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In the age of the selfie, this book traces self-portraiture in film and video from the Western tradition in painting and literature into present-day digital media. The essays assess the significance of the self-portrait in the moving image and new media by exploring a varied and international body of works.
Selfies by Haje Jan Kamps is ultimately a celebration of the culture of social networking, the world where you aren't anybody until you have a photo of yourself, and what that photo says is critically important. Whether you're an artist soul, or you want to show your smoldering hot side, this cheeky, sexy, and loud book will show you how to depict these parts of you through photography. With pictures and stories from the best of the best, gather tips for photographing yourself and learn how to take selfies.Learn how to portray innocence and drama, tell stories with your photo, use costumes and props during your shoot, shoot on location or in action, and much more. Gather the photography skills you need to capture the look you want, and learn how to edit your photos after the shoot to add layers, highlights, and more. In Selfies you'll find: 11 chapters filled with photography editing tips to help ease clarify the process of taking selfies Advice for using mobile apps utilizing other techniques to perfect your pictures A plethora of visual examples to clarify techniques ideas presented in the book
Due to the growing prevalence of artificial intelligence technologies, schools, museums, and art galleries will need to change traditional ways of working and conventional thought processes to fully embrace their potential. Integrating virtual and augmented reality technologies and wearable devices into these fields can promote higher engagement in an increasingly digital world. Virtual and Augmented Reality in Education, Art, and Museums is an essential research book that explores the strategic role and use of virtual and augmented reality in shaping visitor experiences at art galleries and museums and their ability to enhance education. Highlighting a range of topics such as online learning, digital heritage, and gaming, this book is ideal for museum directors, tour developers, educational software designers, 3D artists, designers, curators, preservationists, conservationists, education coordinators, academicians, researchers, and students.
Do you want to improve your social-media profile? Learn how to express yourself through beautiful, artistic self-portraits with Take Your Selfie Seriously: The Advanced Selfie and Self-Portrait Handbook. Existing in today's world without photos of yourself is hardly possible, existing without great photos of yourself can be crippling. Take Your Selfie Seriously walks you through the fundamentals of taking the perfect selfie - the gear, pose, facial expression, outfit choice, story, composition, lighting and more. Posting your selfie is an opportunity for you to declare visually who you are and what you aspire to be. Take it seriously and you'll unleash a whole new world of opportunity and potential in the process. From Sorelle Amore, the well-known photographer, filmmaker, influencer and savvy business person whose #Blessed Instagram and Advanced Selfie University programmes have inspired her millions followers across the globe to up their selfie game and improve their online presence!
The Routledge Companion to Photography and Visual Culture is a seminal reference source for the ever-changing field of photography. Comprising an impressive range of essays and interviews by experts and scholars from across the globe, this book examines the medium’s history, its central issues and emerging trends, and its much-discussed future. The collected essays and interviews explore the current debates surrounding the photograph as object, art, document, propaganda, truth, selling tool, and universal language; the perception of photography archives as burdens, rather than treasures; the continual technological development reshaping the field; photography as a tool of representation and control, and more. One of the most comprehensive volumes of its kind, this companion is essential reading for photographers and historians alike.
Defined as a self-image made with a hand-held mobile device and shared via social media platforms, the selfie has facilitated self-imaging becoming a ubiquitous part of globally networked contemporary life. Beyond this selfies have facilitated a diversity of image making practices and enabled otherwise representationally marginalized constituencies to insert self-representations into visual culture. In the Western European and North American art-historical context, self-portraiture has been somewhat rigidly albeit obliquely defined, and selfies have facilitated a shift regarding who literally holds the power to self-image. Like self-portraits, not all selfies are inherently aesthetically or conceptually rigorous or avant-guard. But, –as this project aims to do address via a variety of interdisciplinary approaches– selfies have irreversibly impacted visual culture, contemporary art, and portraiture in particular. Selfies propose new modes of self-imaging, forward emerging aesthetics and challenge established methods, they prove that as scholars and image-makers it is necessary to adapt and innovate in order to contend with the most current form of self-representation to date. The essays gathered herein will reveal that in our current moment it is necessary and advantageous to consider the merits and interventions of selfies and self-portraiture in an expanded field of self-representations. We invite authors to take interdisciplinary global perspectives, to investigate various sub-genres, aesthetic practices, and lineages in which selfies intervene to enrich the discourse on self-representation in the expanded field today.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
"Natalie Dybisz is known in the photographic community as Miss Aniela, the name under which her work is published. Her growing fame has established her as one of the most creative of the new wave of self-portrait photographers"--Inside cover.
'Selfies' are everywhere - from Kim Kardashian, queen of the selfie, to the Queen of England photobombing the Australian hockey team's selfie in 2014, you can't open a newspaper, or visit a news website, without seeing one. Recent technology, such as the selfie stick, and camera phones, have helped make the selfie a global trend, so you would be forgiven for thinking that this is a modern trend. But in fact, the first known selfies date from about 40,000 years ago and are hand stencils, discovered on a cave wall in Indonesia. Produced in conjunction with the Art Archive, Selfie charts the progress and the development of the self portrait, from Indonesian caves, through famous self-portrait artists such as Vincent van Gogh and Pablo Picasso and the invention of the camera, to iconic modern selfies such as the 2014 Oscar photograph. It looks at trends, techniques and the tales behind some famous self portraits - do you know why Van Gogh was driven to cut off a chunk of his ear? Or how Frida Kahlo and Diego Rivera's stormy marriage affected their painting? Which teenage member of the Russian royal family sent a selfie she had taken in a mirror to a friend in 1914? And how are Andy Warhol's photographic techniques still influencing selfie-takers today? Selfie has the answers to all these questions, and many more! Packed full of fascinating information and incredible images, this is a must-have book for selfie-lovers of all ages!
Whether it's Kim Kardashian uploading picture after picture to Instagram or your roommate posting a mid-vacation shot to Facebook, selfies receive mixed reactions. But are selfies more than, as many critics lament, a symptom of a self-absorbed generation? Millennial Alicia Eler's The Selfie Generation is the first book to delve fully into this ubiquitous and much-maligned part of social media, including why people take them in the first place and the ways they can change how we see ourselves. Eler argues that selfies are just one facet of how we can use digital media to create a personal brand in the modern age. More than just a picture, they are an important part of how we live today. Eler examines all aspects of selfies, online social networks, and the generation that has grown up with them. She looks at how the boundaries between people’s physical and digital lives have blurred with social media; she explores questions of privacy, consent, ownership, and authenticity; and she points out important issues of sexism and double standards wherein women are encouraged to take them but then become subject to criticism and judgment. Alicia discusses the selfie as a paradox—both an image with potential for self-empowerment, yet also a symbol of complacency within surveillance culture The Selfie Generation explores just how much social media has changed the ways that people connect, communicate, and present themselves to the world.