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If you want to find out what a rock critic, a syndicated columnist, and scholars of American literature have to say about one of America's most important contemporary novelists, turn to Introducing Don DeLillo. Placing the author's work in a cultural context, this is the first book-length collection on DeLillo, adding considerably to the emerging critical discourse on his work.Diversity is the key to this striking assemblage of cultural criticism edited by Frank Lentricchia. Special features include an expanded version of the Rolling Stone interview with the author ("An Outsider in this Society.
How local, specific, and personal understandings about belonging, ownership, and agency intersect with law to shape the city. In Owning the Street, Amelia Thorpe examines everyday experiences of and feelings about property and belonging in contemporary cities. She grounds her account in an empirical study of PARK(ing) Day, an annual event that reclaims street space from cars. A popular and highly recognizable example of DIY Urbanism, PARK(ing) Day has attracted considerable media attention, but has not yet been the subject of close scholarly examination. Focusing on the event's trajectories in San Francisco, Sydney, and Montreal, Thorpe addresses this gap, making use of extensive interview data, field work, and careful reflection to explore these tiny, temporary, and often transformative interventions. PARK(ing) Day is based on a creative interpretation of the property producible by paying a parking meter. Paying a meter, the event’s organizers explained, amounts to taking out a lease on the space; while most “lessees” use that property to store a car, the space could be put to other uses—engaging politics (a free health clinic for migrant workers, a same sex wedding, a protest against fossil fuels) and play (a dance floor, giant Jenga, a pocket park). Through this novel rereading of everyday regulation, PARK(ing) Day provides an example of the connection between belief and action—a connection at the heart of Thorpe’s argument. Thorpe examines ways in which local, personal, and materially grounded understandings about belonging, ownership, and agency intersect with law to shape the city. Her analysis offers insights into the ways in which citizens can shape the governance of urban space, particularly in contested environments. The book's foreword is by Davina Cooper, Research Professor in Law at King’s College London.
NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.
The brilliant, chilling debut of Karen White's New York Times bestselling Tradd Street series, featuring a Charleston real estate agent who loves old houses—and the secret histories inside them. Practical Melanie Middleton hates to admit she can see ghosts. But she's going to have to accept it. An old man she recently met has died, leaving her his historic Tradd Street home, complete with housekeeper, dog—and a family of ghosts anxious to tell her their secrets. Enter Jack Trenholm, a gorgeous writer obsessed with unsolved mysteries. He has reason to believe that diamonds from the Confederate Treasury are hidden in the house. So he turns the charm on with Melanie, only to discover he's the smitten one... It turns out Jack's search has caught the attention of a malevolent ghost. Now, Jack and Melanie must unravel a mystery of passion, heartbreak—and even murder.
Sophie Yanow's concise, smart, and politically engaged cartoon history reveals the buried connections between urban planning and urban warfare.
For five generations, Tallis women have lived in the big brownstone on Perry Street in Greenwich Village: Ada, adventurous and ambitious, who inherited the house in 1878; her daughter, Julia, suffragist, union organizer, and political agitator; Julia's daughter, Lydia, the reigning matriarch; Lydia's daughter, Nora, '60's peace activist and mother of Marina, the narrator of this matriarchal epic filled with an array of eccentric characters from a writer who has been charting America's political landscape since the appearance of her first novel, Local Deities in 1990.
A community’s past sins rise to the surface in New York Times bestselling author Diane Chamberlain’s The Last House on the Street when two women, a generation apart, find themselves bound by tragedy and an unsolved, decades-old mystery. 1965 Growing up in the well-to-do town of Round Hill, North Carolina, Ellie Hockley was raised to be a certain type of proper Southern lady. Enrolled in college and all but engaged to a bank manager, Ellie isn’t as committed to her expected future as her family believes. She’s chosen to spend her summer break as a volunteer helping to register black voters. But as Ellie follows her ideals fighting for the civil rights of the marginalized, her scandalized parents scorn her efforts, and her neighbors reveal their prejudices. And when she loses her heart to a fellow volunteer, Ellie discovers the frightening true nature of the people living in Round Hill. 2010 Architect Kayla Carter and her husband designed a beautiful house for themselves in Round Hill’s new development, Shadow Ridge Estates. It was supposed to be a home where they could raise their three-year-old daughter and grow old together. Instead, it’s the place where Kayla’s husband died in an accident—a fact known to a mysterious woman who warns Kayla against moving in. The woods and lake behind the property are reputed to be haunted, and the new home has been targeted by vandals leaving threatening notes. And Kayla’s neighbor Ellie Hockley is harboring long buried secrets about the dark history of the land where her house was built. Two women. Two stories. Both on a collision course with the truth--no matter what that truth may bring to light--in Diane Chamberlain's riveting, powerful novel about the search for justice.
This night not only marked the end to the drought, but also the end to the long-held secret we'd kept hidden under the magnolias. Magnolia, South Carolina, 1980 Austin Foster is barely a teenager when her mama dies giving birth to twins, leaving her to pick up the pieces while holding her six siblings together and doing her best to stop her daddy from retreating into his personal darkness. Scratching out a living on the family's tobacco farm is as tough as it gets. When a few random acts of kindness help to ease the Fosters' hardships, Austin finds herself relying upon some of Magnolia's most colorful citizens for friendship and more. But it's next to impossible to hide the truth about the goings-on at Nolia Farms, and Austin's desperate attempts to save face all but break her. Just when it seems she might have something more waiting for her--with the son of a wealthy local family who she's crushed on for years--her father makes a choice that will crack wide-open the family's secrets and lead to a public reckoning. There are consequences for loving a boy like Vance Cumberland, but there is also freedom in the truth. T. I. Lowe's gritty yet tender and uplifting tale reminds us that a great story can break your heart . . . then heal it in the best possible way.
'My heart was in my mouth as I raced through it. You have to read this one' Clare Mackintosh You will be gripped and moved by the powerful, unputdownable new novel from Sunday Times and New York Times bestselling author Diane Chamberlain. 'Taut, compelling and moving' Sunday Times bestseller Adele Parks, Platinum magazine 'Both powerful and page-turning' Sunday Times bestseller Cathy Kelly 'Diane Chamberlain is at her absolute best' NYT bestseller Sally Hepworth A street where the neighbours are always watching. A family's secret lies behind closed doors... 1965. A young white female student becomes involved in the fight for civil rights in North Carolina, falling in love with one of her fellow activists, a Black man, in a time and place where an interracial relationship must be hidden from family, friends and especially the reemerging Ku Klux Klan. As tensions rise in the town, she realises not everyone is who they appear to be. 2010. A recently widowed architect moves into the home she and her late husband designed, heartbroken that he will never cross the threshold. But when disturbing things begin to happen, it's clear that someone is sending her a warning. Who is trying to frighten her away, and why? Decades later, past and present are set to collide in the last house on the street... 'A mystery that will keep you turning those pages well past lights out' Woman & Home 'Thoughtful, vivid storytelling' Good Housekeeping, top ten books to read this month 'I loved how past and present connections were revealed' Prima 'Sensitively and unflinchingly told, this novel will make you cry, seethe, swoon and rage. I've loved every book Diane Chamberlain has written, but The Last House on The Street is, without doubt, is her masterpiece' Sally Hepworth, NYT bestselling author of The Good Sister 'Diane Chamberlain elegantly braids together two stories, set apart by history, to render this taut, edge-of-your-seat tale of two women... As compelling as it is important, the novel's focus...will no doubt make it a favorite amongst book clubs everywhere' Chandler Baker, NYT bestselling author of Whisper Network REAL READERS CAN'T STOP TALKING ABOUT THE LAST HOUSE ON THE STREET: 'Had me guessing right to the end. Highly recommend. Some stories just stay with you. This will stay with me *****' 'Diane Chamberlain has done it again. It's another unputdownable read. The ending was great, a wonderful climax' 'Hooks you in from the start and is full of unpredictable twists and turns. I found this book to be completely gripping and I absolutely adored it' 'Excellent page-turner. It's the sort of book you go to sleep thinking about when you've read the last chapter for the evening. Highly recommend. *****' 'A stunning, powerful, emotional and immersive read. Chamberlain is a powerful storyteller and I could not put this book down *****' 'As per usual Diane pulled out all the stops. Fantastic style of writing as always. It pulled me from the very start and had me guessing all the way through *****' 'I really liked the two strong women featured in this novel *****' 'I loved it *****'
After fifteen years of living like a vagabond on her reporter's schedule, Julia Reed got married and bought a house in the historic Garden District. Four weeks after she moved in, Hurricane Katrina struck. The House on First Street is the chronicle of Reed's remarkable and often hilarious homecoming, as well as a thoroughly original tribute to our country's most original city.