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Landmark of anthropological and mythological scholarship explores the connection between the legend of the Grail and ancient mystery cults. A major source for T.S. Eliot's "The Waste Land."
Examines the relationship between sports and society, including the degree to which modern sport expresses the characteristics of modern society, such as secularism, equality, specialization, rationalization, and bureaucracy.
In a world where women hold all the power, the only purpose for a man is to secure a good match and hope his "bed price" is high enough. Jorlan Reynard is chosen by the Marquelle Gree Tamryn, and, in a bold move, the powerful aristocrat marries him, offering him the security of her name and position. When a conspiracy arises against her, the Marquelle must summon all her influence to fight for their survival. Copyright © Libri GmbH. All rights reserved.
From some of the biggest names in Regency historical romance, 25 wickedly witty, lusciously romantic and sublimely sensual short stories. Stories replete with oversexed aristocrats, posturing courtesans and feuding dukes and duchesses tell of a beautiful lady awakened by a passion more powerful than anything she has ever known, one that could doom or save her; a disgraced rake who, given a final chance to redeem himself, discovers love has rules of its own; and a luscious young beauty fed up with proper tea parties and elegant balls who disguises herself to enjoy a soirée of uninhibited pleasure. As the passion mounts, so do the complications... Includes big name contributors such as Anna Campbell, Lorraine Heath, Barbara Metzger, Deborah Raleigh and Elizabeth Boyle.
Rachel Connery has come to the Foundation of Being to find the truth about her mother’s death--what has happened to all her money, and what secrets lie behind the smiling, placid members of what Rachel considers a cult? Luke Bardell is as bad as a man can be--a liar, swindler, convicted murderer and cult leader. So why is she so attracted to him? There’s evil at the Foundation, but Rachel can’t tell where it’s coming from--the holier than thou members, or Luke Bardell himself. Luke is involved in something very wrong...but is he the real source of evil? And is she a total fool to believe that he’s someone worth loving?
This is a handbook on how to perform sacred ceremonies in the tradition of Goddess spirituality in one's own home with ordinary household items. An annual cycle of celebrations is included, as is advice on how to set up an altar and use simple tools. The author, a practitioner of Wicca (witchcraft), expounds the life-affirming, eco-feminist values of that tradition. Suggestions for rituals and ideas for inventing one's own are given. Poetry and blessings blend in a title which supports celebration of the Goddess image in daily life. These rituals are personal, moving rites which celebrate love and peace, and which act as meditations for considering new rituals, old traditions, and the course of women's lives.
The romance novel has the strange distinction of being the most popular but least respected of literary genres. While it remains consistently dominant in bookstores and on best-seller lists, it is also widely dismissed by the critical community. Scholars have alleged that romance novels help create subservient readers, who are largely women, by confining heroines to stories that ignore issues other than love and marriage. Pamela Regis argues that such critical studies fail to take into consideration the personal choice of readers, offer any true definition of the romance novel, or discuss the nature and scope of the genre. Presenting the counterclaim that the romance novel does not enslave women but, on the contrary, is about celebrating freedom and joy, Regis offers a definition that provides critics with an expanded vocabulary for discussing a genre that is both classic and contemporary, sexy and entertaining. Taking the stance that the popular romance novel is a work of literature with a brilliant pedigree, Regis asserts that it is also a very old, stable form. She traces the literary history of the romance novel from canonical works such as Richardson's Pamela through Austen's Pride and Prejudice, Brontë's Jane Eyre, and E. M. Hull's The Sheik, and then turns to more contemporary works such as the novels of Georgette Heyer, Mary Stewart, Janet Dailey, Jayne Ann Krentz, and Nora Roberts.
Turner looks beyond his routinized discipline to an anthropology of experience . . . We must admire him for this.-Times Literary Supplement