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In From Sea-Bathing to Beach-Going B. J. Barickman explores how a narrow ocean beachfront neighborhood and the distinctive practice of beach-going invented by its residents in the early twentieth century came to symbolize a city and a nation. Nineteenth-century Cariocas (residents of Rio) ostensibly practiced sea-bathing for its therapeutic benefits, but the bathing platforms near the city center and the rocky bay shore of Flamengo also provided places to see and be seen. Sea-bathing gave way to beach-going and sun-tanning in the new beachfront neighborhood of Copacabana in the 1920s. This study reveals the social and cultural implications of this transformation and highlights the distinctive changes to urban living that took place in the Brazilian capital. Deeply informed by scholarship about race, class, and gender, as well as civilization and modernity, space, the body, and the role of the state in shaping urban development, this work provides a major contribution to the social and cultural history of Rio de Janeiro and to the history of leisure.
In From Sea-Bathing to Beach-Going B. J. Barickman explores how a narrow ocean beachfront neighborhood and the distinctive practice of beach-going invented by its residents in the early twentieth century came to symbolize a city and a nation. Nineteenth-century Cariocas (residents of Rio) ostensibly practiced sea-bathing for its therapeutic benefits, but the bathing platforms near the city center and the rocky bay shore of Flamengo also provided places to see and be seen. Sea-bathing gave way to beach-going and sun-tanning in the new beachfront neighborhood of Copacabana in the 1920s. This study reveals the social and cultural implications of this transformation and highlights the distinctive changes to urban living that took place in the Brazilian capital. Deeply informed by scholarship about race, class, and gender, as well as civilization and modernity, space, the body, and the role of the state in shaping urban development, this work provides a major contribution to the social and cultural history of Rio de Janeiro and to the history of leisure.
Leanne's bath time is boring. It's annoying. It's a pain. Luckily, her father has some excellent, terrific, and spectacular ideas to make it more interesting. He runs down to the sea and brings back one turtle. Then two eels. Then three clown fish. Soon Leanne's bath time is fun! It's amusing! It's exciting! But when the ten octopi arrive, could it be too much of a good thing? Translated from Andrée Poulin’s lively text, Going for a Sea Bath combines the best of a bath time book and a seashore book with a father-daughter adventure that will inspire giggles all around. Anne-Claire Delisle's whimsical art is delightfully expressive, blending the everyday details of bath time with a fantastical effusion of smiling sea creatures, a charmingly silly father, and one little girl who will never complain about boring bath times again.
Supplement to Progress in Water Technology: Discharge of Sewage from Sea Outfalls is a proceeding of an international symposium held at Church House, London on 27 August to 2 September 1974. Said symposium is concerned with the pollution and dangers to health of sewage discharged from sea outfalls. The book discusses the discharge of sewage from sea outfalls and the problems associated with it according to location: the North Sea, the Mediterranean, the United States, Hong Kong, and the Baltic. Also covered in the book are the effects of pollutants, heavy metals, and microorganisms on the marine environment; how pollutants can be used as an indicator of pollution; and means of the elimination of pollutants. The text is recommended to sanitation engineers, port authorities, marine biologists, and officials concerned with aquatic resources and residential areas along coastlines.
Corbin argues that with few exceptions people living before the eighteenth century knew nothing of the attractions of the coast, the visual delight of the sea, the desire to brave the force of the waves or to feel the coolness of sand against the skin. The image of the ocean in the popular consciousness was coloured by Biblical and mythical recollections of sea monsters, voracious whales, and catastrophic floods. It was perceived as sinister and unchanging, a dark, unfathomable force inspiring horror rather than attraction. These associations of catastrophe and fear in the minds of Europeans intensified the repulsion they felt towards deserted and dismal shores.
And ultimately shows how the premier vacation of an era made and was made by the bourgeoisie.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The ocean comprises the largest object on our planet. Retelling human history from an oceanic rather than terrestrial point of view unsettles our relationship with the natural environment. Our engagement with the world's oceans can be destructive, as with today's deluge of plastic trash and acidification, but the mismatch between small bodies and vast seas also emphasizes the frailty and resilience of human experience. From ancient stories of shipwrecked sailors to the containerized future of 21st-century commerce, Ocean splashes the histories we thought we knew into salty and unfamiliar places. Object Lessons is published in partnership with an essay series in The Atlantic.
A day at the beach becomes a lesson in sibling bonding for Gideon in this magical picture book. Every summer, Gideon and his younger sister Audrey build a sandcastle together. But this summer, everything changes. Gideon decides to build the most spectacular sandcastle anyone on the beach has ever seen. And he’s going to do it on his own—without any help from his sister. But much to his surprise, Gideon discovers that building together is more fun and that everyone has their own unique talent when it comes to creativity and imagination, even Audrey.
This book is the volume of Famous Islands in China among a series of travel guides ("Travelling in China"). Its content is detailed and vivid.