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Argues for a life based on humility, service, and sacrifice instead of the accepted worldview of a life valuing fame and recognition.
This book attempts to reintegrate women into the socio-political milieu of early medieval Orissa. Its sources are inscriptions, mostly Sanskrit, that date from the seventh century to the end of the reign of the Imperial Ganga ruler, Anantavarman Codagangadeva (CE 1078-1147). The evidence indicates that royal and non-royal women had varying but undeniably important roles to play in the socio-political fabric of this prominent regional entity. The Bhauma-Kara dynasty (c. mid-eighth/ninth-late tenth century) that witnessed the rule of six women, four of them in succession, is a case in point. In addition, the palpable presence of several other royal and non-royal women is consistently documented in the epigraphic record. This is an aspect that has received very little attention in secondary works, thereby rendering this study a pioneering one. The work follows on from Rangachari’s earlier Invisible Women, Visible Histories: Gender, Polity and Society in North India (7th to 12th century ad), which had focused on important gendered aspects of early medieval north India through an analysis of literary and epigraphic sources of Kashmir, Kanauj, Bengal and Bihar. The invisibilization of women, whereby their presence is routinely ignored or trivialized, was, similarly, its underlying essence. Please note: This title is co-published with Manohar Publishers, New Delhi. Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
The Light People is a multi-genre novel that includes a series of nested stories about a tribal community in Northern Minnesota. Major themes include Oskinaway’s search for his parents and the legal wrangling over the possession of a leg that has been removed from a tribal elder. Each story is linked to previous and successive stories to form a discourse on identity and cultural appropriation, all told with humor and wisdom. Taking inspiration from traditional Anishinabe stories and drawing from his own family's storytelling tradition, Gordon Henry, Jr., has woven a tapestry of interlocking narratives in The Light People, a novel of surpassing emotional strength. His characters tell of their experiences, dreams, and visions in a multitude of literary styles and genres. Poetry, drama, legal testimony, letters, and essays combine with more conventional narrative techniques to create a multifaceted, deeply rooted, and vibrant portrait of the author's own tribal culture. Keenly aware of Eurocentric views of that culture, Henry offers a "corrective history" where humor and wisdom transcend the political. In the contemporary Minnesota village of Four Bears, on the mythical Fineday Reservation, a young Chippewa boy named Oskinaway is trying to learn the whereabouts of his parents. His grandparents turn for help to a tribal elder, one of the light people, Jake Seed. Seed's assistant, a magician who performs at children's birthday parties, tells Oskinaway's family his story, which gives way to the stories of those he encounters. Narratives unfold into earlier narratives, spinning back in time and encompassing the intertwined lives of the Fineday Chippewas, eventually revealing the place of Oskinaway and his parents in a complex web of human relationships.
Oliver Heaviside's electromagnetic investigations - from the publication of his first electrical paper in 1972 to the public recognition awarded to him by Lord Kelvin in 1889 - have consistently attracted attention over the years, and of late have become a major source for the study of the development of field theory after Maxwell. "From Obscurity to Enigma" is the only comprehensive, in-depth analysis of Heaviside's work. It analyses and elucidates his brilliant but often close-to-indecipherable Electrical Papers and traces the evolution of his ideas against the background of growing knowledge in basic electromagnetic theory, telegraphy and telephony during these years. The book will be appreciated by historians of science and technology in the late 19th and early 20th centuries and by physicists and electrical engineers, many of whom are aware of Heaviside's contributions to their respective fields.
Luke-Acts contains many and diverse female characters, many of whom play significant roles in the unfolding drama of God's plan of salvation through Jesus and the early church. Women followers of Jesus are fully-fledged disciples who prove to be reliable and insightful, participating in God's mission at all levels. They act as interpreters of salvation history, God's prophetic mouthpieces, witnesses to the resurrection, proclaimers and teachers of the gospel, and patrons and leaders of the early church. At the heart of this narratival exposure lies a particular theology of women. This narratival presentation and theology is rich and quite remarkable given the socio-religious climate in which Luke wrote. An appreciation of this "narratival theology" is important not only for a well-rounded understanding of Luke-Acts, but as a vital part of the variegated witness of the New Testament regarding the role of women in God's new community.
"[An] excellent book...Not only...the first thorough treatment of the subject, but it is also charged with a poignancy that only a survivor can summon"--The Philadelphia Inquirer. "A remarkable book"--The New York Review of Books. Like Anne Frank but more fortunate, Nechama Tec was one of the "hidden children"--Jews taken in and protected from the Holocaust by Christian families. Here she examines the role of Christians in saving Jewish lives, showing the personal reality of how individuals resisted the Nazi onslaught.
In Holland 1633, a woman’s ambition has no place. Judith is a painter, dodging the law and whispers of murder to try to become the first woman admitted to the Haarlem painters guild. Maria is a Catholic in a country where the faith is banned, hoping to absolve her sins by recovering a lost saint’s relic. Both women’s destinies will be shaped by their ambitions, running counter to the city’s most powerful men, whose own plans spell disaster. A vivid portrait of a remarkable artist, A Light of Her Own is a richly-woven story of grit against the backdrop of Rembrandt and an uncompromising religion. Story behind the story . . . The trail of Judith Leyster’s career was so faint that only years after her death in 1660, collectors began attributing her few surviving paintings to other artists. She signed her work with only a beautiful, stylized monogram. Credit went to Frans Hals, Jan Miense Molenaer, and others. She would remain lost to history until 1893.