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From Outlaw to Classic presents a sweeping history of the forces that have shaped, and continue to shape, the American poetry canon. Students, scholars, critics, and poets will welcome this enlightening and impressively documented book. Recent writings by critics and theorists on literary canons have dealt almost exclusively with prose; Alan Golding shows that, like all canons, those of American poetry are characterized by conflict. Choosing a series of varied but representative instances, he analyzes battles and contentions among poets, anthologists, poetry magazine editors, and schools of thought in university English departments. The chapters: • present a history of American poetry anthologies • compare competing models of canon-formation, the aesthetic (poet-centered) and the institutional (critic-centered) • discuss the influence of the New Critics, emphasizing their status as practicing poets, their anti-nationalist reading of American poetry, and the landmark textbook, Understanding Poetry by Cleanth Brooks and Robert Penn Warren • examine the canonizing effects of an experimental “little magazine,” Origin • trace how the Language poets address, in both their theory and their method, the canonizing institutions and canonical assumptions of the age.
From Outlaw to Classic presents a sweeping history of the forces that have shaped, and continue to shape, the American poetry canon. Students, scholars, critics, and poets will welcome this enlightening and impressively documented book. Recent writings by critics and theorists on literary canons have dealt almost exclusively with prose; Alan Golding shows that, like all canons, those of American poetry are characterized by conflict. Choosing a series of varied but representative instances, he analyzes battles and contentions among poets, anthologists, poetry magazine editors, and schools of thought in university English departments. The chapters: • present a history of American poetry anthologies • compare competing models of canon-formation, the aesthetic (poet-centered) and the institutional (critic-centered) • discuss the influence of the New Critics, emphasizing their status as practicing poets, their anti-nationalist reading of American poetry, and the landmark textbook, Understanding Poetry by Cleanth Brooks and Robert Penn Warren • examine the canonizing effects of an experimental “little magazine,” Origin • trace how the Language poets address, in both their theory and their method, the canonizing institutions and canonical assumptions of the age.
Josey Wales is out for the blood of the pro-Union Jayhawkers who raped & murdered his wife. When Wales refuses to surrender, he begins a life on the run from the law, reluctantly befriending a diverse group of whites & Indians on his quest for revenge and a new life.
"We have many poets of the First Book," the poet and critic Louis Simpson remarked in 1957, describing a sense that the debut poetry collection not only launched the contemporary poetic career but also had come to define it. Surveying American poetry over the past hundred years, The First Book explores the emergence of the poetic debut as a unique literary production with its own tradition, conventions, and dynamic role in the literary market. Through new readings of poets ranging from Wallace Stevens and Marianne Moore to John Ashbery and Louise Glück, Jesse Zuba illuminates the importance of the first book in twentieth-century American literary culture, which involved complex struggles for legitimacy on the part of poets, critics, and publishers alike. Zuba investigates poets' diverse responses to the question of how to launch a career in an increasingly professionalized literary scene that threatened the authenticity of the poetic calling. He shows how modernist debuts evoke markedly idiosyncratic paths, while postwar first books evoke trajectories that balance professional imperatives with traditional literary ideals. Debut titles ranging from Simpson's The Arrivistes to Ken Chen's Juvenilia stress the strikingly pervasive theme of beginning, accommodating a new demand for career development even as it distances the poets from that demand. Combining literary analysis with cultural history, The First Book will interest scholars and students of twentieth-century literature as well as readers and writers of poetry.
Soft-spoken, cheerful, handsome, and well dressed, George West Musgrave “looked more like a senator than a cattle rustler.” Yet he was a cattle rustler as well as a bandit, robber, and killer, “guilty of more crimes than Billy the Kid was ever accused of.” In Last of the Old-Time Outlaws, Karen Holliday Tanner and John D. Tanner, Jr., recount the colorful life of Musgrave (1877-1947), enduring badman of the American Southwest. Musgrave was a charter member of the High Five/Black Jack gang, which was responsible for Arizona’s first bank hold-up, numerous post office and stagecoach robberies, and the largest Santa Fe Railroad heist in history. Following a decade-long hunt, he was captured and acquitted of killing a former Texas Ranger. After this near brush with prison or execution, he headed for South America, where he gained fame as the leading Gringo rustler. It wasn’t until the 1940s that Musgrave’s age and poor health brought an end to a criminal career that had spanned two continents and two centuries. Incorporating previously unknown facts about the career of this frontier outlaw, the Tanners thoroughly document Musgrave’s half-century of crime, from his childhood in the Texas brush country to his final days in Paraguay.
Clarence Mulford's 'Riding in the Wild West' is a collection of 10 classic Western adventures that immerses readers into the rugged and untamed landscapes of the Old West. Mulford's writing style is characterized by vivid descriptions, realistic dialogue, and fast-paced action scenes that captivate the reader from start to finish. Each story is a thrilling journey filled with cowboys, outlaws, and dusty trails, offering a glimpse into the challenges and triumphs of life on the frontier. Mulford's storytelling prowess shines through in these timeless tales of courage, loyalty, and justice, making this compilation a must-read for fans of the Western genre. The book's literary context reflects the enduring popularity of Western fiction and its ability to transport readers to a bygone era of adventure and excitement. Clarence Mulford, known for creating the iconic character Hopalong Cassidy, draws upon his own experiences in the West to craft authentic and engaging narratives that resonate with readers of all ages. With its blend of action, suspense, and old-fashioned values, 'Riding in the Wild West' is a testament to Mulford's skill as a master storyteller and a fitting tribute to the legacy of Western literature.
This collection of essays describes the genesis of ten classic works of American literature. Using biographical, cultural, and manuscript evidence, the contributors tell the "stories of stories," plotting the often curious and always interesting ways in which notable American books took shape in a writer's mind. The genetic approach taken in these essays derives from a curiosity, and sometimes a feeling of awe, about how a work of literature came to exist -- what motivated its creation, informed its vision, urged its completion. It is just that sort of wonder that first brings some people to love writers and their books. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
The 'WILD WEST Boxed Set: 150+ Western Classics in One Volume' is an expansive anthology that brings together a diverse array of literature encapsulating the essence and mythos of the American West. This collection spans a broad range of literary styles, from the gritty realism of frontier life to romanticized tales of adventure and conflict, offering readers an unparalleled exploration of the genre. Within its pages, iconic narratives coalesce with lesser-known gems, providing a rich tapestry of the cultural, moral, and existential themes that have shaped the American identity. The inclusion of seminal works by this esteemed cohort highlights the anthology's significance as an encompassing repository of Western literary tradition. The contributing authors and editors of this anthology are titans of American literature and art, each bringing their unique perspective and voice to the theme of the Western frontier. From Twain's keen wit to London's raw depiction of nature and human endurance, the collection is a cross-section of American literary greatness. These authors collectively represent a wide array of historical, cultural, and literary movements, from the romanticism of the early 19th century to the realism and naturalism that followed. Their contributions illuminate the complexities of frontier life, reflecting both the brutality and the beauty of the Wild West, thereby enriching readers understanding of this pivotal era in American history. This anthology is a must-read for anyone with an interest in American literature, history, or culture. It offers readers a unique opportunity to immerse themselves in the variegated narratives that have shaped the mythos of the American West. Through its comprehensive scope and the multitude of voices it encompasses, the collection succeeds in fostering a dialogue between different epochs, perspectives, and literary styles. For scholars, enthusiasts, and casual readers alike, this boxed set is an invaluable resource for understanding the evolution of Western literature and its enduring influence on the American imagination.