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During the formative years of the American republic, lawyers and architects, both eager to secure public affirmation of their professional status, worked together to create specialized, purpose-built courthouses to replace the informal judicial settings in which trials took place during the colonial era. In From Tavern to Courthouse, Martha J. McNamara addresses this fundamental redefinition of civic space in Massachusetts. Professional collaboration, she argues, benefitted both lawyers and architects, as it reinforced their desire to be perceived as trained specialists solely concerned with promoting the public good. These courthouses, now reserved exclusively for legal proceedings and occupying specialized locations in the town plans represented a new vision for the design, organization, and function of civic space. McNamara shows how courthouse spaces were refined to reflect the increasingly professionalized judicial system and particularly to accommodate the rapidly growing participation of lawyers in legal proceedings. In following this evolution of judicial space from taverns and town houses to monumental courthouse complexes, she discusses the construction of Boston's first civic building, the 1658 Town House, and its significance for colonial law and commerce; the rise of professionally trained lawyers through the seventeenth and eighteenth centuries; and changes in judicial rituals at the turn of the century and development of specialized judicial landscapes. A case study of three courthouses built in Essex County between 1785 and 1805, delineates these changes as they unfold in one county over a thirty year period. Concise and clearly written, From Tavern to Courthouse reveals the processes by which architects and lawyers crafted new judicial spaces to provide a specialized, exclusive venue in which lawyers could articulate their professional status.
The second volume in Gordon C. Rhea's peerless five-book series on the Civil War's 1864 Overland Campaign abounds with Rhea's signature detail, innovative analysis, and riveting prose. Here Rhea examines the maneuvers and battles from May 7, 1864, when Grant left the Wilderness, through May 12, when his attempt to break Lee's line by frontal assault reached a chilling climax at what is now called the Bloody Angle. Drawing exhaustively upon previously untapped materials, Rhea challenges conventional wisdom about this violent clash of titans to construct the ultimate account of Grant and Lee at Spotsylvania.
Court day in early Virginia transformed crossroads towns into forums for citizens of all social classes to transact a variety of business, from legal cases heard before the county magistrates to horse races, ballgames, and the sale and barter of produce, clothing, food, and drink. The Courthouses of Early Virginia is the first comprehensive history of the public buildings that formed the nucleus of this space and the important private buildings that grew up around them.
Spanning the North Atlantic rim from Canada to Scotland, and from the Caribbean to the coast of West Africa, the British Atlantic world is deeply interconnected across its regions. In this groundbreaking study, thirteen leading scholars explore the idea of transatlanticism--or a shared "Atlantic world" experience--through the lens of architecture, built spaces, and landscapes in the British Atlantic from the seventeenth century through the mid-nineteenth century. Examining town planning, churches, forts, merchants' stores, state houses, and farm houses, this collection shows how the powerful visual language of architecture and design allowed the people of this era to maintain common cultural experiences across different landscapes while still forming their individuality. By studying the interplay between physical construction and social themes that include identity, gender, taste, domesticity, politics, and race, the authors interpret material culture in a way that particularly emphasizes the people who built, occupied, and used the spaces and reflects the complex cultural exchanges between Britain and the New World.
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With its ability to review and interpret all American law, the U. S. Supreme Court is arguably the most influential branch of government but also the one most carefully shielded from the public gaze.
Atop broad stone stairs flanked by statues of ancient lawgivers, the U.S. Supreme Court building stands as a shining temple to the American idea of justice. As solidly as the building occupies a physical space in the nation’s capital, its architecture defines a cultural, social, and political space in the public imagination. Through these spaces, this book explores the home of the most revered institution of U.S. politics—its origin, history, and meaning as an expression of democratic principles. The U.S. Supreme Court building opened its doors in 1935. Although it is a latecomer to the capital, the Court shares the neoclassical style of the older executive mansion and capitol building, and thus provides a coherent architectural representation of governmental power in the capital city. More than the story of the construction of one building or its technical architectural elements, The U.S. Supreme Court’s Democratic Spaces is the story of the Court’s evolution and its succession of earlier homes in Washington, D.C., Philadelphia, and New York. This timely study of how the Supreme Court building shapes Washington as a space and a place for political action and meaning yields a multidimensional view and deeper appreciation of the ways that our physical surroundings manifest who we are as a people and what we value as a society.
"This is a study in the history of capitalism in the context of colonial New England. The author argues that colonial women's skilled labor undergirded the workings of financial networks and was instrumental in shaping the development of economic and legal systems. The author shows that the economies of the colonial port cities of Boston and Newport could not have functioned without women's labor and credit relationships"--