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Did you know that just about everything you see in your local craft store can be painted? Dishes, tote bags, furniture, glassware, metal canisters, and more can be painted! Chris Thornton-Deason explains how to paint on any surface in this information-packed guide. Full-size patterns included. Just imagine all the hand-painted gifts and decorative accessories you can create. Let's get painting -- absolutely everything! 36 projects: Bathroom Shell Ensemble; Bon Appétit Canvases; Country Pitcher; Rooster Bucket; Dancing on Moonbeams Nursery Decor; Flowered Birdhouse; Geranium Magazine Holder; Geometric Glassware; Mom & Me Denim Totes; Snowball Blossom Decor; Paisley Cropper Tote; Wedding Ensemble; and Flower Tiles.
Here, for the first time, is a collection of the artist Clare Rojas' abstract paintings, completed between 2012 and 2015. Known for her association with a generation of San Francisco artists that became internationally prominent through the exhibition "Beautiful Losers," much of Rojas' earlier work drew from various Russian and Eastern European folkloric subjects. While the figures have been removed from this newer body of work, it is not hard to see their lasting impact on Rojas' practice; these paintings are equally evocative of folk art, sign painting and the formalist reductions of artists like Alexander Calder, Matisse or Ellsworth Kelly. Accompanying these works is an essay by the curator and writer Jens Hoffmann.Clare Rojas (b. 1976) lives and works in San Francisco. Recent solo and group exhibitions include Everyone Has Those Spaces at Kavi Gupta, Chicago; Carved, Cast, Crumpled: Sculpture All Ways at the Smart Museum of Art in Chicago; Caerulea at Paule Anglim in San Francisco, Clare Rojas at Vladmir Restoin Roitfeld in New York; Clare Rojas at Galleri Nicolai Wallner in Copenhagen, and Pith at Prism in Los Angeles. Solo museum shows include the Museum of Craft and Folk Art, San Francisco; Riverside Art Museum, CA; The Rose Art Museum, Boston; Museo De Arte Comtemporaneo De Castilla y Leon; Museum Het Domein, Sittard; Ulrich Museum of Art, Wichita; Knoxville Museum of Art and the Museum of Contemporary Art, Chicago.
A unique system for jump-starting artistic creativity, encouraging experimentation and growth, and increasing sales for artists of all levels, from novices to professionals. Have you landed in a frustrating rut? Are you having trouble selling paintings in galleries, getting bogged down by projects you can’t seem to finish or abandon, or finding excuses to avoid working in the studio? Author Carol Marine knows exactly how you feel—she herself suffered from painter’s block, until she discovered “daily painting.” The idea is simple: do art (usually small) often (how often is up to you), and if you’d like, post and sell it online. Soon you’ll find that your block dissolves and you’re painting work you love—and more of it than you ever thought possible! With her encouraging tone and useful exercises, Marine teaches you to: -Master composition and value -Become confident in any medium including oil painting, acrylic painting, watercolors, and other media -Choose subjects wisely -Stay fresh and loose -Photograph, post, and sell your art online -Become connected to the growing movement of daily painters around the world
This study focuses on a major issue in Near Eastern prehistoric archaeology: the rise of the Halaf culture, ca. 5900 - 5400 cal. BC. The book presents in a detailed, quantified and lavishly illustrated manner the ceramics excavated by the National Museum of Antiquities Leiden at Tell Sabi Abyad, northern Syria. Concentrating on the 1996 - 2000 campaigns, the book also synthesizes much earlier work in order to come to a comprehensive overview. Tell Sabi Abyad thus far remains the only archaeological site in the Near East where the shift from a Pre-Halaf to an Early Halaf cultural assemblage can be followed within a continuous, meticulously stratified sequence. This shift occured during a short-lived transitional stage, radiocarbon dated at 6100-5900 cal. BC, In terms of the ceramics, this transition is characterized by the gradual replacement of plain Coarse Ware by intricately painted Fine Wares, and by numerous innovations in ceramic technology, morphology and decorative style. More than merely a pottery report, the book offers a lively discussion of past and present views on the origins of the Halaf culture. It also places the excavated ceramics in the broader socio-economic and symbolic context of Late Neolithic societies in northern Syria. Using the concepts of feasting and emulation, the study aims to gain insight in patterns of rapid ceramic innovation and change. The book is of interest not only to specialists of prehistoric pottery but to a wider archaeological audience as well.
Stories of the Asian, African, and Native Americans who modeled for Norman Rockwell.
Maryland Blue Crab Honor Book 2018 A big, brightly colored, playful introduction to various important painters and art movements. If someone asked you to paint a snowman, you would probably start with three white circles stacked one upon another. Then you would add black dots for eyes, an orange triangle for a nose, and a black dotted smile. But if Picasso painted a snowman… From that simple premise flows this delightful, whimsical, educational picture book that shows how the artist’s imagination can summon magic from a prosaic subject. Greg Newbold’s chameleon-like artistry shows us Roy Lichtenstein’s snow hero saving the day, Georgia O’Keefe’s snowman blooming in the desert, Claude Monet’s snowmen among haystacks, Grant Wood’s American Gothic snowman, Jackson Pollock’s snowman in ten thousand splats, Salvador Dali’s snowmen dripping like melty cheese, and snowmen as they might have been rendered by J. M. W. Turner, Gustav Klimt, Paul Klee, Marc Chagall, Georges Seurat, Pablita Velarde, Piet Mondrian, Sonia Delaunay, Jacob Lawrence, and Vincent van Gogh. Our guide for this tour is a lively hamster who—also chameleon-like—sports a Dali mustache on one spread, a Van Gogh ear bandage on the next. “What would your snowman look like?” the book asks, and then offers a page with a picture frame for a child to fill in. Backmatter thumbnail biographies of the artists complete this highly original tour of the creative imagination that will delight adults as well as children. Fountas & Pinnell Level O
#1 NEW YORK TIMES BESTSELLER • In this, the extraordinary conclusion of the ice-age epic series, Earth’s Children®, Ayla, Jondalar, and their infant daughter, Jonayla, are living with the Zelandonii in the Ninth Cave. Ayla has been chosen as an acolyte to a spiritual leader and begins arduous training tasks. Whatever obstacles she faces, Ayla finds inventive ways to lessen the difficulties of daily life, searching for wild edibles to make meals and experimenting with techniques to ease the long journeys the Zelandonii must take while honing her skills as a healer and a leader. And there are the Sacred Caves that Ayla’s mentor takes her to see. They are filled with remarkable paintings of mammoths, lions, and bears, and their mystical aura at times overwhelms Ayla. But all the time Ayla has spent in training rituals has caused Jondalar to drift away from her. The rituals themselves bring her close to death, but through them Ayla gains A Gift of Knowledge so important that it will change her world. BONUS: This edition contains a reading guide and an interview with Jean M. Auel. Sixth in the acclaimed Earth’s Children® series.