Download Free From The Edge Of The Cliff Book in PDF and EPUB Free Download. You can read online From The Edge Of The Cliff and write the review.

Obrecht's well-written book provides those recovering from drug and/or alcohol abuse with practical lessons on how to understand and successfully navigate the two-phases of recovery from addiction. It is also a remarkably touching, real-life story of someone who has used these same lessons to maintain 28 years of successful recovery.
A woman’s peaceful life in a clifftop French villa is threatened by the past: “Threaded with mystery and menace . . . the story kept me gripped.” —Dinah Jefferies, bestselling author As an adventurous teenager, Grace came to France amid the student protests and upheavals of 1968—and became involved in relationships with two men, one tempestuous, the other gentle and supportive. But the romantic triangle came to an end when one of the men died by drowning. Decades later, Grace remains in her adopted country, living happily with her husband, Peter, in a beautiful, secluded home in Provence. Her sole focus is keeping Peter’s stress to a minimum while he awaits his upcoming heart surgery. But after all these years, Grace is confronted by a visitor she never expected to see—and must keep her escalating fear hidden from her ailing husband, in this epic, time-spanning story of love and betrayal from the bestselling author. “A beautifully woven and compelling tale of passion, love and intrigue.” —Rowan Coleman, author of We Are All Made of Stars “Carol Drinkwater's writing is like taking an amazing holiday in book form.” —Jenny Colgan, New York Times–bestselling author “Given extra resonance by the beautifully drawn French landscape. Emotional and tenderly written.” —Elizabeth Buchan, author of Consider the Lily
Reknowned historian Roger Chartier, one of the most brilliant and productive of the younger generation of French writers and scholars now at work refashioning the Annales tradition, attempts in this book to analyze the causes of the French revolution not simply by investigating its “cultural origins” but by pinpointing the conditions that “made is possible because conceivable.” Chartier has set himself two important tasks. First, while acknowledging the seminal contribution of Daniel Mornet’s Les origens intellectuelles de la Révolution française (1935), he synthesizes the half-century of scholarship that has created a sociology of culture for Revolutionary France, from education reform through widely circulated printed literature to popular expectations of government and society. Chartier goes beyond Mornet’s work, not be revising that classic text but by raising questions that would not have occurred to its author. Chartier’s second contribution is to reexamine the conventional wisdom that there is a necessary link between the profound cultural transformation of the eighteenth century (generally characterized as the Enlightenment) and the abrupt Revolutionary rupture of 1789. The Cultural Origins of the French Revolution is a major work by one of the leading scholars in the field and is likely to set the intellectual agenda for future work on the subject.
Throughout, Chartier keeps his focus on historians who have stressed the relations between the products of discourse and social practices.
A lively and revealing behind-the-scenes look at the making of one of history's most controversial and influential movies, drawing on exclusive interviews with the cast and crew. “You’ve always been crazy,” says Louise to Thelma, shortly after she locks a police officer in the trunk of his car. “This is just the first chance you’ve had to express yourself.” In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film’s place in history now seems certain, at the time its creation was a long shot. Only through sheer hard work and more than a little good luck did the script end up in the hands of the brilliant English filmmaker Ridley Scott, who saw its huge potential. With Scott on board, a team willing to challenge the odds came together—including the stars Geena Davis and Susan Sarandon and a fresh-faced up-and-coming actor named Brad Pitt, as well as legends like actor Harvey Keitel, composer Hans Zimmer, and old-school studio chief Alan Ladd Jr.—to create one of the most controversial movies of all time. But before icons like Davis and Sarandon got involved, Thelma & Louise was just an idea in the head of Callie Khouri, a thirty-year-old music video production manager, who was fed up with working behind the scenes on sleazy sets. At four a.m. one night, sitting in her car outside the ramshackle bungalow in Santa Monica that she shared with two friends, she had a vision: two women on a crime spree, fleeing their dull and tedious lives—lives like hers—in search of a freedom they had never before been able to realize. But in the late 1980s, Hollywood was dominated by men, both on the screen and behind the scenes. The likelihood of a script by an unheard-of screenwriter starring two women in lead roles actually getting made was remote. But Khouri had one thing going for her—she was so inexperienced she didn't really know she would be attempting the nigh impossible. In Off the Cliff, Becky Aikman tells the full extraordinary story behind this feminist sensation, which crashed through barricades and upended convention. Drawing on 130 exclusive interviews with the key players from this remarkable cast of actors, writers, and filmmakers, Aikman tells an inspiring and important underdog story about creativity, the magic of cinema, and the unjust obstacles that women in Hollywood continue to face to this day.
The spectacular season turned in by the Auburn Tigers in 1998-99, when the SEC champions earned a No. I seed in the NCAA Tournament, is just the latest in a long line of outstanding achievements generated by the coaching of Cliff Ellis. In his nearly six years at Auburn, Ellis has led the rejuvenation of Tigers basketball, helping the school enjoy the high level of success it had not experienced since the days of NBA standouts Charles Barkley, Chuck Person, and Chris Morris. Since surprising all the doubters during his first season with the school, Ellis has helped build Auburn into a consistent winning program -- and one that exploded onto the national scene in 1999. Clearly, Cliff Ellis has worked his coaching magic once again, and he looks forward to leading Auburn basketball successfully into the new millennium.
Edge of Flight is the toughest rock-climbing route Vanisha has ever faced. She has one last chance to conquer it before she moves to Vermont to start university. University is a sore point for Vanisha, who yearns for a career in the outdoors but feels pressured by her mother to earn an academic degree. Trying to put school out of her mind, she heads to the Ozark Mountains of Arkansas with her buddies Rusty and Jeb for a final weekend of climbing and camping. Deep in the woods, they stumble on an illegal marijuana plantation, and the gang of bikers who guard it. When Jeb is shot by the bikers, Vanisha alone must get help—and to do so, she must climb Edge of Flight. As she confronts her insecurities on the cliff face and in the woods, Vanisha gains a new resolve and the self-confidence to choose her own path in life.
Meg Tilly returns with a second gripping romantic suspense novel set on the idyllic Solace Island in the Pacific Northwest. Eve Harris is all set to house-sit and run the bakery she shares with her sister while Maggie goes on her honeymoon, but there's one problem—the house is already occupied. By a movie star. He claims to be her brother-in-law's friend, and not only does he insist on staying, he also offers to help. Playing house has never been so tempting... Rhys Thomas is looking for a place to lie low after wrapping up his latest film, so when Luke offers up his house as a safe haven, Rhys sees the perfect opportunity for a little R & R. But rest is the last thing on his mind as he and Eve grow close. But Eve and Rhys are not as alone as they think. And as danger trails Eve, it will take everything Rhys has to save the woman he loves.
Is ethical touch an oxymoron? Is the bias against touch in psychotherapy justified? Can the recovery process be complete without healing touch? Mental health professionals are entrusted with the awesome responsibility of providing appropriate treatment for clients in a safe environment that nurtures trust, a necessary ingredient for optimum movement through the therapeutic process. Though treatment approaches vary, most modalities are verbally based and, in theory, exclude physical contact. Fearing that any form of touch would likely lead to sexual feelings or interaction, clinicians tend to shy away from the topic. In The Ethical Use of Touch in Psychotherapy, however, authors Mic Hunter and Jim Struve skillfully demonstrate that touch--a most basic human need--is intrinsic to the healing process along with talk-therapy, regardless of the practitioner′s theoretical orientation. While the use of touch is a given in other health care settings, it remains a benefit denied as taboo in psychotherapeutic relationships, due to transgressors whose unscrupulous use of a valuable technique have marred its reputation. This book encourages readers to conduct a meaningful self-reflection and explore possible misconceptions related to touch in order to rejuvenate its acceptance. Based on years of sound research and clinical experience, The Ethical Use of Touch in Psychotherapy promises to enrich clinical discussion and stimulate further empirical research. This insightful and progressive presentation is a must read for clinicians, interns, and advanced students, as well as lay readers interested in the dynamics and innovations in psychotherapy.
Whether students have read or aspire to read the classics, the most commonly assigned literature is capsulized for everyone to enjoy, including Moby Dick, Old Man and the Sea, A Tale of Two Cities, and Dr. Suess's One Fish, Two Fish, Red Fish, Blue Fish.