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In this thrilling road trip from Peking to Paris, a woman tries to save her car, her marriage, and her confidence from breaking...
While urban preservation is almost as old as cities themselves, it has become increasingly controversial in modern cities. In this book, Yue Zhang presents a cross-national comparative analysis of the politics of urban preservation. Based on comprehensive archival research and more than two hundred in-depth interviews in Beijing, Chicago, and Paris, Zhang finds that urban preservation provides a tool for diverse political and social actors to frame their propositions and advance their favored courses of action. In cities from West to East, divergent political and economic interests have caused urban preservation to become contested. Exploring three of the world’s great cities, Zhang deftly navigates readers through each case study, illustrating the complexities of the politics of urban preservation in each city. In Beijing, urban preservation was integral to promoting economic growth and enhancing the city’s image during the lead-up to the 2008 Olympics; in Chicago, it is used to increase property values and revitalize neighborhoods; and in Paris, it offers a channel for national and municipal governments to compete for control over urban space. Although urban preservation serves various purposes in these cities, Zhang explains how different types of political fragmentation have affected the implementation of preservation initiatives in predictable ways, thus generating distinct patterns of urban preservation. A comparative urban politics study of unusual breadth, The Fragmented Politics of Urban Preservation gives us insight into the complex policy process of urban preservation through which political institutions are intertwined with interests and inclinations, fundamentally shaping the direction of urban development, the physical forms of cities, and the lives of citizens.
From Rome to Beijing: Sacred Spaces in Dialogue, edited by Daniel M. Greenberg and Mari Yoko Hara, explores the relationship between Jesuit enterprise and Ming-Qing China in the seventeenth and eighteenth centuries. The Jesuit order’s global corporation grew increasingly influential within the Chinese court after 1582, in no small part due to the two institutions shared interests in artistic and scientific matters. The paintings, astronomical instruments, spiritual texts and sacred buildings engendered through this encounter tell fascinating stories of cross-cultural communication and miscommunication. This volume approaches early modern East-West exchange as a site of cultural (rather than commercial) negotiations, where two sets of traditions and values intersected and diverged.
In 2003, the Chinese Xinhua News Agency journalist Wang Jun published the bestseller Beijing Record, the result of ten years of research on the urban transformation of Beijing in the last fifty years. Home to more than 15 million people, this ancient capital city — not surprisingly — has a controversial, complicated history of planning and politics, development and demolition. The publication raises a number of unsettling questions: Why has valuable historical architecture such as city ramparts, gateways, old temples, memorial archways and the urban fabric of the hutongs (traditional alleyways) and siheyuan (courtyard houses) been visibly disappearing for decades? Why are so many houses being demolished at a time of economic growth? Is no one prepared to stand up for the preservation of the city? For his research, Wang went through innumerable archives, read diaries and collected an unprecedented quantity of data, accessing first-hand materials and unearthing photographs that clearly document the city’s relentless, unprecedented physical makeover. In addition, he conducted more than 50 in-person interviews with officials, planners, scholars and other experts. Wang’s publication presents a survey of the main developments and government-level (both central and municipal) decisions, devoting a lot of attention to the 1950s and 1960s, when Beijing experienced a critical wave of transformative events. Shortly after its publication by SDX joint Publishing Company House in October 2003, Beijing Record ignited a firestorm of debate and discussion in a country where public interaction over such a sensitive subject rarely surfaces.
A popular series of guidebooks for the modern-day traveler offering information on cities and countries around the world continues, presenting up-to-date backgrounds and descriptions, detailed maps, hundreds of photographs, and much more, including walking and driving tours, visitor information directories, and cultural sidebars.
China has long been an object of fascination for the French, who celebrated theirannee de la Chine in 2004. Symptomatic of that fascination are the movements into China made by groups as diverse as the Jesuits, who arrived inL'Empire du Milieu in the late seventeenth century, and theTel Quel intellectuals, whose will to political pilgrimage took them to the People's Republic in 1974. Symptomatic, too, are the narrative and visual representations of China offered by such as Pierre Loti, Victor Segalen, Paul Claudel, Michel Leiris, Simone de Beauvoir, Andre Malraux, Henri Cartier-Bresson, and Marc Riboud.In this penetrating study, Alex Hughes explores models of intercultural encounter between France and China elaborated in the modern French cultural arena. Locating forms of bodily experience as critical to that encounter, she reflects on its forms and foundations.
Beijing 2008: Preparing for Glory - Chinese Challenge in the 'Chinese Century' brings together international scholars with an interest in sport and politics and sinologists with an interest in China - past, present and future - to explore global reaction to the Beijing Olympics - China's anticipated moment of glory on the world stage. The Beijing Olympics was, first and foremost, a political act of assertion. It was also a statement of national intent, the culmination of ideological effort going back to 1949 and the outcome of political, social, cultural and economic change. From the moment of the birth of the 'New China' sport has been viewed as a means of internal and external projection illustrating the capacity of the system and people to more than hold their own with those of other nations. In short, sport has been the chosen 'stage' on which the Chinese perform in pursuit of world recognition, respect and esteem. This assertion is not hard to understand. China's 'century of humiliation' at the hands of first the West and then Japan remains a traumatic experience. Beijing 2008 wass to assist the restoration of China's national self-esteem. He Zhenliang, Chairman of the IOC Commission for the Culture of Olympic Education, has remarked pointedly that the most significant outcome of the Beijing Games will be the elevation of the self-confidence and sense of pride of the Chinese people. Beijing 2008 was an act of political self-renewal on the world stage. This Collection demonstrates that sport is inseparable from politics. This book was previously published as a special issue of the International Journal of the History of Sport.
Presents information on accommodations, restaurants, cultural sites, shopping, and nightlife in Beijing and Shanghai.
Mapping Modern Beijing investigates the five methods of representing Beijing-a warped hometown, a city of snapshots and manners, an aesthetic city, an imperial capital in comparative and cross-cultural perspective, and a displaced city on the Sinophone and diasporic postmemory-by authors travelling across mainland China, Taiwan, Hong Kong, and overseas Sinophone and non-Chinese communities. The metamorphosis of Beijing's everyday spaces and the structural transformation of private and public emotions unfold Manchu writer Lao She's Beijing complex about a warped native city. Zhang Henshui's popular snapshots of fleeting shocks and everlasting sorrows illustrate his affective mapping of urban transition and human manners in Republican Beijing. Female poet and architect Lin Huiyin captures an aesthetic and picturesque city vis-à-vis the political and ideological urban planning. The imagined imperial capital constructed in bilingual, transcultural, and comparative works by Lin Yutang, Princess Der Ling, and Victor Segalen highlights the pleasures and pitfalls of collecting local knowledge and presenting Orientalist and Cosmopolitan visions. In the shadow of World Wars and Cold War, a multilayered displaced Beijing appears in the Sinophone postmemory by diasporic Beijing native Liang Shiqiu, Taiwan sojourners Zhong Lihe and Lin Haiyin, and émigré martial arts novelist Jin Yong in Hong Kong. Weijie Song situates Beijing in a larger context of modern Chinese-language urban imaginations, and charts the emotional topography of the city against the backdrop of the downfall of the Manchu Empire, the rise of modern nation-state, the 1949 great divide, and the formation of Cold War and globalizing world. Drawing from literary canons to exotic narratives, from modernist poetry to chivalric fantasy, from popular culture to urban planning, Song explores the complex nexus of urban spaces, archives of emotions, and literary topography of Beijing in its long journey from imperial capital to Republican city and to socialist metropolis.