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This is the story of a young Italian Jew who in 1938 in response to the enactment by the Fascist government of antisemitic legislation decided that he should leave his comfortable home in Milano with his mother and sister and seek refuge first in England and later in the United States. However, as the result of Italy's entry in the war, he faced unexpected obstacles and real dangers. On June 11, 1940 when he was ready to board the Britannic and sail to New York from Liverpool, he was arrested as an enemy alien. A few days laer he was shipped behind barbed wire across the Atlantic, then infested with German U boats, interned in Canada for fourteen months as a prisoner of war. Eventually his status as a "refugee" was recognized by the British Government but legal technicalities prevented his immigration to the US from Canada and imposed a detour to Cuba. Finally after a long wait and with the sponsorship of Arturo Toscanini he was able to rejoin his mother and sister in New York just a few days before Pearl Harbor. Giulio L. Cantoni, an internationally known biochemist, has served for forty years as Laboratory Chief at the National Institutes of Health in Bethesda. He has published more than 150 papers and is a co-author of several scientific books. He is a member of the U.S. National Academy of Sciences, the American Academy of Arts and Sciences, and the Italian Academy of Science. In 1968 he founded and now directs the FAES Chamber of Music Concert Series at NIH, generally regarded as the best in the Washington area. He lives in Bethesda with his wife of 35 years.
How did Italy treat Jews during World War II? Historians have shown beyond doubt that many Italians were complicit in the Holocaust, yet Italy is still known as the Axis state that helped Jews. Shira Klein uncovers how Italian Jews, though victims of Italian persecution, promoted the view that Fascist Italy was categorically good to them. She shows how the Jews' experience in the decades before World War II - during which they became fervent Italian patriots while maintaining their distinctive Jewish culture - led them later to bolster the myth of Italy's wartime innocence in the Fascist racial campaign. Italy's Jews experienced a century of dramatic changes, from emancipation in 1848, to the 1938 Racial Laws, wartime refuge in America and Palestine, and the rehabilitation of Holocaust survivors. This cultural and social history draws on a wealth of unexplored sources, including original interviews and unpublished memoirs.
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Lucia Bedarida Servadio was born in Ancona, Italy, in 1900, and died in Cornwall-on-Hudson, near New York, USA, in April 2006. By her choice, her body was brought back to Italy and laid in the family tomb at the Jewish cemetery in Turin, where her husband Nino had been buried. Lucia was not afraid of dying, as she said in an interview in 2000 for her 100th birthday: If I have a message for young people today, it would be this: You have to have faith in life because life is stronger than death. I have had a very rich, interesting life and I am happy to have lived it and to have had the things that I have had. Cristina M. Bettin Ben-Gurion University of the Negev, Israel In this volume, beautifully produced by Beatnik and impeccably edited by the New Zealand Centre for Literary Translation, Cristina M. Bettin brings to life a little-known story of Lucia Servadio Bedarida, definitively establishing her as an important case study in the complex and painful history of modern Italian Judaism. In Bettin’s thoughtful and empathetic hands, Servadio speaks to the reader in her own words, while the author chisels a careful path through the intersecting issues of gender, class, language, and culture that Tubiba’s life illuminates. This is a story of pioneering medical achievement with a strong ethical charge, but also one of diasporic wonderings, both forced and deliberate, and of inter-cultural communication. It is at once deliciously random and wonderfully appropriate that this volume be the result of an intercontinental collaboration between New Zealand, Israel, and Italy. Giacomo Lichtner – Associate Professor of History and Film Te Herenga Waka-Victoria University of Wellington, Aotearoa New Zealand
With an Overview by Paul Smith and a Checklist to Hemingway Criticism, 1975–1990 New Critical Approaches to the Short Stories of Ernest Hemingway is an all-new sequel to Benson’s highly acclaimed 1975 book, which provided the first comprehensive anthology of criticism of Ernest Hemingway’s masterful short stories. Since that time the availability of Hemingway’s papers, coupled with new critical and theoretical approaches, has enlivened and enlarged the field of American literary studies. This companion volume reflects current scholarship and draws together essays that were either published during the past decade or written for this collection. The contributors interpret a variety of individual stories from a number of different critical points of view—from a Lacanian reading of Hemingway’s “After the Storm” to a semiotic analysis of “A Very Short Story” to an historical-biographical analysis of “Old Man at the Bridge.” In identifying the short story as one of Hemingway’s principal thematic and technical tools, this volume reaffirms a focus on the short story as Hemingway’s best work. An overview essay covers Hemingway criticism published since the last volume, and the bibliographical checklist to Hemingway short fiction criticism, which covers 1975 to mid-1989, has doubled in size. Contributors. Debra A. Moddelmog, Ben Stotzfus, Robert Scholes, Hubert Zapf, Susan F. Beegel, Nina Baym, William Braasch Watson, Kenneth Lynn, Gerry Brenner, Steven K. Hoffman, E. R. Hagemann, Robert W. Lewis, Wayne Kvam, George Monteiro, Scott Donaldson, Bernard Oldsey, Warren Bennett, Kenneth G. Johnston, Richard McCann, Robert P. Weeks, Amberys R. Whittle, Pamela Smiley, Jeffrey Meyers, Robert E. Fleming, David R. Johnson, Howard L. Hannum, Larry Edgerton, William Adair, Alice Hall Petry, Lawrence H. Martin Jr., Paul Smith
For fans of Daniel Silva and David Baldacci comes a gripping thriller based on real world events that will have you riveted until the final page is turned. When NYPD detectives Paul Rossi and Hamilton P. Turner begin investigating the Sutton Place murder of an Italian air force pilot, the last thing they expect is that they will and find themselves sucked into the potential cover-up of the Ustica massacre, the most horrific aviation crime in Italian history, in which all 81 souls on board perished, where Italian President Francesco Cossiga blamed a missile deployed by the French Navy for the disaster. But as they begin investigating, Rossi, recovering from a broken marriage, and Turner, an African-American opera buff, poet, and former lawyer with ambitions to be mayor, come up against NYPD bureaucratic obstacles and stonewalling by the Italian Consulate in NYC. Lieutenant Laura Muro, the policewoman sister of the victim, comes to New York to aid the investigation, but soon the trio find themselves in the crosshairs of the Gladio, Italy’s powerful, shadowy political cabal whose reach extends to the highest reaches of New York political and ruling class. From New York to Italy, Rossi, Turner, and Muro must uncover the shocking truth about one of the most notorious disasters in airline history, and how this infamous act ties to the present-day murder. Riveting, erudite, and surprising at every turn, THE MAN IN MILAN announces a major new voice in international thriller fiction.
Valerio Ferme is the Harold and Edythe Toso Endowed Chair professor in Italian Studies at Santa Clara University. --Book Jacket.
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The death of Ernest Hemingway in 1961 ended one of the most original and influential careers in American literature. His works have been translated into every major language, and the Nobel Prize awarded to him in 1954 recognized his impact on contemporary writing. While many people are familiar with the public image of Hemingway and the legendary accounts of his life, few knew him as an intimate. With this collection of letters, presented for the first time as a Scribner Classic, a new Hemingway emerges. Ranging from 1917 to 1961, this generous selection of nearly six hundred letters is, in effect, both a self-portrait and an autobiography. In his own words, Hemingway candidly reveals himself to a wide variety of people: family, friends, enemies, editors, translators, and almost all the prominent writers of his day. In so doing he proves to be one of the most entertaining letter writers of all time. Carlos Baker has chosen letters that not only represent major turning points in Hemingway's career but also exhibit character, wit, and the writer's typical enthusiasm for hunting, fishing, drinking, and eating. A few are ingratiating, some downright truculent. Others present his views on writing and reading, criticize books by friend or foe, and discuss women, soldiers, politicians, and prizefighters. Perhaps more than anything, these letters show Hemingway's irrepressible humor, given far freer rein in his correspondence than in his books. An informal biography in letters, the product of forty-five years' living and writing, Ernest Hemingway: Selected Letters leaves an indelible impression of an extraordinary man. Ernest Hemingway was born in Oak Park, Illinois, in 1899. At seventeen he left home to join the Kansas City Star as a reporter, then volunteered to serve in the Red Cross during World War I. He was severely wounded at the Italian front and was awarded the Croce di Guerra. He moved to Paris in 1921, where he devoted himself to writing fiction, and where he fell in with the expatriate circle that included Gertrude Stein, F. Scott Fitzgerald, Ezra Pound, and Ford Madox Ford. His novels include The Sun Also Rises (1926), A Farewell to Arms (1929), To Have and Have Not (1937), For Whom the Bell Tolls (1940), and The Old Man and the Sea (1952). He was awarded the Nobel Prize for literature in 1954. He died in Ketchum, Idaho, on July 2, 1961.
Throughout history, different civilisations have given rise to many alternative worlds. Each of them was the enactment of a unique story about the structure of reality, the rhythm of time and the range of what it is possible to think and to do in the course of a life. Cosmological stories, however, are fragile things. As soon as they lose their ring of truth and their significance for living, the worlds that they brought into existence disintegrate. New and alien worlds emerge from their ruins. Federico Campagna explores the twilight of our contemporary notion of reality, and the fading of the cosmological story that belonged to the civilisation of Westernised Modernity. How are we to face the challenge of leaving a fertile cultural legacy to those who will come after the end of our future? How can we help the creation of new worlds out of the ruins of our own?