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From Kongo Central to the Americas via Europe: A Cultural Overview By: Adrien Ngudiankama MPhil., Ph.D From Kongo Central to the Americas via Europe: A Cultural Overview is an odyssey. An autobiographical ethnography of dialogues with cultures and social dynamics in three different continents that are Africa, Europe, and the US. After interpreting some social and cultural realities from his native Kongo Central and from his experiences in Europe and the USA, the author lands with a look at the relational dynamics between African immigrants, Afro-Caribbeans and African-Americans. Always based on his ethnography, he dialogues with scholars such as Philippe Wamba, Nemata Blyden, and Ali Mazrui. The author speaks of the urgency of a pan-African emotional harmony in our global village.
From its genesis in 1921, Kimbanguism has constituted one of the most fascinating socio-cultural movements of the Kongo region. This interdisciplinary collection covers the socio-cultural dynamics of the Kimbanguist church and its contribution to African studies over the past hundred years. Scholars renowned for their Kongo studies work, such as Wyatt MacGaffey, John M. Janzen, and John K. Thornton, contributed to this collection.
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Locates the origin, the heartland, and the sacred places of each of the major religions and provides essential background about each, including a valuable table showing the fundamental beliefs of Buddhism, Christianity, Daoism, Hinduism, Islam, Judaism, and Hikhism.
Between the sixteenth and the nineteenth centuries, the west central African kingdom of Kongo practiced Christianity and actively participated in the Atlantic world as an independent, cosmopolitan realm. Drawing on an expansive and largely unpublished set of objects, images, and documents, Cecile Fromont examines the advent of Kongo Christian visual culture and traces its development across four centuries marked by war, the Atlantic slave trade, and, finally, the rise of nineteenth-century European colonialism. By offering an extensive analysis of the religious, political, and artistic innovations through which the Kongo embraced Christianity, Fromont approaches the country's conversion as a dynamic process that unfolded across centuries. The African kingdom's elite independently and gradually intertwined old and new, local and foreign religious thought, political concepts, and visual forms to mold a novel and constantly evolving Kongo Christian worldview. Fromont sheds light on the cross-cultural exchanges between Africa, Europe, and Latin America that shaped the early modern world, and she outlines the religious, artistic, and social background of the countless men and women displaced by the slave trade from central Africa to all corners of the Atlantic world.
A fascinating account of the effects of turbulent history on one of Africa’s most storied kingdoms, Kongo: Power and Majesty presents over 170 works of art from the Kingdom of Kongo (an area that includes present-day Republic of Congo, Democratic Republic of Congo, and Angola). The book covers 400 years of Kongolese culture, from the fifteenth century, when Portuguese, Dutch, and Italian merchants and missionaries brought Christianity to the region, to the nineteenth, when engagement with Europe had turned to colonial incursion and the kingdom dissolved under the pressures of displacement, civil war, and the devastation of the slave trade. The works of art—which range from depictions of European iconography rendered in powerful, indigenous forms to fearsome minkondi, or power figures—serve as an assertion of enduring majesty in the face of upheaval, and richly illustrate the book’s powerful thesis.
Seminar paper from the year 2022 in the subject History - Africa, grade: 1,0, University of Hamburg (Fakultät Geschichte), course: Einführung in die Geschichte Afrikas, language: English, abstract: Since the first enslaved Africans had reached the coast of Virginia in 1619, European, American, and African slave traders captured about one-quarter of all African slaves in Central Africa to ship them to America via the Congo River or other ports along the Congolese Loango due to the transatlantic slave trade. Significantly, these enslaved people, mostly from the Congo regions, did not solely bring a free workforce, but also a huge cultural heritage that shaped the American culture. Likewise, these slaves practiced African religiosity despite the established Catholicism by Europeans in the Americas. Out of this blending of African religiosity with Christianity developed the Afro-American syncretism today known as “voodoo”. Widely unknown is the immense influence of Congo religiosity on voodoo, due to slave imports from Congo to New Orleans. Accordingly, this leads to the question, which elements of Congolese religiosity originate within New Orleans Voodoo due to the transatlantic slave trade?
This volume demonstrates how, from the beginning of the Atlantic slave trade, enslaved and free Africans in the Americas used Catholicism and Christian-derived celebrations as spaces for autonomous cultural expression, social organization, and political empowerment. Their appropriation of Catholic-based celebrations calls into question the long-held idea that Africans and their descendants in the diaspora either resignedly accepted Christianity or else transformed its religious rituals into syncretic objects of stealthy resistance. In cities and on plantations throughout the Americas, men and women of African birth or descent staged mock battles against heathens, elected Christian queens and kings with great pageantry, and gathered in festive rituals to express their devotion to saints. Many of these traditions endure in the twenty-first century. The contributors to this volume draw connections between these Afro-Catholic festivals—observed from North America to South America and the Caribbean—and their precedents in the early modern kingdom of Kongo, one of the main regions of origin of men and women enslaved in the New World. This transatlantic perspective offers a useful counterpoint to the Yoruba focus prevailing in studies of African diasporic religions and reveals how Kongo-infused Catholicism constituted a site for the formation of black Atlantic tradition. Afro-Catholic Festivals in the Americas complicates the notion of Christianity as a European tool of domination and enhances our comprehension of the formation and trajectory of black religious culture on the American continent. It will be of great interest to scholars of African diaspora, religion, Christianity, and performance. In addition to the editor, the contributors include Kevin Dawson, Jeroen Dewulf, Junia Ferreira Furtado, Michael Iyanaga, Dianne M. Stewart, Miguel A. Valerio, and Lisa Voigt.
Includes articles on international business opportunities.