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What tensions characterized the relationships between cinema, European Leftists, and emerging postcolonial ideologies after World War II? In Traveling Auteurs, author Luca Caminati analyzes the work of influential Italian filmmakers Roberto Rossellini, Pier Paolo Pasolini, and Michelangelo Antonioni as they engaged politically and aesthetically with the global landscapes and politics of the Cold War period. As documentaries, the films considered in this book record specific manifestations of political sensibilities of the twentieth century. As bodies of work, they reveal that the traveling auteurs who made them were symptomatic actors in complex geopolitical networks. As cultural objects reflecting and shaping contemporaneous debates, they provoke a complex afterlife at home and abroad. In the three chapters dedicated to Rossellini in India, Pasolini in Africa and the Middle East, and Antonioni in China, Caminati pays particular attention both to the reception that these films had in the countries where they were shot and to their legacies in Italian film history. As it follows the entanglements of filmmakers, artists, and activists involved as allies or direct witnesses to momentous political change, this book sheds new light on anticolonial struggles, the reaffirmation of the Non-Aligned Movement, and the consolidation of the Chinese Communist Party.
Nordic Film Cultures and Cinemas of Elsewhere introduces a new concept to Nordic film studies as well as to other small national, transnational and world cinema traditions. Examining overlooked 'elsewheres', the book presents Nordic cinemas as international, cosmopolitan, diasporic and geographically dispersed, from their beginnings in the early silent period to their present 21st-century dynamics. Exploring both canonical works by directors like Ingmar Bergman and Lars von Trier, as well as a wide range of unknown or overlooked narratives of movement, synthesis and resistance, the book offers a new model of inquiry into a multi-varied Scandinavian cultural lineage, and into small nation and pan-regional world cinemas.
We will update this book regularly on monthly basis. It gives us immense pleasure in presenting the Delhi Current Affairs Yearbook 2020, Useful for competitive exams. This book deals with the relevant features and topics of Current affairs of State in a systematic and comprehensive manner by the use of simple and concise language for easy and quick understanding. We hope that the readers will find this book user friendly and helpful in preparation of their examinations. I look forwarded to have the views, comment, suggestions and criticism from readers which would definitely help in further improvement of the Book. I would like to heartfelt thanks to all my team members for their efforts to prepare this book. Delhi Current Affairs/General Knowledge Yearbook 2020 has become an integral part of a lot of entrance exams being conducted at the graduate and under-graduate levels. It is very important for students to remain updated on the current happenings in their surroundings especially those that are important from the perspective of state. Current Affairs Yearbook 2020, a thoroughly revised, reorganised, updated and ENLARGED edition, presents a comprehensive study of all the sections that are covered under the subject of General Knowledge. The Yearbook 2020 provides the latest information & most authentic data reference material on Current Affairs and General Knowledge. It has specially been designed to cater to aspirants of various competitive exams across the state. The material has been written in a lucid language and prepared as per the requirements of the various competitive exams. Current Affairs consists of latest news/ information about Delhi based on The Hindu, Indian Express, PIB, Yojana, People, Events, Ideas and Issues across the Social, Economic & Political climate of the State. Why should you buy this Book? Latest and Authentic information must for All Competitive Exams - The Mega Current Affairs Yearbook 2020 provides the latest information & most authentic data reference material on current Affairs and General Knowledge. It has specially been designed to cater to aspirants of various competitive exams like Civil services, and Other exams across the State/UT. Student-Friendly Presentation - The material has been given in bulleted points wherever necessary to make the content easy to grasp. The book has ample tabular charts, mind Maps, Graphic Illustrations which further makes the learning process flexible and interesting. Must Have for Multiple Reasons: The Current Affairs Mega Yearbook 2020 is a Must-Have book for all kinds of Objective & Descriptive Tests, Essay Writing and Group Discussions & Personal Interviews, The Delhi General Knowledge section provides crisp and to-the-point information in Geography, History, Polity, Economy, General Science, etc. which otherwise could be very exhaustive. Wish you happy reading and best wishes for the examinations. Thank You!! #delhicurrentaffairs2020 #delhiyearbook2020 #delhigk2020 #generalknowledgeyearbook2020 #exampreparation
Brahmins named Iftikar, Buddhist rites in Hindu Shiva temples, Indian maidens dressed like Arabian harem girls - right from the birth of cinema, international movies have been wildly inventive in their fantastical imagining of India. In fact, images of India in these films have always said more about the filmmakers than they have about India. From the early 20th century, when India was imagined as the fabulous, exotic, oriental Other, site for all sorts of fantasies; to the imperial and colonial mindset of the middle decades of the 20th century; to postcolonial films and auteurs like Jean Renoir and Louis Malle who genuinely strove to understand a different culture and its values; to the globalized worldview with which the century ended - India as seen on the international screen has changed in intriguing ways, as this pioneering study describes and analyses. Allowing us access to rare short films from the 1900s, British Durbar films, the precursors of the newsreel genre, and Empire adventure movies, this book also explores Méliès, Lumiere, Louis Malle and Jean Renoir, moving on to the Raj films of the 80s and international cinema of the late 20th century. In the process, a wide range of movies is examined and discussed, and a trajectory of changing images of India abroad is traced over the course of the last century.
Veteran filmmaker Mrinal Sen has always seen his life and work as part of the social and political fabric of his time. As he has continued to experiment with cinema over the decades, evolving his own quest in response to the changing times, he has also maintained an acute social critique which shows in his films, writings and interviews. The enfant terrible of Indian cinema in the 1960s and 70s, he is now known for his subtle nuanced films which capture a moment of crisis, a moment of truth, in the ordinary lives of ordinary people. This collection encapsulates close to half a century of filmmaking. It includes original writings, memoirs, letters, musings on politics, literature, theatre and cinema; critiques of Satyajit Ray, Ritwik Ghatak, Chaplin and a host of other international filmmakers especially those from Latin-America; and intensive interviews with scholars, critics and filmmakers such as Samik Bandyopadhyay, Swapan Mullick and Reinhard Hauff. In juxtaposition with intimate photographs of the artist at work and stills from his movies, these form a rare montage of the filmmaker and the man, mapping an unusual creative landscape which offers valuable insights into his films. There is also a complete filmography encompassing his features, telefilms and documentaries
Mrinal Sen is one of India s foremost filmmakers, a pioneer of the alterative cinema movement in India. A veteran director whose career spans five decades, he produced his first film in the 1950s and has since made twenty-six features, two documentaries, and a number of televisions films. He is a writer-director whose works are permeated by his engagement with social issues and by his acute political awareness. His widely varied films encompass direct political statement, social analysis and psychological drama. Mrinal Sen s works have been praised by critics throughout the world and honoured with awards at numerous international film festivals in India and abroad. This book is an introduction to the films of Mrinal Sen, helping provide the historical and cultural context in which his work needs to be studied. In this introductory overview, complete with a filmography and a select bibliography, readers are familiarized with his oeuvre and the social and political commitment that informs the body of his work. His films are examined thematically and the connection between his life, the times, the socio-political context and his work is articulated in some detail.
Orientalism and Religion offers us a timely discussion of the implications of contemporary post-colonial theory for the study of religion. Richard King examines the way in which notions such as mysticism, religion, Hinduism and Buddhism are taken for granted. He shows us how religion needs to be reinterpreted along the lines of cultural studies. Drawing on a variety of post-structuralist and post-colonial thinkers, such as Foucault, Gadamer, Said, and Spivak, King provides us with a challenging series of reflections on the nature of Religious Studies and Indology.