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A copiously illustrated history of the development of Lincoln's public profile. From Rail-Splitter to Icon is enriched by editorial, news, poetic, and satirical content from contemporary periodicals artfully woven into a topical narrative. The Lincoln images, originally appearing in such publications as Budget of Fun, Comic Monthly, New York Illustrated News, Phunny Phellow, Southern Punch, and Yankee Notions, significantly expand our understanding of the evolution of public opinion toward Lincoln, the complex dynamics of Civil War, popular art and culture, the media, political caricature, and presidential politics. Because of the timely emergence and proliferation of the illustrated periodical, and the convergence of representational technology and sectional conflict, no previous president could have been pictured so fully. But Lincoln also appealed to illustrators because of his distinctive physical features. (One could scarcely conceive of a similar book on James Buchanan, his immediate predecessor.) Despite ever-improving techniques, Lincoln pictorial prominence competed favorably with any succeeding president in the nineteenth century.
A Press Divided provides new insights regarding the sharp political divisions that existed among the newspapers of the Civil War era. These newspapers were divided between North and South, and also divided within the North and South. These divisions reflected and exacerbated the conflicts in political thought that caused the Civil War and the political and ideological battles within the Union and the Confederacy about how to pursue the war. In the North, dissenting voices alarmed the Lincoln administration to such a degree that draconian measures were taken to suppress dissenting newspapers and editors, while in the South, the Confederate government held to its fundamental belief in freedom of speech and was more tolerant of political attacks in the press. This volume consists of eighteen chapters on subjects including newspaper coverage of the rise of Lincoln, press reports on George Armstrong Custer, Confederate women war correspondents, Civil War photojournalists, newspaper coverage of the Emancipation Proclamation, and the suppression of the dissident press. This book tells the story of a divided press before and during the Civil War, discussing the roles played by newspapers in splitting the nation, newspaper coverage of the war, and the responses by the Union and Confederate administrations to press criticism.
The book provides a comprehensive discussion of the major issues and events surrounding all American presidential elections, from the earliest years of the Republic through the campaign of 2008. Presidential Campaigns, Slogans, Issues, and Platforms: The Complete Encyclopedia is an easy-to-use reference work designed to encourage students and anyone interested in democratic politics to undertake a greater understanding of this complex aspect of American political life. The three-volume work covers each presidential campaign in depth, examining a large number of related issues ranging from the use of social media in modern presidential campaigns to negative campaign ads and key slogans used in every presidential campaign. Volume One contains entries offering specific and focused information on issues, trends, factors, slogans, strategies, and other more detailed elements of presidential campaigning from the first stirrings of the American democratic process to the first decade of the 21st century. Volumes Two and Three provide chronological accounts of every presidential campaign since the ratification of the Constitution through the campaign of 2008, with Volume Two covering the campaign of 1788–89 to the campaign of 1908, and Volume Three covering the campaign of 1912 to the campaign of 2008.
Lincoln Mediated provides new information about a historical figure everyone thinks they know. It describes how Abraham Lincoln worked with the press throughout his political career, beginning with his service in Congress in the late 1840s, and detailing how his ties to newspapers in Illinois, New York, and Washington played a central role in the success of his presidency. Gregory A. Borchard and David W. Bulla study how Lincoln used the press to deliver his written and spoken messages, how editors reacted to the president, and how Lincoln responded to their criticism. Reviewing his public persona through the lens of international media and visually based sources, a fascinating profile emerges.The authors cite the papers of Lincoln, the letters of influential figures, and content from leading newspapers. The book also features nineteenth-century illustrations and photographs. Lincoln Mediated ties the president's story directly to the press, illuminating his role as a writer and as a participant in making the news. Lincoln's legacy cannot be understood without understanding the role the press played in helping shape how he was viewed. As the authors show, Lincoln was a man, not just a political figure. Lincoln Mediated is a worthy addition to Transaction's Journalism series.
In the nineteenth century, long before film and television arrived to electrify audiences with explosions, car chases, and narrow escapes, it was America's theaters that offered audiences such thrills, with "sensation scenes" of speeding trains, burning buildings, and endangered bodies, often in melodramas extolling the virtues of temperance, abolition, and women's suffrage. In Spectacles of Reform , Amy E. Hughes scrutinizes these peculiar intersections of spectacle and reform, revealing that spectacle plays a crucial role in American activism. By examining how theater producers and political groups harnessed its power and appeal, Hughes suggests that spectacle was—and remains—central to the dramaturgy of reform. Engaging evidence from lithographs to children's books to typography catalogs, Hughes traces the cultural history of three famous sensation scenes—the drunkard suffering from the delirium tremens, the fugitive slave escaping over a river, and the victim tied to the railroad tracks—assessing how they conveyed, allayed, and denied concerns about the rights and responsibilities of citizenship. These images also appeared in printed propaganda, suggesting that the coup de théâtre was an essential part of American reform culture. Additionally, Hughes argues that today's producers and advertisers continue to exploit the affective dynamism of spectacle, reaching an even broader audience through film, television, and the Internet. To be attuned to the dynamics of spectacle, Hughes argues, is to understand how we see. Consequently, Spectacles of Reform will interest not only theater historians, but also scholars and students of political, literary, and visual culture who are curious about how U.S. citizens saw themselves and their world during a pivotal period in American history.
Now an Apple TV+ documentary, Lincoln's Dilemma. One of the Wall Street Journal's Ten Best Books of the Year | A Washington Post Notable Book | A Christian Science Monitor and Kirkus Reviews Best Book of 2020 Winner of the Gilder Lehrman Abraham Lincoln Prize and the Abraham Lincoln Institute Book Award "A marvelous cultural biography that captures Lincoln in all his historical fullness. . . . using popular culture in this way, to fill out the context surrounding Lincoln, is what makes Mr. Reynolds's biography so different and so compelling . . . Where did the sympathy and compassion expressed in [Lincoln's] Second Inaugural—'With malice toward none; with charity for all'—come from? This big, wonderful book provides the richest cultural context to explain that, and everything else, about Lincoln." —Gordon Wood, Wall Street Journal From one of the great historians of nineteenth-century America, a revelatory and enthralling new biography of Lincoln, many years in the making, that brings him to life within his turbulent age David S. Reynolds, author of the Bancroft Prize-winning cultural biography of Walt Whitman and many other iconic works of nineteenth century American history, understands the currents in which Abraham Lincoln swam as well as anyone alive. His magisterial biography Abe is the product of full-body immersion into the riotous tumult of American life in the decades before the Civil War. It was a country growing up and being pulled apart at the same time, with a democratic popular culture that reflected the country's contradictions. Lincoln's lineage was considered auspicious by Emerson, Whitman, and others who prophesied that a new man from the West would emerge to balance North and South. From New England Puritan stock on his father's side and Virginia Cavalier gentry on his mother's, Lincoln was linked by blood to the central conflict of the age. And an enduring theme of his life, Reynolds shows, was his genius for striking a balance between opposing forces. Lacking formal schooling but with an unquenchable thirst for self-improvement, Lincoln had a talent for wrestling and bawdy jokes that made him popular with his peers, even as his appetite for poetry and prodigious gifts for memorization set him apart from them through his childhood, his years as a lawyer, and his entrance into politics. No one can transcend the limitations of their time, and Lincoln was no exception. But what emerges from Reynolds's masterful reckoning is a man who at each stage in his life managed to arrive at a broader view of things than all but his most enlightened peers. As a politician, he moved too slowly for some and too swiftly for many, but he always pushed toward justice while keeping the whole nation in mind. Abe culminates, of course, in the Civil War, the defining test of Lincoln and his beloved country. Reynolds shows us the extraordinary range of cultural knowledge Lincoln drew from as he shaped a vision of true union, transforming, in Martin Luther King Jr.'s words, "the jangling discords of our nation into a beautiful symphony of brotherhood." Abraham Lincoln did not come out of nowhere. But if he was shaped by his times, he also managed at his life's fateful hour to shape them to an extent few could have foreseen. Ultimately, this is the great drama that astonishes us still, and that Abe brings to fresh and vivid life. The measure of that life will always be part of our American education.
In 1961, the historian and poet Robert Penn Warren remarked that “the Civil War is, for the American imagination, the great single event of our history.” This volume reconsiders whether, fifty years later, Warren’s claim still holds true. Essays from specialists in art, literature, and history examine how contemporary culture represents and interprets the Civil War. They look at the works of more than thirty artists and writers as well as multiple movements—political and social—to reveal the many and provocative ways in which Americans engage the Civil War today. The book includes chapters on the place of Abraham Lincoln in Barack Obama’s presidential campaign, controversies over the symbolism of the Confederate flag, and the proliferation of "Juneteenth" observances. Remixing the Civil War pays special attention to the works of African Americans and white southerners, for whom the Civil War was a revolutionary and defining moment. Such prominent scholars as Robert H. Brinkmeyer Jr., W. Fitzhugh Brundage, Kirk Savage, and Elizabeth Young explore the works of major artists and lesser-known figures, including Bobbie Ann Mason, Kara Walker, Dario Robleto, and John Huddleston. The authors find that Americans today openly and playfully manipulate familiar images of the Civil War to explore the malleability and permeability of traditional social categories like national identity, gender, and race. This collection continues the conversation Warren began fifty years ago, although taking it in unorthodox and challenging directions, to offer fresh and stimulating perspectives on the war’s presence in the collective imagination of the nation.
It was the measure of Shakespeare's poetic greatness, an early commentator remarked, that he thoroughly blended the ideal with the practical or realistic. “If this be so,” Walt Whitman wrote, "I should say that what Shakespeare did in poetic expression, Abraham Lincoln essentially did in his personal and official life." Whitman was only one of many to note the affinity between these two iconic figures. Novelists, filmmakers, and playwrights have frequently shown Lincoln quoting Shakespeare. In Lincoln and Shakespeare, Michael Anderegg for the first time examines in detail Lincoln’s fascination with and knowledge of Shakespeare’s plays. Separated by centuries and extraordinary circumstances, the two men clearly shared a belief in the power of language and both at times held a fatalistic view of human nature. While citations from Shakespeare are few in his writings and speeches, Lincoln read deeply and quoted often from the Bard's work in company, a habit well documented in diaries, letters, and newspapers. Anderegg discusses Lincoln’s particular interest in Macbeth and Hamlet and in Shakespeare’s historical plays, where we see themes that resonated deeply with the president—the dangers of inordinate ambition, the horrors of civil war, and the corruptions of illegitimate rule. Anderegg winnows confirmed evidence from myth to explore how Lincoln came to know Shakespeare, which editions he read, and which plays he would have seen before he became president. Once in the White House, Lincoln had the opportunity of seeing the best Shakespearean actors in America. Anderegg details Lincoln's unexpected relationship with James H. Hackett, one of the most popular comic actors in America at the time: his letter to Hackett reveals his considerable enthusiasm for Shakespeare. Lincoln managed, in the midst of overwhelming matters of state, to see the actor's Falstaff on several occasions and to engage with him in discussions of how Shakespeare’s plays should be performed, a topic on which he had decided views. Hackett's productions were only a few of those Lincoln enjoyed as president, and Anderegg documents his larger theater-going experience, recreating the Shakespearean performances of Edwin Booth, Charlotte Cushman, Edwin Forrest, and others, as Lincoln saw them.
"Leading Civil War historians explore a tragic part of our nation's history through the lenses of race, gender, leadership, politics, and memory ... the essays ... consider the fundamental issue of the Confederacy's failure and military defeat but also expose our nation's continuing struggles with race, individual rights, terrorism, and the economy"--Dust jacket.
During the 1860 and 1864 presidential campaigns, Abraham Lincoln was the subject of over twenty campaign biographies. In this innovative study, Thomas A. Horrocks examines the role that these publications played in shaping an image of Lincoln that would resonate with voters and explores the vision of Lincoln that the biographies crafted, the changes in this vision over the course of four years, and the impact of these works on the outcome of the elections. Horrocks investigates Lincoln’s campaign biographies within the context of the critical relationship between print and politics in nineteenth-century America and compares the works about Lincoln with other presidential campaign biographies of the era. Horrocks shows that more than most politicians of his day, Lincoln deeply appreciated and understood the influence and the power of the printed word. The 1860 campaign biographies introduced to America “Honest Abe, the Rail Splitter,” a trustworthy, rugged candidate who appealed to rural Americans. When Lincoln ran for reelection in 1864, the second round of campaign biographies complemented this earlier portrait of Lincoln with a new, paternal figure, “Father Abraham,” more appropriate for Americans enduring a bloody civil war. Closing with a consideration of the influence of these publications on Lincoln’s election and reelection, Lincoln’s Campaign Biographies provides a new perspective for those seeking a better understanding of the sixteenth president and two of the most critical elections in American history.