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Design with Life chronicles the breakthroughs and projects of a nonprofit that is defining resolute new directions in socio-ecological design and other deep-seated intersections of synthetic biology, architecture, and urban systems. In the challenging context of accelerating climate dynamics, the core discipline of architectural design is evolving and embracing new forms of action. New York-based nonprofit Terreform ONE has established a distinctive design tactic that investigates projects through the regenerative use of natural materials, science, and the emergent field of socio-ecological design. This kind of design approach uses actual living matter (not abstracted imitations of nature) to create new functional elements and spaces. These future-based actions are not only grounded in social justice, but are also far-reaching in their application of digital manufacturing and maker culture. Terreform ONE tackles urgent environmental and urban social concerns through the integrated use of living materials and organisms.
The book establishes a correlation between architectural theory and the biosemiotic project, and suggest how this coupling establishes a framework leading to an architectural-biosemiotic paradigm that puts biosemiotic theory at the heart of cognising the built environment, and offers an approach to understanding and shaping the built environment that supports (and benefits) human, and organismic, spatial intelligence.
The author of The Language of Things “takes readers on an engrossing tour of Foster’s life” from childhood to the world-renowned buildings he designed (Publishers Weekly, starred review). A leading pioneer of high-tech architecture, Norman Foster has worked across the globe, collaborating with luminaries such as R. Buckminster Fuller to Steve Jobs. Born in Manchester, England, Foster grew up in poverty, the son of a machine painter. He served in the Royal Air Force and worked in a local architect’s office before returning to school for architecture. Foster went on to design the Reichstag, the Hong Kong and Shanghai Banks headquarters in London and China, the new Wembley stadium and the British Museum's new court. He is also responsible for the design of Beijing's new airport, the Rossiya tower in Moscow, one of the towers at Ground Zero in Manhattan, as well as numerous other buildings around the world. In this insightful biography, Deyan Sudjic charts Foster’s remarkable life and career.
This book addresses the complex relationship between architecture and public life. It’s a study of architecture and urbanism as cultural activity that both reflects and gives shape to our social relations, public institutions and political processes. Written by an international range of contributors, the chapters address the intersection of public life and the built environment around the themes of authority and planning, the welfare state, place and identity and autonomy. The book covers a diverse range of material from Foucault’s evolving thoughts on space to land-scraping leisure centres in inter-war Belgium. It unpacks concepts such as ‘community’ and ‘collectivity’ alongside themes of self-organisation and authorship. Architecture and Collective Life reflects on urban and architectural practice and historical, political and social change. As such this book will be of great interest to students and academics in architecture and urbanism as well as practicing architects.
This exhibition catalog accompanies the inaugural exhibition at the new UC Berkeley Art Museum and Pacific FIlm Archive building, designed by Diller Scofido + Renfro. Over 150 works of art in a wide range of media, as well as scientific illustrations and architectural drawings and models, explore the ways that architecture--as concept, metaphor, and practice--illuminates various aspects of life experience.
The Pyramids and the Taj Mahal are witness to the extravagant architectural tributes that, throughout human history, the great and the wealthy have paid to their dead. In this book, a well-known architectural historian provides a history of funerary architecture in western Europe from the earliest megalithic tombs of prehistory to the establishment of public cemeteries in the nineteenth century. With sensitivity and wit, Howard Colvin traces the ways in which these structures represent changing ideas about the after-life as well as changes in architectural style.
The first in-depth biographical study of the brilliant but elusive architect who fundamentally redefined twentieth-century architecture. Now ranked with Frank Lloyd Wright, Le Corbusier, and Mies van der Rohe, Louis I. Kahn brought a reverence for history back into modern architecture while translating it into a uniquely contemporary idiom. Drawing on more than one hundred interviews with colleagues, coworkers, clients, and family members and illustrated with many previously unpublished photographs, this book documents the uniquely American rise of a poor immigrant to the pinnacle of the international architectural world. It illuminates the richly diverse personal relationships Kahn had with such clients as Jonas Salk and Paul Mellon, and the romantic entanglements that mystified even those closest to him. While celebrating the genius of Kahnís art, the book provides an invaluable portrait of the man who created it.
The man who envisioned and realized such landmark buildings as the Salk Institute, the Kimbell Art Museum, and the National Assembly complex in Bangladesh, Louis Kahn was born in what is now Estonia, immigrated to America, and became one of the towering figures in his adopted country’s built world. His works are unmistakable in their elegance, monolithic power, and architectural honesty. Written by Carter Wiseman, one of Kahn’s most respected commentators, this book offers a succinct, accessible examination of the life and work of one of America’s greatest architects. It traces the influence of his immigrant origins, his upbringing in poverty, his education, the impact of the Great Depression, and the arrival of Modernism on his life and work. Finally, it provides insight into why, as the legacy of many of his contemporaries has receded in importance, Kahn’s has remained so durably influential. Louis Kahn: A Life in Architecture provides the best concise introduction available to this singular life and achievement.
The Aga Khan Award for Architecture was established by His Highness the Aga Khan in 1977 to identify and encourage excellence in architecture and other forms of intervention in the built environment of societies with a Muslim presence. The award is given every three years and recognizes all types of building projects that affect today's built environment. Smaller projects are given equal consideration as large-scale buildings. Richly illustrated and with explanatory texts, the book presents this year's shortlist and the award recipients. This year's topic is centered around the relationship between life and architecture. Numerous essays examine how architecture interacts with the life of people who inhabit it. 200 illustrations
The purpose of investigating the overlaps between architecture and biology is neither to draw borders or make further distinctions nor to declare architecture alive, but to clarify what is currently happening in the blurred fields, and to investigate the emerging discipline of „biomimetics in architecture" [Architekturbionik]. An overview of the present state of research in the relatively young scientific field of biomimetics shows the potential of the approach. The new discipline aims at innovation by making use of the subtle systems and solutions in nature having evolved within millions of years. Approaches that have been taken to transfer nature's principles to architecture have provided successful developments. The new approach presented in this book transfers the abstract concept of life onto built environment. Strategic search for life's criteria in architecture delivers a new view of architectural achievements and makes the innovative potential visible, which has not been exploited yet. A selection of case studies illustrates the diversity of starting points: from vernacular architecture to space exploration.