheaval, political corruption, and environmental consequence. In five distinct sections, the book refracts, explores and investigates these global themes through the realm of the personal and private. Old journals and notes are revisited as a way of understanding the self and its various revisions and mistakes. The New World tells the story of escapism and arrival, growth and decay, and despair and optimism as they occur, often simultaneously, within the mind of our narrator. The book asks, "How do you write poems in a country like this?", inviting every reader to take stock of themselves, and to reassess the ways "One human world / [empties] completely / into the bigger one."
In September of 2015 the visitors in Whitley Strieber's immortal bestseller Communion returned to his life. A New World details their powerful message: A new world is coming...if we can take it. In 2018, the US Navy admitted that videos taken off the carrier Nimitz by pilots using ultra-sophisticated cameras were of unknown objects with incredible flight characteristics. Add to this the past seventy years of UFO evidence, and it is now undeniable that something unknown is flying around in our skies. But why are they here? There are millions of close encounter witnesses who would say that they are here for us, and have already been in contact with us for two generations, while the official world and the media have been in denial. In 1987, author Whitley Strieber published Communion about his own close encounter. It was met with brutal skepticism...but not from other close encounter witnesses, who wrote him in the hundreds of thousands, telling of their own experiences. With these overwhelming accounts of alien encounters, Rice University in Houston, Texas, has archived these letters as a testimony that we are not alone. After thirty-three years of having them in his life, and an entirely new group of encounters starting in 2015, Whitley Strieber returns with a new vision of contact that will shatter all of our previous theories and beliefs and reveal the experience for what it is: the strangest, most powerful, and potentially most important thing that has ever happened to mankind.
Set four hundred years in the future, Frederick Turner's epic poem, The New World, celebrates American culture in A.D. 2376. As the book opens, the nation-state has been fragmented and replaced by new political forms: the Riots, violent anarchistic matriarchies, whose members are addicted to psychedelic joyjuice; the Burbs, populations descended from the old middle classes and now slaves to the Riots; the Mad Counties, religious theocracies dominated by fanatical fundamentalists; and the Free Counties, Jeffersonian democracies where arts and sciences flourish. Within this setting, Turner's epic tells the story of a tragic family feud involving Ruth Jefferson, daughter of the political leader, Shaker McCloud; Antony Manse, a handsome aristocrat; Ruth's half-brother, the ambitious Simon Raven McCloud, who is under the influence of his grandmother, the witch Faith Raven; and the hero, James George Quincy. When banished from the Free Counties, the vengeful Simon Raven transforms himself into a messianic figure who inspires a league of Mad Counties to launch a holy war to annihilate the Free Counties. Turner's epic calls for a cultural commitment to transcend the contemporary choice between blind faith and hedonistic relativism. This bold work challenges many conventional assumptions about modern poetry and its relationship to other literary forms and the culture at large. Praise for Frederick Turner "This is a grand, glowing poem.... A thousand bravos " - James Merrill, Pulitzer Prize winning poet "The New World may be the first straight-forward heroic epic since Tennyson that really works. Turner's stroke of genius was to place the story in the future and tell it in a science-fiction mode. Suddenly all the epic formulas become not only permissible again but credible." - Dana Gioia "What astonishes me most is the way this poem builds and builds. To begin with, I was taking note of particular things that I found thrilling or delightful, but the deeper I got into the narrative, the more sustained the richness of it as a whole, and the seamless coherence of the tragic horror with the joyousness that I see as its central meaning. The poem inspires us to go back to the epics of the past, whose roots it shows us to be so much alive after all." - Amy Clampitt "If the use of epic poetry is to be more than a conceit, it has to be in the service of a tale for which it is better suited than the novel.... The epic poem] has historically enjoyed a greater ability to convey a culture's character and spirit through language. Turner uses the strengths of the epic form to good effect.... The New World is an ambitious work and Turner pulls off what he set out to accomplish: He's written good science fiction while creating and presenting a possible future in a way that a novel could not have accomplished. It's good poetry, too." - Dani Zweig "Myth, religious parable, and science fiction are genetically recombined into lyrical new forms of being. Turner has taken up the most ancient challenges of the poet, delivering work as intellectually charged as formally challenging." - Paul Lake "Frederick Turner comes across in his poems as a man of impressively broad experience, intellectual brilliance, and originality. His vocabulary alone is a tour de force. He's at his best when he unleashes his extraordinary powers of observation." - Richard Tillinghast
Before international relations in the West, there were Christian-infidel relations. Infidels and Empires in a New World Order decenters the dominant story of international relations beginning with Westphalia in 1648 by looking a century earlier to the Spanish imperial debate at Valladolid addressing the conversion of native peoples of the Americas. In addition to telling this crucial yet overlooked story from the colonial margins of Western Europe, this book examines the Anglo-Iberian Atlantic to consider how the ambivalent status of the infidel other under natural law and the law of nations culminating at Valladolid shaped subsequent international relations in explicit but mostly obscure ways. From Hernán Cortés to Samuel Purchas, and Bartolomé de las Casas to New England Puritans, a host of unconventional colonial figures enter into conversation with Francisco de Vitoria, Hugo Grotius, and John Locke to reveal astonishing religious continuities and dissonances in early modern international legal thought with important implications for contemporary global society.
Jim Meagher’s world as a young man in the Irish-American neighborhood of Riverdale, New York, in the 1950s was a familiar and comfortable one, defined by family, church, school, and friendship. But was there something more to experience from life that could only be found outside those friendly confines? What if he could be a great man, with power and influence and riches? Life would soon take him beyond Riverdale—far beyond it—and teach him valuable lessons about duty, honor, and responsibility. Along the way, laughter and love would also be companions as Jim Meagher discovered the new world awaiting him beyond Brush Avenue—and also discovered that power and influence and riches are not always what a young man wants or needs.