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"Born in Tashkent, raised in Moscow and New York City, an editor in Odessa, a correspondent in Paris, there seems nowhere Davidzon hasn't been, no one he hasn't met. The result is a distinctive voice and eye, an eclectic mix of the cultural critic, the political analyst and the liberal cosmopolitan, evident from the first page of this delightful book" - Mark Galeotti, University College London and Royal University Services Institute The Tashkent-born Russian-American literary critic, editor, essayist, and journalist Vladislav Davidzon has been covering post-Soviet Ukraine for the past ten years, a tumultuous time for that country and the surrounding world. The 2014 "Revolution of Dignity" heralded a tremendous transformation of Ukrainian politics and society that has continued to ripple and reverberate throughout the world. These unprecedented events also wrought a remarkable cultural revolution in Ukraine itself. In late 2015, a year and a half after the 2014 Revolution swept away the presidency of the Moscow-leaning kleptocratic President Viktor Yanukovich, Davidzon and his wife founded a literary journal, The Odessa Review, focusing on newly emergent trends in film, literature, painting, design, and fashion. The journal became an East European cultural institution, publishing outstanding writers in the region and beyond. From his vantage point as a journalist and editor, Davidzon came to observe events and know many of the leading figures in Ukrainian politics and culture, and to write about them for a Western audience. Davidzon later found himself in the center of world events as he became a United States government witness in the Ukraine scandal that shook the presidency of Donald Trump. This eagerly anticipated debut tells the real story of what happened in Ukraine from the keen and resilient perspective of an observer at its center.
A tale inspired by the Russian mail-order bride industry finds young engineer Daria landing a secretary job at a foreign firm and redirecting her licentious boss toward a more willing mistress before taking work with a matchmaking agency, through which she meets an American teacher who fails to attract her as strongly as an irresponsible mobster. Includes reading-group guide. Reprint.
"Both a visual treat and a serious exploration of Odessa's rich history, culture, and social fabric, this book stands alone as a sumptuous homage to a storied city that has inspired affinity and curiosity all over the world."--BOOK JACKET.
To Be Loved: An MS Story, follows the unexpected adjustments Trebor makes to provide a stable life for his precious children. His adult daughter and young grandson, cast out and homeless, turn to Trebor for aid. Disabled with the debilitating symptoms of multiple sclerosis, his daughter becomes dependent on her father for day-to-day care. Though that co-dependence tests Trebor, it also gives birth to a greater bond. Trebor is determined his daughter won't live a life of sadness. He doesn't see her disease as a reason to count her out. Yet, his efforts to provide her with the thrills, pleasures and joys the rest of the world enjoys so effortlessly only sends his spirit soaring as high as the sky for it to only suddenly crash as low as though into a darkened pit. As each day passes, Trebor realizes his daughter's progressive and challenging condition not only intrudes on the normal flow of desires she has in life -but also his. Bound to caring for his daughter, and raising his grandson, Trebor feels romantic love is no longer a possibility. To know love's warmth, and to receive and share its fondness again, seem out of the question. His devotion primarily belongs to his children now. Yet, mysteriously, fascination enters his family's lives. A woman, her challenges similarly rooted to those of his daughter's, arrives unexpectedly into Trebor's world - and takes over part of his consciousness. This woman ignites in him an abundance of passion and desire. Romance is on fire. But can Trebor still be loved?...
This is a history of a major American university from its birth on the western frontier in the eighteenth century through its two-hundredth anniversary. Told primarily through the stories of its energetic and sometimes eccentric chancellors, it's a colorful and highly readable chronicle of the University of Pittsburgh. The story begins in the early spring of 1781, when an ambitious young Philadelphia lawyer named Hugh Henry Brackenridge crossed the Alleghenies to seek his opportunity in Pittsburgh. "My object,"?he wrote, "was to advance the country [Western Pennsylvania] and thereby myself." He founded Pittsburgh Academy, later to be the Western University of Pennsylvania and then the University of Pittsburgh, and lived to see the school grow along with the city. Author Robert C. Alberts, mines the University archives and describes many issues for the first time. Among them is the role played by the Board of Trustees in the conflicts of the administration of Chancellor John Gabbert Bowman, including the firing of a controversial history professor, Ralph Turner; the resignation of the legendary football coach, Jock Sutherland; and a Board investigation into Bowman's handling of faculty and staff. We see Pitt's decade of progress under Edward Litchfield (1956-165), who gambled that the millions of dollars he spent . . . would be forthcoming form somewhere or someone; but who, as it turned out was mistaken." Pitt became a state-related university in August 1966, but financial stability was achieved gradually during the administration of Chancellor Wesley W. Posvar. The ensuing crisis of the 1960s and early 1970, caused by the Vietnam War, and the student protests that accompanied it, are described in rich detail. The history then follows Pitt's emergence as a force in international higher education; the institution's role in fostering a cooperative relationship with business; and its entry into the postindustrial age of high technology. The story of Pitt reflects all the struggles and the hopes of the region. As Alberts writes in his preface, "There was drama; there was tragedy; there was indeed controversy and politics. There were, unexpectedly, rich veins of humor, occasionally of comedy."
This book studies Vasily Kandinsky's (1866-1944) pre-1908 figurative art that formed the basis for his later abstractions. It analyzes many published and unpublished facts of the artist's life and work and brings together numerous historical comparative data from painting, literature, the social sciences, ethnography, folklore, esthetics, and philosophy. This study penetrates deeply into Kandinsky's inner world and breaks new ground by interpreting the artist's enigmatic early imagery as his personal many-layered symbolism that expresses his complex personality, his internal responses to Russian and Western European life and culture, and his quest for spiritual truths.
Since the nineteenth century, the great Russian writer Alexander Pushkin has been a cultural myth, a figure absolutely central to Russian culture, even to "Russianness" itself. In this volume distinguished American Slavists address Pushkin's writings from a multiplicity of contemporary literary perspectives and investigate some of the most puzzling issues in the poet's life and work.
Chance often brings two people together, but it can also tear them apart. In Latasha Dyer’s romance novel A Georgia Love Story, fate plays a large role in bringing Freddie and Etta Mae together; however, it also has something else in store for them. As luck would have it, a rather unpleasant surprise awaits the couple – a revelation so shocking it may just be the thing that breaks them apart. Is their love strong enough to withstand this test? Can it conquer all? Find out in the emotional and heart-warming conclusion of A Georgia Love Story.
"We must seek to build a Russia based on three sound principles...Peace...Land...and Bread. NOTHING ELSE!!!" William Donaldson, newly promoted Charge d'Affaires for the United States Embassy in Petrograd, (formerly Saint Petersburg) Russia, could only cringe at hearing Lenin's stirring proclamation announcing the primary goals for the Petrograd Soviet. These ambitious words ran counter to the aims of his employer-the American government. As an American diplomat during the administration of President Woodrow Wilson, William is obligated to support his country's self-serving objectives. But as the husband to Sonjya Mastrova, a Russian nation, William is torn: must he care out his duty or advocate a cause which he knows in his heart to be morally and ethically right? Since he was a conscripted diplomat, being named embassy charge d'affaires should have been the crowning achievement for William Donaldson. However, as Russia spirals ever deeper into chaos and revolution, his posting becomes a curse. Caught up in a web of intrigue woven by America's inept, luxury-loving ambassadors, William is a witness to the final overthrow of Russia's imperial family. His dealings with the weak Russian provisional government will provide William with a textbook example chronicling the pitfalls of democracy. As the faltering democratic provisional government splinters and becomes mired in gridlock, the Russian people become truly desperate. Knowing how desperate people will do desperate things, the situation becomes ripe for Vladimir Lenin and his henchmen to finally implement their own vision for Russia's future without any annoying outside interference. When that model is forcibly imposed, William can only lament at what he sees as the consequence for the Russian people of being yoked to the science of communism: "Is Russia's exploited peasant population any better off than they were before?"