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Fifty-four monologues and dialogues, a remarkable distillation of rhythms and nuances from the region of the heart.
NATIONAL BESTSELLER ONE OF THE BEST BOOKS OF THE YEAR: VOGUE • FORBES • BOOKPAGE • NEW YORK POST • WIRED “I have not been as profoundly moved by a book in years.” —Jodi Picoult Even after she left home for Hollywood, Emmy-nominated TV writer Bess Kalb saved every voicemail her grandmother Bobby Bell ever left her. Bobby was a force—irrepressible, glamorous, unapologetically opinionated. Bobby doted on Bess; Bess adored Bobby. Then, at ninety, Bobby died. But in this debut memoir, Bobby is speaking to Bess once more, in a voice as passionate as it ever was in life. Recounting both family lore and family secrets, Bobby brings us four generations of indomitable women and the men who loved them. There’s Bobby’s mother, who traveled solo from Belarus to America in the 1880s to escape the pogroms, and Bess’s mother, a 1970s rebel who always fought against convention. But it was Bobby and Bess who always had the most powerful bond: Bobby her granddaughter’s fiercest supporter, giving Bess unequivocal love, even if sometimes of the toughest kind. Nobody Will Tell You This But Me marks the creation of a totally new, virtuosic form of memoir: a reconstruction of a beloved grandmother’s words and wisdom to tell her family’s story with equal parts poignancy and hilarity.
The idea of "region" in America has often served to isolate places from each other, observes Douglas Reichert Powell. Whether in the nostalgic celebration of folk cultures or the urbane distaste for "hicks," certain regions of the country are identified a
Seminal plays and essays reveal the radical origins and approach of Appalachia’s Roadside Theater This two-volume anthology tells the story of Roadside Theater’s first 45 years and includes nine award-winning original play scripts; ten essays by authors from different disciplines and generations, which explore the plays’ social, economic, and political circumstances; and a critical recounting of the theater’s history from 1975 through 2020. The plays in Volume 1 offer a people’s history of the Appalachian coalfields, from the European incursion through the American War in Vietnam.
Tony Hoagland, Harper's, April 2013 In Poem Central: Word Journeys with Readers and Writers, Shirley McPhillips helps us better understand the central role poetry can play in our personal lives and in the life of our classrooms.
To be from Appalachia--to be at home there and to love it passionately--informs the narratives of each of the sixteen storytellers featured in this work. Their stories are rich in the lore of the past, deeply influenced by family, especially their grandparents, and the ancient mountains they saw every day of their lives as they were growing up.
Curated new collections. H.P. Lovecraft was the inventor of cosmic horror, of weird fiction and the Cthulhu mythology. His stories, incubated by a lonely and febrile childhood, found purchase in the fertile earth of pulp fiction where he inspired many other writers, from Robert E. Howard, to Robert Bloch and Clark Ashton Smith, many of whom also collaborated on the several short stories, some of which are also included here, in this special deluxe edition. This title, alongside H.G. Wells Short Stories, is a companion volume to our hugely successful Gothic Fantasy series of classic and modern writers.
Not since Terry McMillan's `Waiting To Exhale,? has a book been so raw, gritty and honest about love, loss, family, relationships, acceptance and trust and put a voice to the collective frustration felt by millions of people looking for love in all the wrong places?Stories I Wouldn't Tell Nobody But God,? the long awaited, debut novel by Rasheed Clark, is an emotionally charged, provocative and page turning story of four friends, Sista, Brian, Day and Nikki and the rollercoaster ride that they call their lives?Sista, who will lose the only man she ever loved, as she allows her weight to determine her self worth. Brian, who learned the hard way that a good woman isn't hard to find, he just has to be man enough to keep her. Day, who must learn to accept himself for who and what he is. Nikki, whose perfect world is shattered when she loved a man more than she loved herself and it almost, cost her, her life, because of her man's infidelity and lies. Powerfully told, heartwarming and funny, `Nobody But God? will leave you wanting more. `Stories I Wouldn't Tell Nobody But God,? because there are many things, many people tend to keep to themselves, out of fear nobody but God will understand?
“We operated perfectly legally. We considered ourselves philanthropists! We supplied good liquor to poor thirsty Americans ... and brought prosperity back to the Harbour of Vancouver ...”—Captain Charles Hudson At the stroke of one minute past midnight, January 17, 1920, the National Prohibition Act was officially declared in effect in the United States. From 1920 to 1933 the manufacture, sale, importation and transportation of alcohol and, of course, the imbibing of such products, was illegal. Prohibition was already a bust in Canada and it wasn’t long before fleets of vessels, from weather-beaten old fish boats to large ocean-going steamers, began filling their holds with liquor to deliver their much-valued cargo to their thirsty neighbours to the south. Contrary to popular perception, rum-running along the Pacific coast wasn’t dominated by violent encounters like those portrayed in the movies. Instead, it was usually carried out in a relatively civilized manner, with an oh-so-Canadian politeness on the British Columbian side. Most operated within the law. But there were indeed shootouts, hijackings and even a particularly gruesome murder associated with the business. Using first-hand accounts of old-time rum-runners, extensive research using primary and secondary documentation, and the often-sensational newspaper coverage of the day, Don’t Never Tell Nobody Nothin’ No How sets out to explain what really went down along the West Coast during the American “Noble Experiment.”
When H. P. Lovecraft died in March 1937, he left a legacy of work that has since influenced countless generations of writers and filmmakers and which has seen him hailed as a master of horror and fantasy fiction. With specially commissioned illustrations and an introduction by Dr Keira McKenzie, this collection showcases nine of his most popular stories, including Dagon, The Call of Cthulhu and The Dunwich Horror.