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A daring young woman will risk her life to find her destiny in this atmospheric, beautifully drawn historical debut novel—a tale of love, hope, and danger set during the First World War. Lady Elizabeth Neville-Ashford wants to travel the world, pursue a career, and marry for love. But in 1914, the stifling restrictions of aristocratic British society and her mother’s rigid expectations forbid Lilly from following her heart. When war breaks out, the spirited young woman seizes her chance for independence. Defying her parents, she moves to London and eventually becomes an ambulance driver in the newly formed Women’s Army Auxiliary Corps—an exciting and treacherous job that takes her close to the Western Front. Assigned to a field hospital in France, Lilly is reunited with Robert Fraser, her dear brother Edward’s best friend. The handsome Scottish surgeon has always encouraged Lilly’s dreams. She doesn’t care that Robbie grew up in poverty—she yearns for their friendly affection to become something more. Lily is the most beautiful—and forbidden—woman Robbie has ever known. Fearful for her life, he’s determined to keep her safe, even if it means breaking her heart. In a world divided by class, filled with uncertainty and death, can their hope for love survive. . . or will it become another casualty of this tragic war? The paperback includes a P.S. section with additional insights from the author, background material, suggestions for further reading, and more.
From 1939 to 1945, the farming community of Clarksburg, Ohio sent 222 of its sons and daughters to war: 1 in every 5 of its residents. From Somewhere in France is a one-of-a-kind collection of letters written by these men and women, stitched together chronologically and grouped into common themes shared with family and friends. The work includes nearly 200 letters from 70 individuals taking readers on parallel journeys through training, to combat and back home to Ohio. Experience first person accounts of camp life in the states; bombing missions over Europe; battlefield operations from Normandy to Okinawa; letters from POW camps; an eyewitness account of the retaking of Corregidor, and personal reactions to the Holocaust and the atomic destruction of Hiroshima. You have read in-depth histories of large units and entire armies during the war, as well as countless individual autobiographies of wartime tales. Now, experience the war from the unique perspective of one village.
Ten years ago, Janine Marsh decided to leave her corporate life behind to fix up a run-down barn in northern France. This is the true story of her rollercoaster ride.
Richard Harding Davis "Somewhere in France" is a charming series of battle memories set in opposition to the backdrop of World War I. Davis, a renowned American journalist and struggle correspondent, presents a shiny and poignant portrayal of the battle's impact on people and society. The series encompasses a series of quick testimonies, every providing a unique attitude on the studies of infantrymen, civilians, and those stricken by the war. Davis, recognized for his firsthand reporting, brings authenticity to the narratives, offering readers a glimpse into the harsh realities of trench war, the emotional toll on squaddies, and the challenges confronted by means of those on the house the front. Through compelling characters and particular settings, Davis captures the human drama of the struggle, exploring issues of courage, sacrifice, and the indomitable spirit of people amidst the chaos of war. The stories evoke quite a number emotion, from the camaraderie amongst squaddies to the heartbreak of separation and loss. "Somewhere in France" no longer best serves as a literary testomony to the Great War however additionally stands as a poignant reflection on the widespread issues of humanity enduring in the face of adversity.
Francis P. Sempa tells the story of father's journey through the Second World War. Using letters, local newspaper articles, the 29th Division's After Action Reports, and books about the history of the 29th Division in World War II, Sempa traces his father's steps throughout battlefields of France and Germany.
Even after they unmasked Talbot I had neither the heart nor the inclination to turn him down. Indeed, had not some of the passengers testified that I belonged to a different profession, the smoking-room crowd would have quarantined me as his accomplice. On the first night I met him I was not certain whether he was English or giving an imitation. All the outward and visible signs were English, but he told me that, though he had been educated at Oxford and since then had spent most of his years in India, playing polo, he was an American.
In July 1947, fresh out of college and long before he would win the Pulitzer Prize and become known as one of America's finest historians, Stanley Karnow boarded a freighter bound for France, planning to stay for the summer. He stayed for ten years, first as a student and later as a correspondent for Time magazine. By the time he left, Karnow knew Paris so intimately that his French colleagues dubbed him "le plus parisien des Américains" --the most Parisian American. Now, Karnow returns to the France of his youth, perceptively and wittily illuminating a time and place like none other. Karnow came to France at a time when the French were striving to return to the life they had enjoyed before the devastation of World War II. Yet even during food shortages, political upheavals, and the struggle to come to terms with a world in which France was no longer the mighty power it had been, Paris remained a city of style, passion, and romance. Paris in the Fifties transports us to Latin Quarter cafés and basement jazz clubs, to unheated apartments and glorious ballrooms. We meet such prominent political figures as Charles de Gaulle and Pierre Mendès-France, as well as Communist hacks and the demagogic tax rebel Pierre Poujade. We get to know illustrious intellectuals, among them Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, and André Malraux, and visit the glittering salons where aristocrats with exquisite manners mingled with trendy novelists, poets, critics, artists, composers, playwrights, and actors. We meet Christian Dior, who taught Karnow the secrets of haute couture, and Prince Curnonsky, France's leading gourmet, who taught the young reporter to appreciate the complexities of haute cuisine. Karnow takes us to marathon murder trials in musty courtrooms, accompanies a group of tipsy wine connoisseurs on a tour of the Beaujolais vineyards, and recalls the famous automobile race at Le Mans when a catastrophic accident killed more than eighty spectators. Back in Paris, Karnow hung out with visiting celebrities like Ernest Hemingway, Orson Welles, and Audrey Hepburn, and in Paris in the Fifties we meet them too. A veteran reporter and historian, Karnow has written a vivid and delightful history of a charmed decade in the greatest city in the world.
An aristocratic young woman leaves the sheltered world of London to find adventure, passion, and independence in 1920s Paris in this mesmerizing story from the USA Today and internationally bestselling author of Somewhere in France and After the War is Over. Spring, 1924 Recovering from a broken wartime engagement and a serious illness that left her near death, Lady Helena Montagu-Douglas-Parr vows that for once she will live life on her own terms. Breaking free from the stifling social constraints of the aristocratic society in which she was raised, she travels to France to stay with her free spirited aunt. For one year, she will simply be Miss Parr. She will explore the picturesque streets of Paris, meet people who know nothing of her past—and pursue her dream of becoming an artist. A few years after the Great War’s end, the City of Light is a bohemian paradise teeming with actors, painters, writers, and a lively coterie of American expatriates who welcome Helena into their romantic and exciting circle. Among them is Sam Howard, an irascible and infuriatingly honest correspondent for the Chicago Tribune. Dangerously attractive and deeply scarred by the horror and carnage of the war, Sam is unlike any man she has ever encountered. He calls her Ellie, sees her as no one has before, and offers her a glimpse of a future that is both irresistible and impossible. As Paris rises phoenix-like from the ashes of the Great War, so too does Helena. Though she’s shed her old self, she’s still uncertain of what she will become and where she belongs. But is she strong enough to completely let go of the past and follow her heart, no matter where it leads her? Artfully capturing the Lost Generation and their enchanting city, Moonlight Over Paris is the spellbinding story of one young woman’s journey to find herself, and claim the life—and love—she truly wants.
Ernest R. May's Strange Victory presents a dramatic narrative-and reinterpretation-of Germany's six-week campaign that swept the Wehrmacht to Paris in spring 1940. Before the Nazis killed him for his work in the French Resistance, the great historian Marc Bloch wrote a famous short book, Strange Defeat, about the treatment of his nation at the hands of an enemy the French had believed they could easily dispose of. In Strange Victory, the distinguished American historian Ernest R. May asks the opposite question: How was it that Hitler and his generals managed this swift conquest, considering that France and its allies were superior in every measurable dimension and considering the Germans' own skepticism about their chances? Strange Victory is a riveting narrative of those six crucial weeks in the spring of 1940, weaving together the decisions made by the high commands with the welter of confused responses from exhausted and ill-informed, or ill-advised, officers in the field. Why did Hitler want to turn against France at just this moment, and why were his poor judgment and inadequate intelligence about the Allies nonetheless correct? Why didn't France take the offensive when it might have led to victory? What explains France's failure to detect and respond to Germany's attack plan? It is May's contention that in the future, nations might suffer strange defeats of their own if they do not learn from their predecessors' mistakes in judgment.