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The country chapters present detailed analyses of the findings, and the conclusion assesses the role of markets technology, and institutions in employment relations and discusses the interpretive frameworks that help make sense of their change and variation across countries."--BOOK JACKET.
Bill Dunn considers and contests accounts of globalization and post-Fordism that see structural economic change in the late Twentieth-century as having fundamentally worsened the conditions and weakened the potential of labour. Including a comparative survey of restructuring in four major industries; automobiles, construction, microelectronics and finance, the book suggests the timing of change and its complex and contradictory nature undermine structural explanations of labour's situation. It redirects attention towards labour's political defeats and own institutional shortcomings.
This book presents an accessible and fascinating account of theoretical debates around identity and work, recent empirical trends and methodological arguments concerning the role of oral testimony and its interpretation. Focusing on three occupational sectors in particular teachers, bank workers and the railway industry it also presents an argument that is both more general than this and theoretically and analytically wide-ranging. The book explores some important questions: how are workers, both in the past and the present juncture, socialised into work cultures? What are the cultural and structural differences with regard the world of work across class, gender, and generation? What are the historical conditions of which these differences play a part? How is the idea of work found in a range of representations, from artistic production to sociological discourse expressed and explored? The development of concepts such as 'structures of feeling' and affect, and the weaving in of historical and visual material, make the book important to a wide range of readers including ethnographers, cultural sociologists and narrative researchers. In turn, this book offers an authoritative and sophisticated summary and analysis of work and identity and is an important intervention into mainstream sociology concerns.
This Palgrave Pivot explores the recent financial crisis from a new perspective. Reflecting on 40 years of banking experiences, the book will open new avenues to understanding banking and comment on possible ways to rehabilitate banking organisations. In 1965 the Bank of Ireland received a consultancy report from McKinsey & Company, which heralded a new phase in banking practice and organisation. In the years that followed, the Bank of Ireland opened up its once traditional culture to outside influences changing the way work was done and workers were viewed. Direct competition was introduced alongside specialisation of roles, and hence college education was identified as the way to meet demands of the market and bankers began to develop a full suite of products to keep customers loyal. The once professional bank manager who was a guardian of good practice eventually became absorbed into the needs of the leviathan organisation. The end result is an unimaginable and interlinked financial crisis in 2008 that swept across Ireland and the globe. This book explores banking organisation and practice as it transforms and across the period from 1960 to 2018. It argues that organisational goals over individual responsibility paved the pathway towards crisis. Organisationally, anxiety and fear of failure took the place of certainty and stability. While the financial crisis is coming to an end, banking organisations remains fragile and prone to influences that may lead them towards a path of continuous cycles of boom and bust. Such a state has the potential to create an unending cycle of boom and bust and the end of stability and the institution of banking. This book shines a light on that and will be of interest to banking and finance researchers, students, and practitioners.
On a visit to his elderly artist-parents, Teller found a dusty portfolio of cartoons his father drew in 1939. Readers join Teller as his dad teaches him why using a ruler in painting is evil; his mom interprets the designs hidden in Joe's "art pancakes; " and he introduces readers to to most peculiar, philosophical, funny and loving family. 40 photos, 50 illustrations, 8-page color insert.
The Earth of the future has been divided into two parts—the developed World of Order and the backward World of Decadence. These worlds have abandoned contact with each other and built Walls between them. World of Order is the modern, technologically developed world, where is no crime, wars, and any kind of conflicts. World of Decadence lives in the past denying all the progress, technical development, and modern values of the World of Order. Jerry Kaiser, a refugee from Decadence, writes virtual reality programs, which are created to the customer’s taste. They are filled with psychodromes, emotions recorded in a digital format. Commissioned by Richard Kamer, one of the Devil’s Dozen, the ruling elite of the World of Order, the head of a ministry without a name who is responsible for top-secret, inter-world relations, he creates a horror program that Richard uses to kill the most influential citizens of Order. Jerry is found guilty of these murders. Jerry finds out that the victims of the program are connected to the dark secret organization – Trails de-Hell, where the immigrants from the World of Decadence and dissidents of the World of Order are killed, tortured, and hunted. The one existence of Trails de-Hell makes World of Order not that ideal and utopic as it seems. Jerry wants to unravel the secrets intensions of Richard Kamer and realizes that he is the one who intends to lead the world to the big changes. But to succeed in it, humanity will need to make huge sacrifices, and Jerry will have to take sides.
"Sophisticated with just the right dose of sinister, this coming-of-age story doesn’t shy from the grisly power dynamics of privilege." ––Library Journal When it comes to seeing the future—do you really want to know? Middle-class Rosie Macalister has worked for years to fit in with her wealthy friends on the Yale equestrian team. But when she comes back from her junior year abroad with newfound confidence, she finds that the group has been infiltrated by a mysterious intruder: Annelise Tattinger. A talented tarot reader and a brilliant rider, the enigmatic Annelise is unlike anyone Rosie has ever met. But when one of their friends notices money disappearing from her bank account, Annelise's place in the circle is thrown into question. As the girls turn against each other, the group’s unspoken tensions and assumptions lead to devastating consequences. It's only after graduation, when Rosie begins a job at a Manhattan hedge fund, that she uncovers Annelise's true identity––and how her place in their elite Yale set was no accident. Is it too late for Rosie to put right what went wrong, or does everyone's luck run out at some point? Set in the heady days of the early aughts, The Fortune Seller is a haunting examination of class, ambition, and the desires that shape our lives.
This spellbinding tale about the power of love and the perils of faith is from the bestselling author of "The Illuminator."