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Nira Stone (1938-2013) was a scholar of Armenian and Byzantine Art. Her broad and close acquaintance with the field of Armenian art history covered many fields of Armenian artistic creativity. Nira Stone made notable contributions to the study of Armenian manuscript painting, mosaics, and other forms of artistic expression. Of particular interests are her researches on this art in its historical and religious contexts, such as the study of apocryphal elements in Armenian Gospel iconography, the place of the mosaics of Jerusalem in the context of mosaics in Byzantine Palestine, and of the interplay between religious movements, such as hesychasm, and Armenian manuscript painting.
While the twentieth century’s conflicting visions and exploitation of the Middle East are well documented, the origins of the concept of the Middle East itself have been largely ignored. With Dislocating the Orient, Daniel Foliard tells the story of how the land was brought into being, exploring how maps, knowledge, and blind ignorance all participated in the construction of this imagined region. Foliard vividly illustrates how the British first defined the Middle East as a geopolitical and cartographic region in the nineteenth and early twentieth centuries through their imperial maps. Until then, the region had never been clearly distinguished from “the East” or “the Orient.” In the course of their colonial activities, however, the British began to conceive of the Middle East as a separate and distinct part of the world, with consequences that continue to be felt today. As they reimagined boundaries, the British produced, disputed, and finally dramatically transformed the geography of the area—both culturally and physically—over the course of their colonial era. Using a wide variety of primary texts and historical maps to show how the idea of the Middle East came into being, Dislocating the Orient will interest historians of the Middle East, the British empire, cultural geography, and cartography.
Where is paradise? It always seems to be elsewhere, inaccessible, outside of time. Either it existed yesterday or it will return tomorrow; it may be just around the corner, on a remote island, beyond the sea. Across a wide range of cultures, paradise is located in the distant past, in a longed-for future, in remote places or within each of us. In particular, people everywhere in the world share some kind of nostalgia for an innocence experienced at the beginning of history. For two millennia, learned Christians have wondered where on earth the primal paradise could have been located. Where was the idyllic Garden of Eden that is described in the Bible? In the Far East? In equatorial Africa? In Mesopotamia? Under the sea? Where were Adam and Eve created in their unspoiled perfection? Maps of Paradise charts the diverse ways in which scholars and mapmakers from the eighth to the twenty-first century rose to the challenge of identifying the location of paradise on a map, despite the certain knowledge that it was beyond human reach. Over one hundred illustrations celebrate this history of a paradox: the mapping of the unmappable. It is also a mirror to the universal dream of perfection and happiness, and the yearning to discover heaven on earth.
Many scholars during the late nineteenth and early twentieth centuries argued that ancient Israel simply borrowed most of its culture and religion from Babylonia. In this volume Clay counters that West Semitic cultures (the Amorites) were already a developed civilization before Israel came under Babylonian influence. Writing a decade before the discoveries of Ugarit and Mari, Clay noted that there were numerous clues to West Semitic cultures. While some of his arguments and conclusion are no longer tenable, this work retains its interest for its place in the discussion. Without directly referring to Clay, George Mendenhall affirms Clays fundamental point in this volume: from the MB Age on there was no region of the Levant that had not been influenced by the Amorite language and culture in various ways and various degrees. Their cultural and linguistic influence was a lasting one that is gradually coming to light, especially in the areas of religion and law (The Amorites, in 'Anchor Bible Dictionary').
List of members in each volume.
Placing the Garden of Eden in Mesopotamia between the Tigris and the Euphrates rivers, the author (a Christian Assyrian educated in Jewish schools) presents a brief history of Iraqi Jews from Adam and Eve to 1924, summarizing the works of scholars and archaeological findings. The book was translated from the original Arabic work, Also included is an essay updating the history to 1997. Annotation copyrighted by Book News, Inc., Portland, OR
Many Christians wrestle with biblical passages in which God commands the slaughter of the Canaanites-men, women, and children. The issue of the morality of the biblical God is one of the major challenges for faith today. How can such texts be Holy Scripture? In this bold and innovative book Douglas Earl grasps the bull by the horns and guides readers to new and unexpected ways of looking at the book of Joshua. Drawing on insights from the early church and from modern scholarship, Earl argues that we have mistakenly read Joshua as a straightforward historical account and have ended up with a genocidal God. In contrast, Earl offers a theological interpretation in which the mass killing of Canaanites is a deliberate use of myth to make important theological points that are still valid today. Christopher J. H. Wright then offers a thoughtful response to Earl's provocative views. The book closes with Earl's reply to Wright and readers are encouraged to continue the debate.