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There's not a whole lot written about Caroline Quiner Ingalls, the mother of famed Little House on the Prairie author, Laura Ingalls Wilder. And I always wondered why. So I set about looking for her. . .in family letters, bits of biography and, mostly, through the words she spoke throughout the Little House series. The Ma I thought I'd find wasn't the one I discovered. Would you like to meet her? I think you'll be happy that you did.
WINNER OF THE WHITING AWARD PEN AMERICA LITERARY FINALIST Recommended by Héctor Tobar as an essential Los Angeles book in the New York Times. Carribean Fragoza's debut collection of stories reside in the domestic surreal, featuring an unusual gathering of Latinx and Chicanx voices from both sides of the U.S./Mexico border, and universes beyond. "Eat the Mouth That Feeds You is an accomplished debut with language that has the potential to affect the reader on a visceral level, a rare and significant achievement from a forceful new voice in American literature."—Kali Fajardo-Anstine, New York Times Book Review, and author of Sabrina and Corina Carribean Fragoza's imperfect characters are drawn with a sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them. A young woman returns home from college, only to pick up exactly where she left off: a smart girl in a rundown town with no future. A mother reflects on the pain and pleasures of being inexorably consumed by her small daughter, whose penchant for ingesting grandma's letters has extended to taking bites of her actual flesh. A brother and sister watch anxiously as their distraught mother takes an ax to their old furniture, and then to the backyard fence, until finally she attacks the family’s beloved lime tree. Victories are excavated from the rubble of personal hardship, and women's wisdom is brutally forged from the violence of history that continues to unfold on both sides of the US-Mexico border. "Eat the Mouth that Feeds You renders the feminine grotesque at its finest."—Myriam Gurba, author of Mean "Eat the Mouth that Feeds You will establish Fragoza as an essential and important new voice in American fiction."—Héctor Tobar, author of The Barbarian Nurseries "Fierce and feminist, Eat the Mouth That Feeds You is a soul-quaking literary force."—Dontaná McPherson-Joseph, The Foreword, *Starred Review ". . . a work of power and a darkly brilliant talisman that enlarges in necessary ways the feminist, Latinx, and Chicanx canons."—Wendy Ortiz, Alta Magazine "Fragoza's surreal and gothic stories, focused on Latinx, Chicanx, and immigrant women's voices, are sure to surprise and move readers."—Zoe Ruiz, The Millions "This collection of visceral, often bone-chilling stories centers the liminal world of Latinos in Southern California while fraying reality at its edges. Full of horror and wonder."—Kirkus Reviews, *Starred Review "Fragoza's debut collection delivers expertly crafted tales of Latinx people trying to make sense of violent, dark realities. Magical realism and gothic horror make for effective stylistic entryways, as Fragoza seamlessly blurs the lines between the corporeal and the abstract."—Publishers Weekly "The magic realism of Eat the Mouth that Feeds You is thoroughly worked into the fabric of the stories themselves . . . a wonderful debut."—Brian Evenson, author of Song for the Unraveling of the World
"In this novel in verse, a resilient American boy deals with bullying and the challenges of being an outsider that come with living in a Japanese fishing village"--
Sometimes life is P.U. Junie B.'s having a rough week. First she got punishment for shooting off her mouth in kindergarten. And now she's in big trouble again! 'Cause Monday is Job Day, and Junie B. told her class that she's got the bestest job of all. Only, what the heck is it? ABOUT THE SERIES Meet Junie B. Jones, the lovable, mischievous kindergartner and star of this hysterical series by Barbara Park. Follow Junie B. from her first day of kindergarten to her last as she gets into one scrape after another. Readers will laugh along with Junie B. and her friends in Room Nine, as she attempts to escape 'punishment' from her teacher, and drives her parents to distraction!
After the fall of South Vietnam, fourteen-year-old Mai is forced to flee across the South China Sea to a refugee camp near Malaysia. But when an accident forces Mai to flee the camp, she meets a half-American boy named Kien, who might be the only person who can keep her alive until she’s sent to the US.
Teaching children how to manage their thoughts and words without interrupting. Louis always interrupts! All of his thoughts are very important to him, and when he has something to say, his words rumble and grumble in his tummy, they wiggle and jiggle on his tongue and then they push on his teeth, right before he ERUPTS (or interrupts). His mouth is a volcano! But when others begin to interrupt Louis, he learns how to respectfully wait for his turn to talk. My Mouth Is A Volcano takes an empathetic approach to the habit of interrupting and teaches children a witty technique to help them manage their rambunctious thoughts and words. Told from Louis' perspective, this story provides parents, teachers, and counselors with an entertaining way to teach children the value of respecting others by listening and waiting for their turn to speak.
With a blend of humor, fact, and whimsy discover Matthew's problem. His brain says one thing but his mouth says another.
MORE is an acronym for Motor components, Oral organization, Respiratory demands, and Eye contact and control; elements of toys and items that can be used to facilitate integration of the mouth with sensory and postural development, as well as self-regulation and attention. The text presents a theoretical framework for the treatment of both sensorimotor and speech/language problems, methods for evaluating therapeutic potential of oral motor toys, and activities designed to improve integrated development of sensory/postural and speech/language functions. [Ed.]
This manual features games, rhymes, and manipulative tasks to help preschool and primary school children with hearing impairment, oral dyspraxia, and articulation problems. The games target higher organizational levels of motor planning for oral motor skills. These activities probide a natural focus on the mouth, an approach that can be shared with children who do not have disabilities. Games include saying silly sentences and rhymes and making funny faces.
Starting from the happiness of waking up into a brand-new day, the book goes on to explore the kinds of relationships and contrasts that play out between our feelings and experiences every single day. Words and images play beautifully present these contrasts from left to right, and across a couple of long gatefold pages. Whether it's the nervousness of a beginning paired with the happiness of a middle; the indignity of a cut against the happiness of a scab; the boredom of nothing to do contrasted with the happiness of nothing to do; or the divide of mind against the happiness of our, these pages challenge the reader to think about daily activities and experiences and the feelings they conjure. They also lead us to think about the substance of our happiness, and what the ingredients of it might be. Written with subtlety and nuance and illustrated in pencil, pen and watercolor with great tenderness, The Happiness of a Dog with a Ball in its Mouth is a gentle, fun, and philosophical read, with which to both start and end the day.