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“We’ve never needed a Mexican before,” someone says at a meeting about the possibility of hiring Jehú Malacara at the Klail, Belken County Bank, known simply as the Bank. But times are changing, and Jehú is smart, capable and well-liked. Containing two volumes from Rolando Hinojosa’s acclaimed Klail City Death Trip Series—Rites and Witnesses and Korean Love Songs—From Klail City to Korea with Love returns to familiar territory as Hinojosa continues his examination of life along the border, including the discrimination faced by Texas Mexicans and locals’ involvement in war. In brief, brilliant chapters composed of conversational fragments, each one a tile in a vivid mosaic of narrative, Rites and Witnesses captures the complex relationships and unsettling power struggles in both civilian and military life. Alternating chapters reveal the unfolding plans and schemes of the local elite—bankers, ranchers and real-estate moguls—while on the other side of the globe, Klail City native Corporal Rafe Buenrostro engages in skirmishes with the North Koreans, the Communist Chinese and the power brokers of the U.S. Army. Korean Love Songs, Hinojosa’s only poetry book, captures the horror of war through Rafe Buenrostro’s recollections. “I’m sick. They didn’t stop coming, / And we wouldn’t stop firing. / But we stopped them. / Brutally.” Passing on his beer ration, he says: “Drink? I don’t even want to eat …” In verse that depicts the slaughter of enemy soldiers, friendships made and lost and a military bureaucracy more interested in discipline than keeping its men safe, Hinojosa chillingly revives the terror and atrocity of human conflict. Originally published in 1978 by Editorial Justa Publications, this installment in the Klail City Death Trip Series has long been out of print. From Klail City to Korea with Love brings together and makes available two important books in Hinojosa’s lauded series that has frequently been compared to the work of William Faulkner and Gabriel García Márquez.
Provides short biographies of Latino American writers and journalists and information on their works.
This is a unique new reference book to English-language writers and writing throughout the present century, in all major genres and from all around the world - from Joseph Conrad to Will Self, Virginia Woolf to David Mamet, Ezra Pound to Peter Carey, James Joyce to Amy Tan. The survivors of the Victorian age who feature in The Oxford Companion to Twentieth-Century Literature in English - writers such as Thomas Hardy, Olive Schreiner, Rabindranath Tagore, Henry James - could hardly have imagined how richly diverse `Literature in English' would become by the end of the century. Fiction, plays, poetry, and a whole range of non-fictional writing are celebrated in this informative, readable, and catholic reference book, which includes entries on literary movements, periodicals, and over 400 individual works, as well as articles on some 2,400 authors. All the great literary figures are included, whether American or Australian, British, Irish, or Indian, African or Canadian or Caribbean - among them Samuel Beckett, Edith Wharton, Patrick White, T. S. Eliot, Derek Walcott, D. H. Lawrence, Tennessee Williams, Vladimir Nabokov, Wole Soyinka, Sylvia Plath - as well as a wealth of less obviously canonical writers, from Anaïs Nin to L. M. Montgomery, Bob Dylan to Terry Pratchett. The book comes right up to date with contemporary figures such as Toni Morrison, Ben Okri, Salman Rushdie, Carol Shields, Tim Winton, Nadine Gordimer, Vikram Seth, Don Delillo, and many others. Title entries range from Aaron's Rod to The Zoo Story; topics from Angry Young Men, Bestsellers, and Concrete Poetry to Soap Opera, Vietnam Writing, and Westerns. A lively introduction by John Sutherland highlights the various and sometimes contradictory canons that have emerged over the century, and the increasingly international sources of writing in English which the Companion records. Catering for all literary tastes, this is the most comprehensive single-volume guide to modern (and postmodern) literature.
Border Theory was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Challenging the prevailing assumption that border studies occurs only in "the borderlands" where Mexico and the United States meet, the authors gathered in this volume examine the multiple borders that define the United States and the Americas, including the Mason-Dixon line, the U.S.- Canadian border, the shifting boundaries of urban diasporas, and the colonization and confinement of American Indians. The texts assembled here examine the way border studies beckons us to rethink all objects of study and intellectual disciplines as versions of a border problematic. These writers-drawn from anthropology, history, and language studies-critique the terrain, limits, and possibilities of border theory. They examine, among other topics, the "soft" or "friendly" borders produced by ethnic studies, antiassimilationist or "difference" multiculturalisms, liberal anthropologies, and benevolent nationalisms. Referring to a range of theory (anthropological, sociological, feminist, Marxist, European postmodernist and poststructuralist, postcolonial, and ethnohistorical), the authors trace the genealogical and logical links between these discourses and border studies. A timely critique of a field just now revealing its explosive potential, this volume maps the intellectual topography of border theory and challenges the epistemological and political foundations of border studies. Contributors are Russ Castronovo, Elaine K. Chang, Louis Kaplan, Alejandro Lugo, Benjamin Alire Sáenz, and Patricia Seed. Scott Michaelsen is assistant professor of English at Michigan State University. David E. Johnson is lecturer in the Department of Modern Languages at the State University of New York at Buffalo.
This collection of critical essays addresses the complex relationship between contemporary literature theory and Chicano literature„a literature that is not part of the traditional literary cannon. The contributors, including Yolanda Julia Broyles, H?ctor CalderÑn, Margarita Cotà-Càrdenas, Lauro Flores, Patricia de la Fuente, Rolando Hinojosa, Luis Leal, Jos? David SaldÕvar, RamÑn SaldÕvar, MarÕa I. Duke dos Santos, and Rosaura Sànchez, draw upon a diverse array of theories„Marxist, feminist, post-structuralist„to make fresh, critical comments, not only on Rolando HinojosaÍs work, Klail City Death Trip series, but also on literary theory today.
The first comprehensive interpretation of the work of a major figure in Chicano literature, Klaus Zilles's study of the fourteen novels in Rolando Hinojosa's Klail City Death Trip series will appeal equally to the specialist, to the student, and to the interested reader of Hinojosa's intriguing and innovative "Tejano" novels. The series is dedicated to revealing the suppressed oral history of Mexican Texas and to making the reader a companion on a quest for this elusive history. Published between 1973 and 1998, the Klail City series ranges in historical time from the mid-1700s to the end of the twentieth century, attesting to 250 years of Spanish-Mexican presence in the Lower Río Grande Valley of Texas. The main body of Hinojosa's series, however, is set in fictitious Belken County, located on the U.S./Mexico border, and charts the lives of Hinojosa's two protagonists, Rafe Buenrostro and his cousin, Jehú Malacara, two men raised in the rigidly segregated world of a South Texas farming community. The Klail City series constitutes a truly "novel" approach to the novel: each installment in the cycle differs from the one before it in genre (the adult Buenrostro becomes a police detective and appears in several mystery novels), in narrative style (one novel is written entirely in verse, while another takes epistolary form), or in language (Hinojosa writes in Spanish, in English, in Chicano idiom, and in mixtures of all three). Zilles accomplishment is to provide a critical guide to the complicated fictional world that Hinojosa creates. By showing the profusion of forms and styles Hinojosa deploys, Zilles reveals the true dimensions of Hinojosa's design. "What makes Zilles so refreshing is his style. . . . He writes in a language accessible to the average reader. His work is solid, informative, thoughtful, and useful. I recommend it highly."--Juan Bruce-Novoa, Harvard University
Welcome to Klail City, in Belken County, along the Mexico border in Texas' Rio Grande Valley. In the weeks leading up to the Democratic primary, Jehu Malacara chronicles the political rabble-rousing of Klail City's wealthiest citizens in letters to his cousin Rafe Buenrostro. Led by Arnold "Noddy" Perkins, the who's who of Belken County create a complex web of relationships. Wrangling bank loans, club memberships, and local politics, Perkins dominates the political and economic landscape of the community. When Malacara turns up missing, and the writer, P. Galindo, begins interviewing the citizens, tales of deceit and betrayal float to the surface. From Jehu's knockout girlfriend Ollie to up-and-coming socialite Becky Escobar and even to old man Perkins himself, Hinojosa offers a feast of quirky characters and misdeeds. Part epistolary, part mystery novel, the population of Klail City makes an indelible impression. With an introduction by Hinojosa scholar Manuel Martín-Rodríguez, a professor at University of California Merced, this volume combines for the first time the English and Spanish-language versions of the novel that creates a fictitious community that The New York Times compared to William Faulkner's Yoknapatawpha and Gabriel García Márquez's Macondo.
In this expertly crafted, richly detailed guide, Raymond Leslie Williams explores the cultural, political, and historical events that have shaped the Latin American and Caribbean novel since the end of World War II. In addition to works originally composed in English, Williams covers novels written in Spanish, Portuguese, French, Dutch, and Haitian Creole, and traces the profound influence of modernization, revolution, and democratization on the writing of this era. Beginning in 1945, Williams introduces major trends by region, including the Caribbean and U.S. Latino novel, the Mexican and Central American novel, the Andean novel, the Southern Cone novel, and the novel of Brazil. He discusses the rise of the modernist novel in the 1940s, led by Jorge Luis Borges's reaffirmation of the right of invention, and covers the advent of the postmodern generation of the 1990s in Brazil, the Generation of the "Crack" in Mexico, and the McOndo generation in other parts of Latin America. An alphabetical guide offers biographies of authors, coverage of major topics, and brief introductions to individual novels. It also addresses such areas as women's writing, Afro-Latin American writing, and magic realism. The guide's final section includes an annotated bibliography of introductory studies on the Latin American and Caribbean novel, national literary traditions, and the work of individual authors. From early attempts to synthesize postcolonial concerns with modernist aesthetics to the current focus on urban violence and globalization, The Columbia Guide to the Latin American Novel Since 1945 presents a comprehensive, accessible portrait of a thoroughly diverse and complex branch of world literature.
Many of the twelve stories and fifty poems assembled in Retrieving Bones have long been out of print and are almost impossible to find in any other source. The editors have enhanced this collection by providing maps, a chronology of the Korean War, and annotated lists of novels, works of nonfiction, and films. In a detailed introduction, Ehrhart and Jason discuss the milestones of the Korean War and place each fiction writer and poet represented into historical and literary contexts.