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Mordantly funny and deeply moving, this award-winning novel about life in a West Bank settlement has been hailed as “brilliant” (The New York Times Book Review) and “The Great Israeli Novel [in which] Gavron stakes his claim to be Israel’s Jonathan Franzen” (Tablet). On a rocky hilltop stands Ma’aleh Hermesh C, a fledgling outpost of Jewish settlers in the West Bank. According to government records it doesn’t exist; according to the military it must be defended. On this contested land, Othniel Assis—under the wary gaze of the Palestinians in the neighboring village—lives on his farm with his ever-expanding family. As Othniel cheerfully manipulates government agencies, more settlers arrive, and a hodge-podge of shipping containers and mobile homes takes root. One steadfast resident is Gabi Kupper, a former kibbutz dweller who savors the delicate routines of life on the settlement. When Gabi’s prodigal brother, Roni, arrives penniless on his doorstep with a bizarre plan to sell the “artisanal” olive oil from the Palestinian village to Tel Aviv yuppies, Gabi worries his life won’t stay quiet for long. Then a nosy American journalist stumbles into Ma’aleh Hermesh C, and Gabi’s worst fears are confirmed. The settlement becomes the focus of an international diplomatic scandal, facing its greatest threat yet. This “indispensable novel” (The Wall Street Journal) skewers the complex, often absurd reality of life in Israel. Grappling with one of the most charged geo-political issues of our time, “Gavron’s story gains a foothold in our hearts and minds and stubbornly refuses to leave” (Kirkus Reviews, starred review).
For the characters we meet in Toni Jensen's stories, the past is very much the present. Theirs are American Indian lives off the reservation, lives lived beyond the usual boundaries set for American Indian characters: migratory, often overlooked, yet carrying tradition with them into a future of difference and possibility.
Since 1967, more than 60,000 Jewish-Americans have settled in the territories captured by the State of Israel during the Six Day War. Comprising 15 percent of the settler population today, these immigrants have established major communities, transformed domestic politics and international relations, and committed shocking acts of terrorism. They demand attention in both Israel and the United States, but little is known about who they are and why they chose to leave America to live at the center of the Israeli-Palestinian conflict. In this deeply researched, engaging work, Sara Yael Hirschhorn unsettles stereotypes, showing that the 1960s generation who moved to the occupied territories were not messianic zealots or right-wing extremists but idealists engaged in liberal causes. They did not abandon their progressive heritage when they crossed the Green Line. Rather, they saw a historic opportunity to create new communities to serve as a beacon—a “city on a hilltop”—to Jews across the globe. This pioneering vision was realized in their ventures at Yamit in the Sinai and Efrat and Tekoa in the West Bank. Later, the movement mobilized the rhetoric of civil rights to rebrand itself, especially in the wake of the 1994 Hebron massacre perpetrated by Baruch Goldstein, one of their own. On the fiftieth anniversary of the 1967 war, Hirschhorn illuminates the changing face of the settlements and the clash between liberal values and political realities at the heart of the Israeli-Palestinian conflict.
When Emily and Jamie hear that a new road will be built through Hilltop Wood, they rush to warn their friends, the Tomtes--very special creatures who guard the oldest woods. With the children's help, they immediately set about saving their home. When the workers arrive, unexpected obstacles appear in their way--the rocks they need to move are much bigger than they remembered; their digging machines are flooded; a stream mysteriously changes direction overnight. Maybe they won't be able to build this road after all... (Ages 4-6)
John Paddy, a young muskrat with cerebral palsy who drives a bright yellow wheelchair with green racing stripes, as he faces the challenges of his first day at Hilltop School.
A collection of six stories featuring the teachers and students of Hilltop School as they learn about taking turns, working together, and never giving up.
In Music from the Hilltop, Benjamin A. Kolodziej studies three significant academic musical figures to weave a narrative that not only details the role musical studies played in the development of Southern Methodist University but also relates a history of church music and pipe organs in Dallas, Texas. Bertha Stevens Cassidy (1876–1959), the first organ professor and the only woman on the faculty of the new university, established herself as a leader and veritable dean of the church music community, managing a career of significant performances and teaching. Her student and protégé, Dora Poteet Barclay (1903–1961), a Waco native, exhibited such musical potential that she was hired by SMU the day after her graduation. Taking over the organ program upon Cassidy’s retirement, Barclay broadened the pedagogical horizons for her students. The great French composer Marcel Dupré, with whom she briefly studied, extolled Barclay’s talents: “She is my best American student!” Many of her own students achieved great professional heights as performers and church musicians. With the hiring of Robert Theodore Anderson (1934–2009), SMU solidified its reputation as a school able to provide excellence not only in performance training but also in scholarship. A Chicago native who studied in New York and in Germany, Anderson represented a new, modern outlook to teaching and performance. He was intellectually able to bridge the gap between the theologians of the Methodist seminary and the performers at the Meadows School of the Arts. Through his example and guidance, organists were taught to think critically, whether about music or any other subject, and to attain excellence in the craft of organ performance. During the 1980s Anderson consulted with the Dallas Symphony to prepare for the installation of an organ in the new Meyerson Symphony Center, an organ that would influence concert hall instruments in subsequent decades. These three pedagogues played important roles in the development of the musical curriculum as well as the building of important organs on the SMU campus and around the city, each in their own ways nurturing the practice of sacred music in North Texas.
A charming story inspired by Elsa Beskow's stories of little folk.
On the morning of Sunday, December 7, 1941, Anne Powlison was preparing to serve breakfast to her two daughters and three guests at their hilltop home in Lanikai, Hawai'i. The house overlooks Kaneohe Naval Air Station. Their attention was caught by flames and smoke billowing from the air base. They soon learned that it had been attacked by Japanese planes. Moments later, as they absorbed the shock of that news, Anne looked out the window and saw the second wave of Japanese planes flying by at eye level, unleashing more bombs on the air base. A plane could be seen crashing into the bay.The hours following the attack were filled with panic, rumors of invasion, blackouts, and emergency services fighting fires and tending to the dead and wounded.Against this backdrop of fear and terror, one of the Anne's first concerns was for her son Peter, a student at faraway University of Washington. While all these events were fresh in her mind, she immediately wrote him a detailed letter, describing the horror of the attacks and reassuring him that she and the rest of the family were okay.Anne continue to write to Peter every other day or so through the rest of December. In her letters she hopes that eventually the mail will reach him and entreats him to write soon and let them know that he is okay.These contemporary letters that begin on "the day that will live in infamy" are poignant and moving. In a few pages Anne conveys her fears, her mother's love, and a resolution to bear up under "the trying days ahead of us."For those of us who weren't yet alive in 1941 or for those who lived on the mainland thousands of miles away, Anne's letters bring alive emotions and fears of those who experienced the attack as no film or book could do.Peter kept the letters and eventually they were brought back to Hawai'i put into storage. Long forgotten, they were recently discovered and thus this book came into being.
The image of the U.S. Marines raising the Stars and Stripes on Iwo Jima may very well be the most famous photograph of all time. While Associated Press photographer Joe Rosenthal's iconic picture - captured in the final stages of World War II - fuses the men into a single historic unit, they remain six individuals and each was an American woman's precious baby boy From an overall historical viewpoint, given that what we see in the photograph is American teamwork, courage and victory, the individual identities may not matter; nonetheless, each of the six men has a unique background and traveled a distinctive path to reach the summit of Mt. Suribachi. Through exhaustive research into sources public and private, Ron Elliott has detailed the heart-warming and heart-wrenching drama that is the life and legacy of one of the flag raisers, Franklin Runyon Sousley. Sousley's story is related with all the tragedy, humor and excitement that compose the remarkable life of one chosen by fate to be representative of the thousands of Americans who sacrificed so much to preserve our way of life.