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On the heels of the Great Depression and staring into the abyss of a global war, American writers took fiction and literature in a new direction that addressed the chaos that the nation—and the world—was facing. These authors spoke to the human condition in traumatic times, and their works reflected the dreams, aspirations, values, and hopes of people living in the World War II era. In FromNative Son to King’s Men: The Literary Landscape of 1940s America, Robert McParland examines notable works published throughout the decade. Among the authors covered are James Baldwin, Pearl S. Buck, James Gould Cozzens, William Faulkner, Ernest Hemingway, John Hersey, Norman Mailer, Ann Petry, Irwin Shaw, John Steinbeck, Robert Penn Warren, Eudora Welty, and Richard Wright. McParland explores how popular novels, literary fiction, and even short stories by these authors represented this pivotal period in American culture. By examining the creative output of these authors, this book reveals how the literature of the 1940s not only offered a pathway for that era’s readers but also provides a way of understanding the past and our own times. From Native Son to King’s Men will appeal to anyone interested in the cultural climate of the 1940s and how this period was depicted in American literature.
Chattel slavery in colonial America was an attack upon dynastic rule. The shot heard around the world was not a musket shot fired in April 1775. Rather, it was the verdict of Englands Supreme Court that slavery is an odious scheme and not authorized under Englands rule of law in June 1772. Englands traditions and rule of law were immutableit was truly a nation of laws and not of men. Depriving native sons of liberty at birth was unconstitutional. Colonial chattel slave practices were criminal enterprises, and Queen Charlotte, the wife of Englands King George the Third, recognized it as a threat to her son the Prince of Waless ascension to the British throne due to her obvious and much talked-about African heritage. Englands Queen Charlotte was black under the black codes one-drop rule, and she knew that if black native sons could lose their birthrights, though the rule of law declares them to be Englishmen, that pretenders to the kings throne might challenge her sons birthright. The queen concerned herself with great interest in the habeas corpus case of a colony of Virginia-born black named James Somersett. The significance of the Somersett habeas corpus case was Englands emancipation of its slaves has escaped telling. Told with all the power and drama of a novel, Kings Native Sons: Lies, Lessons and Legacies is an extraordinary account of a pulse-pounding human drama framed by political intrigue and raw human emotions (Larry Kenneth Alexander, cultural theorist). Contact [email protected] for pricing of prints, private book signings, and speaking engagements.
"Ezekiel, Yuma's Native Son" will allow you to open the window of life through the eyes of a centenarian, retracing the steps of a barefoot island boy, Herman Ezekiel Dean. Experience the authors' vivid account of Zeke's boyhood adventures in Yuma, the original name given to Long Island, Bahamas by the Arawak Indians, to his migration to Miami, formerly called Mayaimis by Native American Indians, meaning "Big Lake." Feel Herman's passion as the authors take you on a moving journey of heart-throbbing love stories, encounters with Christ, years on the Contract, a near-fatal accident, and his seventy-plus years of ministry and service to God.
Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic. Set in Chicago in the 1930s, Wright's powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America.
In 1963 Birmingham, Alabama, was the site of cataclysmic racial violence: Police commissioner "Bull" Connor attacked black demonstrators with dogs and water cannons, Martin Luther King, Jr., wrote his famous letter from the Birmingham jail, and four black children were killed in a church bombing. This incendiary period in Birmingham's history is the centerpiece of an intense and affecting memoir. A disaffected Birmingham native, Paul Hemphill decides to live in his hometown once again, to capture the events and essence of that summer and explore the depth of social change in Birmingham in the years since -- even as he tries to come to terms with his family, and with himself. -- back cover.
'These essays ... live and grow in the mind' James Campbell, Independent Being a writer, says James Baldwin in this searing collection of essays, requires 'every ounce of stamina he can summon to attempt to look on himself and the world as they are'. His seminal 1961 follow-up to Notes on a Native Son shows him responding to his times and exploring his role as an artist with biting precision and emotional power: from polemical pieces on racial segregation and a journey to 'the Old Country' of the Southern states, to reflections on figures such as Ingmar Bergman and André Gide, and on the first great conference of African writers and artists in Paris. 'Brilliant...accomplished...strong...vivid...honest...masterly' The New York Times 'A bright and alive book, full of grief, love and anger' Chicago Tribune
A Study Guide for Robert Penn Warren's "All the King's Men," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
Increasing specialization within the discipline of English and American Studies has shifted the focus of scholarly discussion toward theoretical reflection and cultural contexts. These developments have benefitted the discipline in more ways than one, but they have also resulted in a certain neglect of close reading. As a result, students and researchers interested in such material are forced to turn to scholarship from the 1960s and 1970s, much of which relies on dated methodological and ideological presuppositions. The handbook aims to fill this gap by providing new readings of texts that figure prominently in the literature classroom and in scholarly debate − from James’s The Ambassadors to McCarthy’s The Road. These readings do not revert naively to a time “before theory.” Instead, they distil the insights of literary and cultural theory into concise introductions to the historical background, the themes, the formal strategies, and the reception of influential literary texts, and they do so in a jargon-free language accessible to readers on all levels of qualification.
Richard Wright’s dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright’s long-overlooked writing for theater and other performative mediums. Drawing on decades of research and interviews with Wright’s family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright’s oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick’s analysis also illuminates Wright’s direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son’s first film version; and his play “Daddy Goodness,” a satire of religious charlatans like Father Divine, in the 1930s. Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer.
An animated cartoon is a short, hand-drawn (or made with computers to look similar to something hand-drawn) moving picture for the cinema, TV or computer screen, featuring some kind of story or plot. Animation is the optical illusion of motion created by the consecutive display of images of static elements. In film and video production, this refers to techniques by which each frame of a film or movie is produced individually. Computer animation is the art of creating moving images via the use of computers. It is a subfield of computer graphics and animation. Anime is a medium of animation originating in Japan, with distinctive character and background aesthetics that visually set it apart from other forms of animation. An animated cartoon is a short, hand-drawn (or made with computers to look similar to something hand-drawn) moving picture for the cinema, TV or computer screen, featuring some kind of story or plot (even if it is a very short one). Manga is the Japanese word for comics and print cartoons. Outside of Japan, it usually refers specifically to Japanese comics. Special effects (abbreviated SPFX or SFX) are used in the film, television, and entertainment industry to visualize scenes that cannot be achieved by normal means, such as space travel. Stop motion is a generic gereral term for an animation technique which makes static objects appear to move.