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Extensive and meticulous research marks the first full-length look at the life, murder, and legacy of Viola Liuzzo, a civil rights worker murdered by the Klan in 1965, whose memory was defamed by J. Edgar Hoover and the FBI. UP.
An FBI’s informant’s role in the murder of a civil rights activist by the KKK is explored in this “suspenseful and vigorously reported” history (Baltimore Sun). In 1965, Detroit housewife Viola Liuzzo drove to Alabama to help organize Martin Luther King’s Voting Rights March from Selma, Alabama, to Montgomery. But after the march’s historic success, Liuzzo was shot to death by members of the Birmingham Ku Klux Klan. The case drew national attention and was solved almost instantly, because one of the Klansman present during the shooting was Gary Thomas Rowe, an undercover FBI informant. At the time, Rowe’s information and testimony were heralded as a triumph of law enforcement. But as Gary May reveals in this provocative book, Rowe’s history of collaboration with both the Klan and the FBI was far more complex. Based on previously unexamined FBI and Justice Department Records, The Informant demonstrates that in their ongoing efforts to protect Rowe’s cover, the FBI knowingly became an accessory to some of the most grotesque crimes of the Civil Rights era—including a vicious attack on the Freedom Riders and perhaps even the bombing of the Sixteenth Street Baptist Church. A tale of a renegade informant and a tragically dysfunctional intelligence system, The Informant offers a dramatic cautionary tale about what can happen when secret police power goes unchecked.
Motivated by the countries current race relations and how Viola left the comforts of a white middle-class standard of living in 1965 to advocate for the voting rights of African American people. Viola had nothing to gain and everything to lose, gave her life for humanity and is the forgotten sacrifice that has helped make life better socially, economically, politically and spiritually for millions of Americans. Dr. Martin Luther King Jr. who would become a martyr approximately three years later stated at Viola's funeral, "if physical death is the price some must pay to save us and our white brothers from eternal death of the spirit, then no sacrifice could be more redemptive." Viola's story is one that should never die.
One woman's shocking descent into a provocative world of lust and danger. As Maryse Holder's letters explore the last, eventful months in her life, they speak directly to the reader-forcing us to confront the pain, and even sometimes the passion, of living on the very edge of life, to the end. With exclusive new Foreword by Edith Rubin Jones, the friend who received Maryse Holder's letters from Mexico, edited them, and arranged the posthumous publication of "Give Sorrow Words."
Morgan backed her words with action. As a New Deal Democrat, she worked to abolish the poll tax and establish a federal antilynching law. She rarely hesitated to appear in integrated settings, and years before the 1955 Montgomery Bus Boycott, she was regularly confronting bus drivers over their mistreatment of black riders. Morgan's letters had consequences: she and the newspapers that published them were vilified and threatened. Although the trustees of the Montgomery Public Library, where Morgan worked, resisted pressure to fire her, a cross was burned in her yard, and friends, neighbors, former students, and colleagues shunned her.
Red, Black, White is the first narrative history of the American communist movement in the South since Robin D. G. Kelley's groundbreaking Hammer and Hoe and the first to explore its key figures and actions beyond the 1930s. Written from the perspective of the district 17 (CPUSA) Reds who worked primarily in Alabama, it acquaints a new generation with the impact of the Great Depression on postwar black and white, young and old, urban and rural Americans. After the Scottsboro story broke on March 25, 1931, it was open season for old-fashioned lynchings, legal (courtroom) lynchings, and mob murder. In Alabama alone, twenty black men were known to have been murdered, and countless others, women included, were beaten, disabled, jailed, “disappeared,” or had their lives otherwise ruined between March 1931 and September 1935. In this collective biography, Mary Stanton—a noted chronicler of the left and of social justice movements in the South—explores the resources available to Depression-era Reds before the advent of the New Deal or the modern civil rights movement. What emerges from this narrative is a meaningful criterion by which to evaluate the Reds’ accomplishments. Through seven cases of the CPUSA (district 17) activity in the South, Stanton covers tortured notions of loyalty and betrayal, the cult of white southern womanhood, Christianity in all its iterations, and the scapegoating of African Americans, Jews, and communists. Yet this still is a story of how these groups fought back, and fought together, for social justice and change in a fractured region.
Translation originally published: London: Bantam Press, 2020.
In twenty-two simple yet profound reflections, seasoned minister Mark Belletini explores the many and varied forms of grief. His honest, poetic essays serve as a prism, revealing the distinct colors and manifestations of grief in our lives. He addresses the way we respond to loss of people in our lives, loss of love, loss of focus, and loss of the familiar—understanding that grief is as much a part of our lives as our breathing. Belletini uses specific and personal stories to open up to the universal experience. Nothing Gold Can Stay is a gift of awareness, showing how the shades of grief serve our deepest needs.
Gaza is being bombed. Rashid wakes to discover he's got a scholarship to London, the escape route he's been waiting for. Meanwhile, his twin sister, Iman, frustrated by the atrocities and inaction around her, grabs recklessly at an opportunity to make a difference. Sabri, the oldest brother works on a history of Palestine from his wheelchair as their mother pickles vegetables and feuds with their neighbours.Out of It follows Rashid and Iman as they try to forge places for themselves in the midst of occupation, religious fundamentalism and the divisions between Palestinian factions. It tells of family secrets, unlikely love stories and unburied tragedies as it captures the frustrations and energies of the modern Arab World.