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The house was full, and murmurous with the pleasant chat and rustling movement of well-dressed persons of both sexes who waited patiently the coming of the orator, looking at the expanse of stage, which was carpeted, and covered with rows of settees that went backward from the footlights to a landscape of charming freshness of color, that might have been set for the "Maid of Milan" or the pastoral opera. Between the seats and the foot-lights was a broad space, upon which stood a small table and two or three chairs; and if the orator of the evening, like a primo tenore, had been surveying the house through the friendly chinks of the pastoral landscape, he would have felt a warm suffusion of pleasure that his name should be the magic spell to summon an audience so fair, so numerous, and so intelligent. There were ushers who showed ladies to seats, and with their dress-coats and bright badges looked like a milder Metropolitan police. But no greater force was presumed to be required of them than pressing aside a too discursive crinoline. In the soft, ample light, as the audience sat with fluttering ribbons and bright gems and splendid silks and shawls, so tranquilly expectant, so calmly smiling, so shyly blushing (if, haply, in all that crowd there were a pair of lovers!), it was hard to believe that civil war was wasting the land, and that at the very moment some of those glad hearts were broken--but would not know it until the sad news came. Yet it was easy, in the same glance, to feel that even the terrible shape that we thought we had eluded forever did not seem, after all, so terrible; that even civil war might be shaking the gates and the guests still smile in the chambers. But while leaning against the wall, under the balcony, the Easy Chair looks around upon the humming throng and thinks of camps far away, and beating drums and wild alarms and sweeping squadrons of battle, there is a sudden hush and a simultaneous glance towards one side of the house, and there, behind the seats at the side, and making for the stage door, marches a procession, two and two, very solemn, very bald, very gray, and in evening dress. They are the invited guests, the honored citizens of Brooklyn, the reverend clergy, and others; a body of substantial, intelligent, decorous persons. They disappear for a moment within the door, and immediately emerge upon the stage with a composed bustle, moving the seats, taking off their coats, sedately interchanging little jests, and finally seating themselves, and gazing at the audience evidently with a feeling of doubt whether the honor of the position compensates for its great disadvantage; for to sit behind an orator is to hear, without seeing, an actor. The audience is now waiting, both upon the stage and in the boxes, with patient expectation. There is little talking, but a tension of heads towards the stage. The last word is spoken there, the last joke expires; all attention is concentrated upon an expected object. The edge of eagerness is not suffered to turn, but precisely at the right moment a figure with a dark head and another with a gray head are seen at the depth of the stage, advancing through the aisle towards the foot-lights and the audience. They are the president of the society and the orator. The audience applauds. It is not a burst of enthusiasm; it is rather applausive appreciation of acknowledged merit. The gray-headed orator bows gravely and slightly, lays a roll of MS. upon the table, then he and the president seat themselves side by side. For a moment they converse, evidently complimenting the brilliant audience. The orator, also, evidently says that the table is right, that the light is right, that the glass of water is right, and finally that he is ready. In a few neat words "the honored son of Massachusetts" is introduced, and he rises and moves a few steps forward.
"..."The Stick Chair Book" is divided into three sections. The first section, "Thinking About Chairs," introduces you to the world of common stick chairs, plus the tools and wood to build them. The second section - "Chairmaking Techniques" - covers every process involved in making a chair, from cutting stout legs, to making curved arms with straight wood, to carving the seat. Plus, you'll get a taste for the wide variety of shapes you can use. The chapter on seats shows you how to lay out 14 different seat shapes. The chapter on legs has 16 common forms that can be made with only a couple handplanes. Add those to the 11 different arm shapes, six arm-joinery options, 14 shapes for hands, seven stretcher shapes and 11 combs, and you could make stick chairs your entire life without ever making the same one twice. The final section offers detailed plans for five stick chairs, from a basic Irish armchair to a dramatic Scottish comb-back. These five chair designs are a great jumping-off point for making stick chairs of your own design. Additional chapters in the book cover chair comfort, finishing and sharpening the tools. From the author: "When I first wrote 'The Stick Chair Book' in 2021, I was also fighting cancer. So I hammered out the text with urgency and the desire to record every fragment of information I knew about chairmaking. "To be fair, that's usually how I go about writing all my books. But then I typically take a couple months off, put the manuscript aside, then revisit it with fresh eyes and a sharpened pen. My final revisions remove about 10-20 percent of the original material. The stuff I cut is usually chapters that don't match the tone of the rest of the text. Or I snip sections that aren't as relevant as when I first wrote them. I also smooth out the writing and add bits of information I'd forgotten during the first brain-to-fingers dump. "And that's exactly what I've done for this revised edition. As a result, the text is 10.1 percent shorter than the first edition. It's more to the point. And it's where the manuscript would have ended up under normal conditions..."--Publisher's website.
"From the Easy Chair Vol. 1" by George William Curtis is a collection of insightful essays and commentary that offer astute observations and cultural analysis. Curtis, known for his wit and editorial prowess, provides readers with a diverse range of opinion pieces that delve into literature, social commentary, and journalism. From the comfort of his metaphorical "Easy Chair," Curtis shares his reflections on various aspects of society and culture, offering thoughtful critique and commentary. Through his keen observations and insightful analysis, he provides readers with a deeper understanding of the world around them. Curtis's essays encompass a wide range of topics, from literature and art to politics and social issues. With wit and insight, he navigates through the complexities of contemporary life, offering readers thought-provoking perspectives and engaging commentary. "From the Easy Chair Vol. 1" is not only a testament to Curtis's literary talent but also serves as a valuable resource for those interested in exploring the intersections of literature, culture, and society through the lens of a keen observer and seasoned journalist.
Reproduction of the original: From the Easy Chair by George William Curtis
This eBook edition of "The Complete Novels" has been formatted to the highest digital standards and adjusted for readability on all devices. Contents: Chronicles of Barsetshire: The Warden Barchester Towers Doctor Thorne Framley Parsonage The Small House at Allington The Last Chronicle of Barset Palliser Novels: Can You Forgive Her? Phineas Finn The Eustace Diamonds Phineas Redux The Prime Minister The Duke's Children Irish Novels: The Macdermots of Ballycloran The Kellys and the O'Kellys Castle Richmond An Eye for an Eye The Landleaguers Other Novels: La Vendée The Three Clerks The Bertrams Orley Farm The Struggles of Brown, Jones & Robinson Rachel Ray Miss Mackenzie The Belton Estate The Claverings Nina Balatka Linda Tressel He Knew He Was Right The Vicar of Bullhampton Sir Harry Hotspur of Humblethwaite Ralph the Heir The Golden Lion of Granpère Harry Heathcote of Gangoil Lady Anna The Way We Live Now The American Senator Is He Popenjoy? John Caldigate Cousin Henry Ayala's Angel Doctor Wortle's School The Fixed Period Kept in the Dark Marion Fay Mr. Scarborough's Family An Old Man's Love An Autobiography of Anthony Trollope
The Complete Works of Sir Walter Scott (Illustrated) is a comprehensive collection of the literary works by the acclaimed author Walter Scott. Known for his historical novels and poems, Scott's writing style is characterized by vivid descriptions, intricate plots, and rich character development. This collection includes his most famous works such as Ivanhoe, Rob Roy, and Waverley, all accompanied by illustrations that bring his stories to life. The book not only showcases Scott's mastery of storytelling but also provides a glimpse into the historical context and societal issues of the time in which he wrote. Readers can immerse themselves in the world of chivalry, adventure, and romance that Scott expertly crafted in his works. The Complete Works of Sir Walter Scott (Illustrated) is a must-read for literature enthusiasts, history buffs, and anyone who appreciates timeless storytelling that transcends generations.