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The Araweté are one of the few Amazonian peoples who have maintained their cultural integrity in the face of the destructive forces of European imperialism. In this landmark study, anthropologist Eduardo Viveiros de Castro explains this phenomenon in terms of Araweté social cosmology and ritual order. His analysis of the social and religious life of the Araweté—a Tupi-Guarani people of Eastern Amazonia—focuses on their concepts of personhood, death, and divinity. Building upon ethnographic description and interpretation, Viveiros de Castro addresses the central aspect of the Arawete's concept of divinity—consumption—showing how its cannibalistic expression differs radically from traditional representations of other Amazonian societies. He situates the Araweté in contemporary anthropology as a people whose vision of the world is complex, tragic, and dynamic, and whose society commands our attention for its extraordinary openness to exteriority and transformation. For the Araweté the person is always in transition, an outlook expressed in the mythology of their gods, whose cannibalistic ways they imitate. From the Enemy's Point of View argues that current concepts of society as a discrete, bounded entity which maintains a difference between "interior" and "exterior" are wholly inappropriate in this and in many other Amazonian societies.
For the Araweté the person is always in transition, an outlook expressed in the mythology of their gods, whose cannibalistic ways they imitate.
The end of the world is a seemingly interminable topic Ð at least, of course, until it happens. Environmental catastrophe and planetary apocalypse are subjects of enduring fascination and, as ethnographic studies show, human cultures have approached them in very different ways. Indeed, in the face of the growing perception of the dire effects of global warming, some of these visions have been given a new lease on life. Information and analyses concerning the human causes and the catastrophic consequences of the planetary ‘crisis’ have been accumulating at an ever-increasing rate, mobilising popular opinion as well as academic reflection. In this book, philosopher Déborah Danowski and anthropologist Eduardo Viveiros de Castro offer a bold overview and interpretation of these current discourses on ‘the end of the world’, reading them as thought experiments on the decline of the West’s anthropological adventure Ð that is, as attempts, though not necessarily intentional ones, at inventing a mythology that is adequate to the present. This work has important implications for the future development of ecological practices and it will appeal to a broad audience interested in contemporary anthropology, philosophy, and environmentalism.
The New York Times bestselling graphic memoir from actor/author/activist George Takei returns in a deluxe edition with 16 pages of bonus material! Experience the forces that shaped an American icon -- and America itself -- in this gripping tale of courage, country, loyalty, and love. George Takei has captured hearts and minds worldwide with his magnetic performances, sharp wit, and outspoken commitment to equal rights. But long before he braved new frontiers in STAR TREK, he woke up as a four-year-old boy to find his own birth country at war with his father's -- and their entire family forced from their home into an uncertain future. In 1942, at the order of President Franklin D. Roosevelt, every person of Japanese descent on the west coast was rounded up and shipped to one of ten "relocation centers," hundreds or thousands of miles from home, where they would be held for years under armed guard. THEY CALLED US ENEMY is Takei's firsthand account of those years behind barbed wire, the terrors and small joys of childhood in the shadow of legalized racism, his mother's hard choices, his father's tested faith in democracy, and the way those experiences planted the seeds for his astonishing future. What does it mean to be American? Who gets to decide? George Takei joins cowriters Justin Eisinger & Steven Scott and artist Harmony Becker for the journey of a lifetime.
'Better mad with the crowd than sane all alone' In these witty, Machiavellian aphorisms, unlikely Spanish priest Baltasar Gracián shows us how to exploit friends and enemies alike to thrive in a world of deception and illusion. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Baltasar Gracián (1601-1658). Gracián's work is available in Penguin Classics in The Pocket Oracle and Art of Prudence.
In the wake of a devastating disease, everyone sixteen and older is either dead or a decomposing, brainless creature with a ravenous appetite for flesh. Teens have barricaded themselves in buildings throughout London and venture outside only when they need to scavenge for food. The group of kids living a Waitrose supermarket is beginning to run out of options. When a mysterious traveler arrives and offers them safe haven at Buckingham Palace, they begin a harrowing journey across London. But their fight is far from over???the threat from within the palace is as real as the one outside it. Full of unexpected twists and quick-thinking heroes, The Enemy is a fast-paced, white-knuckle tale of survival in the face of unimaginable horror.
A penetrating look into the inner logic of al-Qa'ida and like-minded extremist groups by which they justify September 11 and other terrorist attacks includes specific ideologies of jihadism, a new movement that allows members to call for the destruction of democracy and to murder innocent men, women, and children.
How do you stop the trauma of your past from derailing your future? Ruth Clare learnt from a young age how to be a warrior. She protected her mum, stood up to her dad and defied authority in the face of injustice. But when the same fierceness that helped her survive the violence of her childhood threatened to hurt her relationship with her children, she knew she needed to confront the family secrets she had been guarding for so long. Powerful, vulnerable, and wise, this unforgettable story shines a light on the heartbreaking impact of military service on veterans and the unrecognized price families can pay when a parent returns home from war. For fans of Educated by Tara Westover and The Glass Castle by Jeannette Walls.
Sam, an Israeli teen whose leg may have to be amputated, and Yusuf, a Palestinian teen who has lost his left eye, find themselves uneasy roommates in a Jerusalem hospital. One night, the boys decide to slip away while the nurses aren’t looking and go on an adventure to the Old City. The escapade turns dangerous when they realize they’re hopelessly lost. As they navigate the dark city—one of them limping and the other half-blind—their suspicions of each other are diverted. They band together to find their way home, defending themselves against unfriendly locals, arrest by the military police, and an encounter with a deadly desert snake. The boys’ attempts to understand each other and the politics that divide them mirror the longstanding conflict in the Middle East. This powerful story, touched with humor, demonstrates how individual friendships and experiences can triumph over enormous cultural and political differences and lead to understanding and compassion.
Eastern European museums represent traumatic events of World War II, such as the Siege of Leningrad, the Warsaw Uprisings, and the Bombardment of Dresden, in ways that depict the enemy in particular ways. This image results from the interweaving of historical representations, cultural stereotypes and beliefs, political discourses, and the dynamics of exhibition narratives. This book presents a useful methodology for examining museum images and provides a critical analysis of the role historical museums play in the contemporary world. As the catastrophes of World War II still exert an enormous influence on the national identities of Russians, Poles, and Germans, museum exhibits can thus play an important role in this process.