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A companion volume to his Critique of Religion and Philosophy, this book offers Walter Kaufmann's critical interpretations of some of the great minds in Western philosophy, religion, and literature.
A classic book by one of the twentieth century’s most innovative and adventurous thinkers First published in 1959, From Shakespeare to Existentialism offers Walter Kaufmann’s critical interpretations of some of the greatest minds in Western philosophy, religion, and literature. Few scholars can match Kaufmann’s range of interests, from intellectual history and comparative religion to psychology, art, and architecture. In this illuminating and wide-ranging book, he traces the evolving Aristotelian ideal of the great-souled individual, showing how it was forgotten by medieval Christendom but recovered by Shakespeare and apotheosized by Nietzsche. An invaluable companion to his Critique of Religion and Philosophy, this volume presents Kaufmann at his most trailblazing, charting new directions in Western thought while providing bold perspectives on figures such as Goethe, Hegel, Rilke, and Freud.
The Time Is Out of Joint presents an examination of Shakespeare's distinctly modern confrontation with time and temporality, the difference between the truth of the fact, that of theory, and that of interpretation and revelatory truth, and finds that Shakespeare anticipated post-metaphysical philosophy and its central concerns at a time when modern metaphysics had not yet reached it speak. Visit our website for sample chapters!
Originally published in 1959, The Faith of a Heretic is the most personal statement of the beliefs of Nietzsche biographer and translator Walter Kaufmann. A first-rate philosopher in his own right, Kaufmann here provides the fullest account of his views on religion. Although he considered himself a heretic, he was not immune to the wellsprings and impulses from which religion originates, declaring it among the most vital and radical expressions of the human mind. Beginning with an autobiographical prologue that traces his evolution from religious believer to "heretic," the book touches on theology, organized religion, morality, suffering, and death—all examined from the perspective of a "quest for honesty." Kaufmann also subjects philosophy's faith in truth, reason, and absolute morality to the same heretical treatment. The resulting exploration of the faiths of a nonbeliever in a secular age is as fresh and challenging as when it was first published. In a new foreword, Stanley Corngold vividly describes the intellectual and biographical milieu of Kaufmann’s provocative book.
Theological and psychological interpretations of Shakespeare's most problematic play have been pursued as complementary to each other. In this bold reading, Walter N. King brings twentiethcentury Christian existentialism and post-Freudian psychological theory to bear upon Hamlet and his famous problems. King draws on the support of Paul Tillich, John Macquarrie, and Nicolai Beryaev, who radically reinterpreted the Christian doctrine of providence, and presents an unconventional thesis. He derives illuminating psychological insights from Erik Erikson, the pioneer in the modern study of identity, and Viktor Frankl, the founder of logotherapy.
Existentialism is perhaps the most misunderstood of modern philosophic positions-- misunderstood by reason of its broad popularity and general unfamiliarity with its origins, representatives, and principles. Existential thinking did not originate with Jean Paul Sartre. It has prior religious, literary, and philosophic origins. In its narrowest formulation it is a metaphysical doctrine, arguing as it does that any definition of man's essence must follow, not precede, an estimation of his existence. In Heidegger, it affords a view of Being in its totality; in Kierkegaard, an approach to that inwardness indispensable to authentic religious experience; for Dostoevsky, Kafka, and Rilke the existential situation bears the stamp of modern man's alienation, uprootedness, and absurdity; to Sartre it has vast ethical and political implications. This book contains only complete selections or entire works by the major thinkers.--From publisher description.
Four brilliant essays examine Kierkegaard, Tolstoy, Dostoevsky and Buber. Each is seen in a new perspective (the appreciation of Tolstoy, for example, is eye-opening). One chapter contrasts Nietzsche with the leading existentialists, and another explores the reception of existentialism in the United States. Throughout, the author's thrust is critical and constructive and never merely expository. [Back cover].
This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world."--BOOK JACKET.
A seminal figure in the philosophy of history, culture, and language, Johann Gottfried Herder (1744-1803) also produced some of the most important and original works in the history of aesthetic theory. A student of Kant, he spent much of his life striving to reconcile the opposing poles of Enlightenment thought represented by his early mentors. His ideas influenced Hegel, Schleiermacher, Nietzsche, Dilthey, J. S. Mill, and Goethe. This book presents most of Herder's important writings on aesthetics, including the main sections of one of his major untranslated works, Kritische Wälder (Critical Forests). These notes, essays, and treatises, the majority of which appear here in English for the first time, show this idiosyncratic thinker both deeply rooted in the controversies of his day and pointing the way to future developments in aesthetics. Chosen to reflect the extent and diversity of Herder's concerns, the texts cover such topics as the psychology and physiology of aesthetic perception, the classification of the arts, taste, Shakespeare, the classical tradition, and the relationship between art and morality. Few thinkers have reflected so sensitively and productively on the cultural, historical, anthropological, ethical, and theological dimensions of art and the creative process. With this book, the importance of aesthetics to the evolution and texture of Herder's own thought, as well as his profound contribution to that discipline, comes fully into view.