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This true crime book in the vein of The Stranger Beside Me follows the relationship between a police officer and one of New York City’s most infamous serial killers. This is the riveting true story of Joel Rifkin—the Long Islander convicted of savagely murdering seventeen young women—as told by Rifkin to Robert Mladinich. The two met as journalism students in 1979; more than two decades later, the NYPD detective visited Rifkin in prison to examine what both had made of their lives. In a chilling series of exchanges, Rifkin bared his soul to Mladinich, chronicling his lost years: the missed opportunities, the failed relationships, and the terrible details behind his killings. But Mladinich probed deeper, forcing Rifkin to confront the horrifying nature of his crimes. Drawn from interviews with Rifkin and his mother, and conversations with acquaintances and professionals who encountered him, From the Mouth of the Monster is a chilling study of the possible evil within us all.
From the mouth of the monster eel, Sirena: Cursed from the sea; The tree that bled fish; The monster-lizard of Yap; The first coconut tree and ; One Sail and ten brothers.
Bright bold monsters in this book are hungry and ready to be fed. Lift out snack pieces can be placed inside the zipper pouch to "feed" the monsters.
"A monstrously effective lid-dropper....Being all smiles, and more likely to elicit snorts of amusement than screams of terror, the monstrous marchers crawling, oozing, slithering, or strolling into and out of view with each page turn have the intended soporific effect." - Kirkus Reviews When Ethan can't sleep, he doesn't count sheep &– he says his ABCs. But in monster-loving Ethan's alphabet, A is for Arms, B is for Belly, C is for Claws, and D is for Drool! Kids will love pointing out the alphabetical attributes on the silly monsters that parade across Ethan's room &– like earlobes, noses, spikes, and wings &– and discovering where all of those monsters are headed. By the time Ethan gets to Y, he's Yawning. And by Z, kids will be ready to sleep as Ethan does, surrounded by the tails, tentacles, and drool sticking out from under his bed. ZZzzzzz. D is for Drool is a monstrously magnificent ABC book that offers a new way to fall asleep. With the perfect balance of giggles and shivers, it is a captivating companion to the award-winning I Need My Monster series.
The riveting true story of convicted serial killer Joel Rifkin, who savagely murdered 17 young women, is told by the author, an NYPD detective who knew Rifkin as a friend while both were college journalism students. In this chilling account, Rifkin bares his soul to the author, recalling his missed opportunities, his failed relationships, and the terrible details behind his killings.
What has a bluish-greenish nose, sharp white teeth and big yellow eyes? It is the Big Green Monster, in this book children can change the features of the monster, it is designed to help dispel their fears of night-time monsters.
The human mind needs monsters. In every culture and in every epoch in human history, from ancient Egypt to modern Hollywood, imaginary beings have haunted dreams and fantasies, provoking in young and old shivers of delight, thrills of terror, and endless fascination. All known folklores brim with visions of looming and ferocious monsters, often in the role as adversaries to great heroes. But while heroes have been closely studied by mythologists, monsters have been neglected, even though they are equally important as pan-human symbols and reveal similar insights into ways the mind works. In Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors, anthropologist David D. Gilmore explores what human traits monsters represent and why they are so ubiquitous in people's imaginations and share so many features across different cultures. Using colorful and absorbing evidence from virtually all times and places, Monsters is the first attempt by an anthropologist to delve into the mysterious, frightful abyss of mythical beasts and to interpret their role in the psyche and in society. After many hair-raising descriptions of monstrous beings in art, folktales, fantasy, literature, and community ritual, including such avatars as Dracula and Frankenstein, Hollywood ghouls, and extraterrestrials, Gilmore identifies many common denominators and proposes some novel interpretations. Monsters, according to Gilmore, are always enormous, man-eating, gratuitously violent, aggressive, sexually sadistic, and superhuman in power, combining our worst nightmares and our most urgent fantasies. We both abhor and worship our monsters: they are our gods as well as our demons. Gilmore argues that the immortal monster of the mind is a complex creation embodying virtually all of the inner conflicts that make us human. Far from being something alien, nonhuman, and outside us, our monsters are our deepest selves.
A story steeped in magical realism about love, fear, and the thrill of discovering who we were born to be, The Last Monster is a story about making peace with our insecurities and defending those who must hide what they really are. Sofia has never felt special. Not at school, or with her track team, and especially not since she’s become sick. She’s always been different, but this doesn't make her stand out . . . it's makes her invisible. Then something special lands right in Sofia’s lap. An ancient book that serves as a portal for the Greek philosopher, Xeno, one of Aristotle’s lost students. Sofia has been chosen to be the next Guardian. Suddenly Sofia is not only trying to survive middle-school cliques and first crushes, she’s in charge of protecting grotesquely beautiful, lonely monsters that have roamed the Earth for centuries. Drawn into Xeno’s violent and unpredictable world of mystery, Sofia learns that loving outsiders has a price. "While the fantastical elements are compelling, it’s the real-world situations that make this book stand out. . . a perfect recommendation for introspective kids who feel like outsiders."--SLJ "Garrett's prose, frequently poignant and sophisticated, is punctuated with wry humor."--Kirkus "The oft-used concept of finding one’s true self is employed here in a uniquely imaginative way, complete with occasional black-and-white illustrations. An appealing tale for readers dealing with their own insecurities."--Booklist