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The Little Prince and nbsp;(French: and nbsp;Le Petit Prince) is a and nbsp;novella and nbsp;by French aristocrat, writer, and aviator and nbsp;Antoine de Saint-Exupéry. It was first published in English and French in the US by and nbsp;Reynal and amp; Hitchcock and nbsp;in April 1943, and posthumously in France following the and nbsp;liberation of France and nbsp;as Saint-Exupéry's works had been banned by the and nbsp;Vichy Regime. The story follows a young prince who visits various planets in space, including Earth, and addresses themes of loneliness, friendship, love, and loss. Despite its style as a children's book, and nbsp;The Little Prince and nbsp;makes observations about life, adults and human nature. The Little Prince and nbsp;became Saint-Exupéry's most successful work, selling an estimated 140 million copies worldwide, which makes it one of the and nbsp;best-selling and nbsp;and and nbsp;most translated books and nbsp;ever published. and nbsp;It has been translated into 301 languages and dialects. and nbsp;The Little Prince and nbsp;has been adapted to numerous art forms and media, including audio recordings, radio plays, live stage, film, television, ballet, and opera.
From the New York Times bestselling author of When Dimple Met Rishi comes the second installment in a series set an elite boarding school that’s a contemporary spin on fairy tales, this one a delightful, romantic twist on The Frog Prince. Caterina LaValle is determined to show she’s still the queen of St. Rosetta’s Academy. Sure, her crown may be slightly askew after her ex-boyfriend, Alaric, cheated on her, but she’s a LaValle. She’ll find a way to march right back in there, her hands clutching the strings to the whole puppet show. This time, she’s going to be untouchable. Rahul Chopra knows that moment he shared with Caterina LaValle at the winter formal meant something. Surely she feels it, too. He’s a little uncertain how someone like him (socially inept to a point way past “adorkable”) could fit into her world, but he’s loved Caterina for years. He knows they’ll find a way. When Caterina finds out Alaric is taking a supermodel to the upcoming gala, she knows she cannot arrive without the perfect date. But the thought of taking another superficial St. R’s boy exhausts her. The solution? Sweet-but-clueless Rahul Chopra and a mysterious pot of hair gel with the power to alter the wearer into whatever his heart desires. When Rahul tries it, he transforms instantly into RC—debonair, handsome, and charming. But transformation comes with a price: As Rahul enjoys his new social standing, the line between his two personas begins to blur. Will he give up everything, including Caterina, to remain RC? Or will this unlikely pair find their way back to each other?
#1 NEW YORK TIMES BESTSELLER • The brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time, in his own words—featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death NAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN • NOMINATED FOR THE NAACP IMAGE AWARD Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince’s early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince’s evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to the book’s images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince’s ideas and vision, his voice and image—his undying gift to the world.
A Collection featuring Gary Gianni's work on Prince Valiant, his working procedures and a well-rounded, historical artistic overview of the Prince Valiant Sunday strips. After 25 years as a professional illustrator, Gianni became the 3rd artist in the 70-year history of the feature created by Hal Foster. Includes: in-depth description of the strip's creative process; collaborative art of John Cullen, Murphy and Gianni; samples of Gianni's work over 30 years; three gatefolds of Prince Valiant strips; and reproduction from the original artwork.
In the fourteenth century, when the population of England was estimated at two millions—when our railways were bridle-roads and our cornfields forests, and when the capital was a little town enclosed by an old Roman fortified wall, with towers and turrets—no festival, save Christmas and May Day, was regarded with more interest than Midsummer Eve, or the vigil of St. John the Baptist. Great was the commotion, much the ceremony, in London on such occasions; and as the shades of evening fell, young and old, high and low, rich and poor, participated in the excitement of the hour. The houses were decorated with branches of green birch, long fennel, St. John's rush, and orpine; and as night closed over the city the inhabitants illuminated their dwellings with clusters of lamps, and made the streets resound with merriment and song. At the same time, the ceremony of "setting the watch"—a body of armed guards, instituted in the reign of the third Henry to keep the peace, and prevent robberies and outrages—was performed with much show and splendour. On this ceremony, indeed, large sums of money were expended, and the watchmen, arrayed "in bright harness," marched in procession, accompanied by the Lord Mayor and aldermen, the city officers, a crowd of minstrels, giants, and morris-dancers; while blazing cressets and huge torches, borne on men's shoulders, threw a flood of light over the scene, and raised the wonder of the thronging populace. Meanwhile, a large fire was kindled in the street, and stirred to a blaze, which was intended to typify the patron saint of the day. Around this fire lads and lasses danced and disported themselves merrily to the sound of music. Many and gay were the capers they cut as the flames rose and fell. Sometimes they leaped over the fire amid many shouts, and at others they looked through garlands at the flame, believing that, by so doing, they freed themselves from various pains and diseases, present and prospective. Not till midnight—sometimes not till dawn—did the dancing cease; and as soon as day broke, while the dew was still on the grass and flowers, the young women went forth to practise certain rites, by which they believed they could assure themselves of the constancy or inconstancy of their wooers. Collecting garlands of flowers, the nymphs bound them on their heads, and according as the dew remained a longer or shorter time on the flowers, they augured more or less favourably of the fidelity of their lovers. Moreover, they secured a snow-white wether, decorated it with garlands, and, enclosing it in a hut of heath, danced and sang around. She who wished to test her fortune stood by the door, and if the wether remained quiet she considered the omen good; but if he pushed his horns through the door of the hut, she concluded that her suitor was to prove false. Such was the great medieval festival that was being celebrated at the time when our chronicle opens, when Edward III. was King of England, and on the point of undertaking the war with France, which resulted in mighty victories won and splendid conquests achieved against great odds; and when the hero of this story entered upon the remarkable adventures which associated his name with that of the young conqueror of Cressy and Poictiers—Edward, Prince of Wales, popularly known as "the Black Prince."
FINALIST--2008 PEN TRANSLATION PRIZE In The Essential Writings of Machiavelli, Peter Constantine has assembled a comprehensive collection that shows the true depth and breadth of a great Renaissance thinker. Refreshingly accessible, these superb new translations are faithful to Machiavelli’s original, beautifully crafted writings. The volume features essays that appear in English for the first time, such as “A Caution to the Medici” and “The Persecution of Africa.” Also included are complete versions of the political treatise, The Prince, the comic satire The Mandrake, The Life of Castruccio Castracani, and the classic story “Belfagor”, along with selections from The Discourses, The Art of War, and Florentine Histories. Augmented with useful features–vital and concise annotations and cross-references–this unique compendium is certain to become the standard one-volume reference to this influential, versatile, and ever timely writer. “Machiavelli's stress on political necessity rather than moral perfection helped inspire the Renaissance by renewing links with Thucydides and other classical thinkers. This new collection provides deeper insight into Machiavelli’s personality as a writer, thus broadening our understanding of him.” –Robert D. Kaplan, author of Warrior Politics: Why Leadership Demands a Pagan Ethos “Constantine’s selection is not only intelligent; his translations are astonishingly good. Thoughtfully introduced by Albert Russell Ascoli, this edition belongs in everyone’s library.” –John Jeffries Martin, professor and chair, department of history, Trinity University “If one were to assign a single edition of Machiavelli's works, this most certainly would be it.” –John P. McCormick, professor, department of political science, University of Chicago
Bill of sale : bought of Walford Brothers 1938 July 20 by Mrs. Virgil Idol.