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Kentucky State Representative Charles Booker tells the improbable story of his journey from one of the poorest neighborhoods in the country to a political career forging new alliances among forgotten communities across the New South and beyond. “Charles Booker is a rising leader in our nation, and an inspiration to me and all those who get to know his story and vision.”—Senator Cory Booker Charles Booker grew up in one of the poorest neighborhoods in Kentucky, living in the largely segregated West End of Louisville. Faith and love were everything in his family, but material comforts were scarce. The electricity was sometimes shut off. His mother often went hungry so her son could eat. Even after he graduated from law school, Booker rationed the insulin he took for diabetes. Determined to build a world in which poverty and racism would not plague future generations, he charted his own course into Kentucky politics, a world dominated by the myth of an urban-rural divide, and controlled by the formidable Republican establishment. In this stirring account, Booker unfolds his journey from the heart of Louisville to the deepest reaches of Kentucky’s rural landscapes, reflecting the journey America itself must make on the way to a progressive future. Robbed of multiple family members by gun violence, Booker found the roots of a system built to fail him and his neighbors in everything from the hypocrisy of elected officials to the structural racism embedded in the state’s budget. Yet it wasn’t until his unlikely appointment to the Department of Fish and Wildlife Resources that he understood the transformative power of the issues that bound his family with those in rural Appalachia. In coal country, he met citizens who, like those in the West End, suffered from extreme isolation, for whom fresh food and economic stability were scarce, who lacked the resources to overcome their cynicism about change. Through his work as the youngest Black state legislator in Kentucky, Booker built an unprecedented alliance between the hood and the holler. This coalition was the basis for a thrilling grassroots Senate campaign that nearly stunned the nation, putting Senators Mitch McConnell and Rand Paul on notice that the days of business as usual were over. From the Hood to the Holler is both a moving coming-of-age story and an urgent political intervention—a much-needed blueprint for how equity and racial justice might transcend partisan divisions in Kentucky, throughout the South, and across America.
Acclaimed for his writings on Malcolm X and Martin Luther King, Jr., as well as his passionate defense of black youth culture, Michael Eric Dyson has emerged as the leading African American intellectual of his generation. Now Dyson turns his attention to one of the most enigmatic figures of the past decade: the slain hip-hop artist Tupac Shakur. Five years after his murder, Tupac remains a widely celebrated, deeply loved, and profoundly controversial icon among black youth. Viewed by many as a "black James Dean," he has attained cult status partly due to the posthumous release of several albums, three movies, and a collection of poetry. But Tupac endures primarily because of the devotion of his loyal followers, who have immortalized him through tributes, letters, songs, and celebrations, many in cyberspace. Dyson helps us to understand why a twenty-five-year-old rapper, activist, poet, actor, and alleged sex offender looms even larger in death than he did in life. With his trademark skills of critical thinking and storytelling, Dyson examines Tupac's hold on black youth, assessing the ways in which different elements of his persona-thug, confused prophet, fatherless child-are both vital and destructive. At once deeply personal and sharply analytical, Dyson's book offers a wholly original way of looking at Tupac Shakur that will thrill those who already love the artist and enlighten those who want to understand him. "In the tradition of jazz saxophonists John Coltrane and Charlie Parker, Dyson riffs with speed, eloquence, bawdy humor, and startling truths that have the effect of hitting you like a Mack truck."-San Francisco Examiner "Such is the genius of Dyson. He flows freely from the profound to the profane, from popular culture to classical literature." -- Washington Postbr Philadelphia Inquirer "Among the young black intellectuals to emerge since the demise of the civil rights movement" -- undoubtedly the most insightful and thought-provoking is Michael Eric Dyson." -- Manning Marable, Director of African American Studies, Columbia University
At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation. Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite.
NEW YORK TIMES BESTSELLER THE WALL STREET JOURNAL BESTSELLER From the founder of Kentucky Sports Radio and attorney Matt Jones, a withering, humorous look at how Mitch McConnell has been bad for Kentucky—and why he needs to be voted out in 2020. They say all politics is local. In 2020, Mitch McConnell will have served five full terms as a US Senator. Thirty years. The Senate Majority leader’s power is as undeniable as it is infuriating, and the people of Kentucky have had enough. Led by Matt Jones, they (and they alone) have the power to oust him from office. How did Jones, a local boy turned attorney turned sports radio host come to shine the brightest light on McConnell’s ineptitude? Simple—he knows Kentucky inside and out, and has used the state’s love of sports as an entry point for showcasing how McConnell has failed his fellow citizens both economically and socially for three decades. Entertaining, maddening, yet ultimately inspiring, these stories from Kentuckians in each of its 120 counties illustrate the Senate Majority leader’s stunning shortcomings. Jones infuses his trademark wit and wisdom throughout, while also offering a beautiful portrait of a state with arguably the most untapped potential in our country. Ultimately, the white-hot hatred for McConnell on the coasts is just white noise. Only the people of Kentucky can remove him from office. Here, Matt Jones demonstrates he has the influence, charisma, and institutional knowledge to lead the charge. He and his fellow Kentuckians have had enough—and they’re ready for a fight.
“Twilight in Hazard paints a more nuanced portrait of Appalachia than Vance did...[Maimon] eviscerates Vance's bestseller with stiletto precision.” —Associated Press From investigative reporter and Pulitzer Prize finalist Alan Maimon comes the story of how a perfect storm of events has had a devastating impact on life in small town Appalachia, and on the soul of a shaken nation . . . When Alan Maimon got the assignment in 2000 to report on life in rural Eastern Kentucky, his editor at the Louisville Courier-Journal told him to cover the region “like a foreign correspondent would.” And indeed, when Maimon arrived in Hazard, Kentucky fresh off a reporting stint for the New York Times’s Berlin bureau, he felt every bit the outsider. He had landed in a place in the vice grip of ecological devastation and a corporate-made opioid epidemic—a place where vote-buying and drug-motivated political assassinations were the order of the day. While reporting on the intense religious allegiances, the bitter, bareknuckled political rivalries, and the faltering attempts to emerge from a century-long coal-based economy, Maimon learns that everything—and nothing—you have heard about the region is true. And far from being a foreign place, it is a region whose generations-long struggles are driven by quintessentially American forces. Resisting the easy cliches, Maimon’s Twilight in Hazard gives us a profound understanding of the region from his years of careful reporting. It is both a powerful chronicle of a young reporter’s immersion in a place, and of his return years later—this time as the husband of a Harlan County coal miner’s daughter—to find the area struggling with its identity and in the thrall of Trumpism as a political ideology. Twilight in Hazard refuses to mythologize Central Appalachia. It is a plea to move past the fixation on coal, and a reminder of the true costs to democracy when the media retreats from places of rural distress. It is an intimate portrait of a people staring down some of the most pernicious forces at work in America today while simultaneously being asked: How could you let this happen to yourselves? Twilight in Hazard instead tells the more riveting, noirish, and sometimes bitingly humorous story of how we all let this happen.
A small treaties for the benefit of those long suffering in the sea of Debt. The reader will find within the pages of this book various technics which have been effectively used to free the individual from wage garnishment, liens, levies and to Discharge/Satisfy Debt and the like.
Marshall Chapman knows Nashville. A musician, songwriter, and author with nearly a dozen albums and a bestselling memoir under her belt, Chapman has lived and breathed Music City for over forty years. Her friendships with those who helped make Nashville one of the major forces in American music culture is unsurpassed. And in her new book, They Came to Nashville, the reader is invited to see Marshall Chapman as never before--as music journalist extraordinaire. In They Came to Nashville, Chapman records the personal stories of musicians shaping the modern history of music in Nashville, from the mouths of the musicians themselves. The trials, tribulations, and evolution of Music City are on display, as she sits down with influential figures like Kris Kristofferson, Emmylou Harris, and Miranda Lambert, and a dozen other top names, to record what brought each of them to Nashville and what inspired them to persevere. The book culminates in a hilarious and heroic attempt to find enough free time with Willie Nelson to get a proper interview. Instead, she's brought along on his raucous 2008 tour and winds up onstage in Beaumont, Texas singing "Good-Hearted Woman" with Willie. They Came to Nashville reveals the daily struggle facing newcomers to the music business, and the promise awaiting those willing to fight for the dream. Co-published with the Country Music Foundation Press
The latest volume of this dazzling poet's work, urgent poems in which words, images, ideas, music, and feelings are pushed to their ultimate capacity. Finalist for the National Book Critics Circle Award; a Village Voice Favorite Book of 1998. The latest volume of this important and highly original poet's work is a three-part journey into the pathology of human emotions. In a cascade of language-ordinary speech, preaching, song, banter, erudition-all that is good spirals into regions of horror and grotesque inconsistency with consequences as contemporary as headlines and as eternal as myth. Intense and brilliantly sustained, these poems limn the humane being tested, the plunge into strangeness, and finally recovery, the salvaging of wonder after all.
A boy from the hood in Brooklyn travels to a STEM camp in an Appalachian holler for one epic, life-changing summer in this brilliant novel from the award-winning author of The Stars Beneath Our Feet. Javari knew that West Virginia would be different from his home in Bushwick, Brooklyn. But his first day at STEM Camp in a little Appalachian town is still a shock. Though run-ins with the police are just the same here. Not good. Javari will learn a lot about science, tech, engineering, and math at camp. And also about rich people, racism, and hidden agendas. But it’s Cricket, a local boy, budding activist, and occasional thief, who will show him a different side of the holler—and blow his mind wide open. Javari is about to have that summer. Where everything gets messy and complicated and confusing . . . and you wouldn’t want it any other way. J + C + summer = ∞
An IndieBound Bestseller • An Amazon Best Book of the Year • A 2022 Kirkus Best Children's Book ★ "A rewarding choice for young readers."—Booklist, starred review ★"Cornbread and Poppy are endearing characters, poised to join the ranks of other memorable early reader sets of best friends old and new, including James Marshall's George and Martha."—Bookpage, starred review ★ "Delightful."—Kirkus, starred review ​ Caldecott medalist Matthew Cordell debuts his first early reader series about two best friends who are as different from each other as can be. Cornbread LOVES planning. Poppy does not. Cornbread ADORES preparing. Poppy does not. Cornbread IS ready for winter. Poppy...is not. But Cornbread and Poppy are the best of friends, so when Poppy is left without any food for the long winter, Cornbread volunteers to help her out. Their search leads them up, up, up Holler Mountain, where these mice might find a new friend...and an old one. Celebrating both partnership and the value of what makes us individuals, young readers will find this classic odd-couple irresistible as they encounter relatable issues with humor and heart. Publishing simultaneously in hardcover and paperback.