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For Jane Austen fans who treasure the art of correspondence, an elegant keepsake box filled with 100 postcards featuring the ubiquitous wit of Austen's sentiments, to mail to loved ones, frame as a set, or pin to an inspiration board. “Expect a most agreeable letter, for having nothing at all to say, there shall be no check to my genius from beginning to end.” Jane Austen's bustling life rarely left her without news to share, but even in those spare moments with nothing to pen, her incandescent wit manages to shine throughout her letters. Collected from her extensive collection of personal correspondence, this box contains 100 postcards featuring 25 of her most beloved witticisms (reproduced 4 times). Housed in a beautifully designed keepsake box, this set of postcards makes a thoughtful gift for any Austen lover.
Nothing speaks to us like great literature. It presents us with truth, challenges, humor, and delight. This collection of 100 postcards showcases bold graphic interpretations of 50 of the greatest literary quotes of all time. From Virginia Wolf to Oscar Wilde, from Bront to Poe to Austen, each piece will spark your imagination and kindle your creative spirit. Cards range from an F. Scott Fitzgerald quote set against a Jazz Age champagne glass, to Emily Bronte's Wuthering Heights visualized as puzzle pieces, to Immanuel Kant's musings juxtaposed with a constellation-filled night sky. This is the perfect stationery for any bibliophile, and a set sure to be repurposed by many design and decor buffs for wall art.
Step into the Regency era with this Jane Austen-themed stationery set. Possibly the most famous and beloved female author of all time, Jane Austen has been delighting readers for over two centuries with such classic novels as Pride and Prejudice, Sense and Sensibility, and Emma. Hailed by many as an early feminist, she is known for her witty prose, elegant style, and insightful social commentary. Now readers can celebrate their love of Jane with this finely crafted literary stationery set. Designed for the letter-writers, note-takers, and card-senders of the world, this stationery set includes: - 20 blank notecards, featuring classic Austen quotes - 20 envelopes - 20 embossed gold sticker seals - A hardcover pocket journal - Keepsake box for storage Designed to look like one of Jane’s classic novels, this collectible set gives Austen fans a unique way to celebrate the words and legacy of their favorite writer.
An engaging account of how Jane Austen became a household name. Just how did Jane Austen become the celebrity author and the inspiration for generations of loyal fans she is today? Devoney Looser's The Making of Jane Austen turns to the people, performances, activism, and images that fostered Austen's early fame, laying the groundwork for the beloved author we think we know. Here are the Austen influencers, including her first English illustrator, the eccentric Ferdinand Pickering, whose sensational gothic images may be better understood through his brushes with bullying, bigamy, and an attempted matricide. The daring director-actress Rosina Filippi shaped Austen's reputation with her pioneering dramatizations, leading thousands of young women to ventriloquize Elizabeth Bennet's audacious lines before drawing room audiences. Even the supposedly staid history of Austen scholarship has its bizarre stories. The author of the first Jane Austen dissertation, student George Pellew, tragically died young, but he was believed by many, including his professor-mentor, to have come back from the dead. Looser shows how these figures and their Austen-inspired work transformed Austen's reputation, just as she profoundly shaped theirs. Through them, Looser describes the factors and influences that radically altered Austen's evolving image. Drawing from unexplored material, Looser examines how echoes of that work reverberate in our explanations of Austen's literary and cultural power. Whether you're a devoted Janeite or simply Jane-curious, The Making of Jane Austen will have you thinking about how a literary icon is made, transformed, and handed down from generation to generation.
Explore the homes which shaped our best-loved novelist. Jane Austen is among the most widely read and beloved authors in English literature. Her novels vividly depict the society and world in which she lived with humour and sharp social commentary. Jane’s own life and emotional experiences, deeply influenced by where she lived in southern England and her travels to other parts of the country, are reflected in her works and in the importance of house and home to her characters. With newly commissioned photographs of Chawton House and Steventon Church and village in Hampshire, and a wide range of contemporary illustration, Kim Wilson explores the homes which shaped this best-loved novelist, bringing to life the domestic settings of her great works.
Hardcore bibliography meets Antiques Roadshow in an illustrated exploration of the role that cheap reprints played in Jane Austen's literary celebrity—and in changing the larger book world itself. Gold Winner of the 2019 Foreword INDIES Award for History by FOREWORD Reviews In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of these hard-lived bargain books survive, yet they made a substantial difference to Austen's early readership. These were the books bought and read by ordinary people. Packed with nearly 100 full-color photographs of dazzling, sometimes gaudy, sometimes tasteless covers, The Lost Books of Jane Austen is a unique history of these rare and forgotten Austen volumes. Such shoddy editions, Janine Barchas argues, were instrumental in bringing Austen's work and reputation before the general public. Only by examining them can we grasp the chaotic range of Austen's popular reach among working-class readers. Informed by the author's years of unconventional book hunting, The Lost Books of Jane Austen will surprise even the most ardent Janeite with glimpses of scruffy survivors that challenge the prevailing story of the author's steady and genteel rise. Thoroughly innovative and occasionally irreverent, this book will appeal in equal measure to book historians, Austen fans, and scholars of literary celebrity.
A trip back to the world of Jane Austen and the homes she lived in with noted historian Lucy Worsley.
From prize-winning historical novelist Louise Allen, this book presents nine walks through both the London Jane Austen knew and the London of her novels! Follow in Jane's footsteps to her publisher's doorstep and the Prince Regent's vanished palace, see where she stayed when she was correcting proofs of Sense and Sensibility and accompany her on a shopping expedition – and afterwards to the theatre. In modern London the walker can still visit the church where Lydia Bennett married Wickham, stroll with Elinor Dashwood in Kensington Palace Gardens or imagine they follow Jane's naval officer brothers as they stride down Whitehall to the Admiralty. From well-known landmarks to hidden corners, these walks reveal a lost London that can still come alive in vivid detail for the curious visitor, who will discover eighteenth-century chop houses, elegant squares, sinister prisons, bustling city streets and exclusive gentlemen's clubs amongst innumerable other Austen-esque delights.
The author sifts through evidence that depicts Austen not as a modest, retiring daughter, but rather as a rebellious, satirical, and wild woman. -- Back cover.
A reexamination of Austen’s unpublished writings that uncovers their continuity with her celebrated novels—and that challenges distinctions between her “early” and “late” work Jane Austen’s six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen’s first biographer described them as “childish effusions.” Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot. Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen’s regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative, according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen’s work, Johnston asks whether it makes sense to speak of an early and a late Austen at all. Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things.