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** Now available for pre-order (title will be released on April 29th) **As a little girl of nine, Katherine Langrish fell deeply in love with The Chronicles of Narnia - she was even inspired to write a book of stories set in that world, complete with poster-paint picture of Aslan on the homemade dust jacket. Although she loved the Narnia books to bursting, others took their place as she grew up. For years they sat unopened on her shelves. She began to wonder why. Had they simply become too familiar? Had the charm faded? What might they mean to her as an adult?From Spare Oom to War Drobe is a love letter to that early passion, as well as a reappraisal of The Chronicles of Narnia in the light of maturity and changing tastes. It brilliantly evokes her initial sense of childish wonder, and in a close reading of the novels, including analysis of the context in which other critics have placed them, she gives us a superbly rich, enlightening, and immensely readable guide to the world of these evergreen stories.
C. S. Lewis was a British author, lay theologian, and contemporary of J.R.R. Tolkien. The Lion, the Witch, and the Wardrobe is the first book in The Chronicles of Narnia.
First published in 1889, this novel has two main plots; one set in the real world at the time the book was published (the Victorian era), the other in the fictional world of Fairyland.
For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaître knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.
'He is, as Proust was before him, the great literary chronicler of his culture in his time.' GUARDIAN 'A Dance to the Music of Time' is universally acknowledged as one of the great works of English literature. Reissued now in this definitive edition, it stands ready to delight and entrance a new generation of readers. In this first volume, Nick Jenkins is introduced to the ebbs and flows of life at boarding school in the 1920s, spent in the company of his friends: Peter Templer, Charles Stringham, and Kenneth Widmerpool. Though their days are filled with visits from relatives and boyish pranks, usually at the expense of their housemaster Le Bas, a disastrous trip in Templer’s car threatens their new friendship. As the school year comes to a close, the young men are faced with the prospects of adulthood, and with finding their place in the world.
Are you traveling to Narnia? No matter if this is your first visit to C. S. Lewis's wonderful fantasy world or if you've been there many times, you'll want to bring along this handy companion to the landscape and inhabitants of Narnia, including an A-to-Z guide to characters, places, objects and events. From Narnia expert Colin Duriez you'll learn Duriez also takes up some the sticky questions that you may be left wondering about, such as the destiny of Susan. His book will help you dig deeper into the series and its implications for understanding the Christian life.
In this extended love letter to children's books, and the wonders they perform, Spufford goes back to his earliest encounters with books, exploring such beloved classics as "The Wind in the Willows, The Little House on the Prairie," and the Narnia chronicles.
In his acclaimed collection Tales Before Tolkien, Douglas A. Anderson illuminated the sources, inspirations, and influences that fired J.R.R. Tolkien’s genius. Now Anderson turns his attention to Tolkien’s colleague and friend C. S. Lewis, whose influence on modern fantasy, through his beloved Narnia books, is second only to Tolkien’s own. In many ways, Lewis’s influence has been even wider than Tolkien’s. For in addition to the Narnia series, Lewis wrote groundbreaking works of science fiction, urban fantasy, and religious allegory, and he came to be regarded as among the most important Christian writers of the twentieth century. It will come as no surprise, then, that such a wide-ranging talent drew inspiration from a variety of sources. Here are twenty of the tributaries that fed Lewis’s unique talent, among them: “The Wood That Time Forgot: The Enchanted Wood,” taken from a never-before-published fantasy by Lewis’s biographer and friend, Roger Lancelyn Green, that directly inspired The Lion, the Witch, and the Wardrobe; E. Nesbit’s charming “The Aunt and Amabel,” in which a young girl enters another world by means of a wardrobe; “The Snow Queen,” by Hans Christian Andersen, featuring the abduction of a young boy by a woman as cruel as she is beautiful; and many more, including works by Charles Dickens, Kenneth Grahame, G. K. Chesterton, and George MacDonald, of whom Lewis would write, “I have never concealed the fact that I regarded him as my master.” Full of fascinating insights into Lewis’s life and fiction, Tales Before Narnia is the kind of book that will be treasured by children and adults alike and passed down lovingly from generation to generation. INCLUDING SEVENTEEN MORE WORKS BY THE PROGENITORS OF MODERN FANTASY AND SCIENCE FICTION: “Tegnér’s Drapa” by Henry Wadsworth Longfellow “The Magic Mirror” by George MacDonald “Undine” by Friedrich de la Motte Fouqué “Letters from Hell: Letter III” by Valdemar Thisted “Fastosus and Avaro” by John Macgowan “The Tapestried Chamber; or, The Lady in the Sacque” by Sir Walter Scott “The Story of the Goblins Who Stole a Sexton” by Charles Dickens “The Child and the Giant” by Owen Barfield “A King’s Lesson” by William Morris “The Waif Woman: A Cue—From a Saga” by Robert Louis Stevenson “First Whisper of The Wind in the Willows” by Kenneth Grahame “The Wish House” by Rudyard Kipling “Et in Sempiternum Pereant” by Charles Williams “The Dragon’s Visit” by J.R.R. Tolkien “The Coloured Lands” by G. K. Chesterton “The Man Who Lived Backwards” by Charles F. Hall “The Dream Dust Factory” by William Lindsay Gresham
Fifteen-year-old Peer Ulfsson is haunted by his past. Forced to live with his evil uncles under the eerie shadows of Troll Fell, he nearly fell prey to their plan to sell children to the trolls. Now Peer lives with his friend Hilde's family, but can he ever truly belong? And will Hilde ever share his deeper feelings? One rainy night, Peer watches in shock as his neighbor Kersten pushes her baby daughter into his arms and then disappears into the sea. Rumor says that Kersten is a seal woman who has returned to her ocean home, and the millpond witch, Granny Green-teeth, seems intent on taking the "seal baby." Peer also discovers that the mill, abandoned when his uncles joined the troll kingdom, is running again -- all on its own? With angry trolls, mysterious seal people, a mischievous house spirit, and three unusual babies in the mix, Peer and Hilde have their hands full and more! Katherine Langrish returns to the magical world of her acclaimed debut, troll fell, in this second story set in an extraordinary land by the sea filled with Viking legends and lore.